Christine Poggi
Biographic Data
| ID | 257654 |
|---|---|
| NAME | Christine Poggi |
| GIVEN NAMES | Christine |
| FAMILY NAME | Poggi |
| SIGNATURE | POGGI C |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
From Primal Matter to Surrogate Veneer: Wood and Faux Bois in Picasso’s Cubism
In the spring and summer of 1906, while visiting the rural village of Gósol in the Spanish Pyrenees, Picasso executed his first woodcut, made two sculptures out of boxwood, and began to focus on the topoi of wood and the forest as avatars of primal matter and of that which lies beyond civilization. In a subsequent series of paintings, he used wooden supports for images that depict male and female heads that look as if they had been chiseled out o…
Balla's vortex: The volatile politics of an abstract form
Inventing futurism: The Art and Politics of Artificial Optimism
Inventing Futurism is a major reassessment of Futurism that reintegrates it into the history of twentieth-century avant-garde artistic movements." "Countering the standard view of Futurism as naively bellicose, Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Filippo Tommaso Marinetti's incendiary pronouncements would suggest. She closely examines Futur…
The Futurist Noise Machine
Futurism is famous for promoting “the art of noise” in its manifestos, serate (theatrical evenings), poetry, music, and visual art. Noise appears in Futurism as an avatar of the machine age, as a means of assaulting the senses of complacent audiences, and as a sign of the conflict inherent in matter. Beginning with the “Founding and Manifesto of Futurism” of 1909, where the noises of the street galvanize Marinetti and his friends to break out of …
Picturing Madness in 1905: Giacomo Balla's "La pazza" and the Cycle "I viventi
Folla/Follia: Futurism and the Crowd
La Futurista: Benedetta Cappa Marinetti
Folla/Follia: Futurism and the Crowd
The Futurist Noise Machine
Futurism is famous for promoting “the art of noise” in its manifestos, serate (theatrical evenings), poetry, music, and visual art. Noise appears in Futurism as an avatar of the machine age, as a means of assaulting the senses of complacent audiences, and as a sign of the conflict inherent in matter. Beginning with the “Founding and Manifesto of Futurism” of 1909, where the noises of the street galvanize Marinetti and his friends to break out of …
La Futurista: Benedetta Cappa Marinetti
Folla/Follia: Futurism and the Crowd
Picturing Madness in 1905: Giacomo Balla's "La pazza" and the Cycle "I viventi
Inventing futurism: The Art and Politics of Artificial Optimism
Inventing Futurism is a major reassessment of Futurism that reintegrates it into the history of twentieth-century avant-garde artistic movements." "Countering the standard view of Futurism as naively bellicose, Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Filippo Tommaso Marinetti's incendiary pronouncements would suggest. She closely examines Futur…
The Futurist Noise Machine
Futurism is famous for promoting “the art of noise” in its manifestos, serate (theatrical evenings), poetry, music, and visual art. Noise appears in Futurism as an avatar of the machine age, as a means of assaulting the senses of complacent audiences, and as a sign of the conflict inherent in matter. Beginning with the “Founding and Manifesto of Futurism” of 1909, where the noises of the street galvanize Marinetti and his friends to break out of …
Balla's vortex: The volatile politics of an abstract form
From Primal Matter to Surrogate Veneer: Wood and Faux Bois in Picasso’s Cubism
In the spring and summer of 1906, while visiting the rural village of Gósol in the Spanish Pyrenees, Picasso executed his first woodcut, made two sculptures out of boxwood, and began to focus on the topoi of wood and the forest as avatars of primal matter and of that which lies beyond civilization. In a subsequent series of paintings, he used wooden supports for images that depict male and female heads that look as if they had been chiseled out o…
Art history (4 works) · Art (3 works) · Art, Politics, and Modernism (3 works) · Computer Science (3 works) · Italian Literature and Culture (3 works) · Law (3 works) · Political science (3 works) · Download (2 works) · History (2 works) · History (2 works)