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Kenza Oumlil

Biographic Data

ID2578437
NAMEKenza Oumlil
GIVEN NAMESKenza
FAMILY NAMEOumlil
SIGNATUREOUMLIL K
AFFILIATIONSAl Akhawayn University
ORCID0000-0003-3395-8031
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS10
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Counter-Narratives about Sub-Saharan Migrant Women in the Digital Public Sphere

    Open Access•Kenza Oumlil•ARTICLE•Arab Media and Society•2023

    This article looks at counter-narratives of sub-Saharan migrant women in the digital public sphere in Morocco. It aims to highlight the civic engagement of migrant social media activism. Whereas migration and media have been covered in other contexts, this study contributes to the debate in Morocco and North/Sub-Saharan Africa. It will tackle the topic of media migrant representation in Morocco, with a particular focus on women’s representation. …

  • North American Muslim Women Artists Talk Back

    Kenza Oumlil•BOOK•North American Muslim Women…•2022

  • The Rise of Fourth‐Wave Feminism in the Arab region? Cyberfeminism and Women's Activism at the Crossroads of the Arab Spring

    Open Access•Maha Tazi, Kenza Oumlil•ARTICLE•CyberOrient•2020

    This article explores the emergence of fourth-wave feminism in the Middle East North Africa (MENA) region in the context of the Arab Spring, which was a series of uprisings that followed the self-immolation of Tunisian Mohamed Bouazizi in December 2010 and spread through several countries in the MENA region. The uprisings protested authoritarian regimes and called for democracy, freedom, and social justice. Fourth-wave feminism finds its origins …

  • The representation of women in Moroccan television talk shows

    Kenza Oumlil•ARTICLE•The Journal of North African…•2017•Cited by: 5•References: 13

    Women’s representation in Moroccan media is still an understudied area of academic inquiry; Anglophone scholarship in particular is lacking in this domain. This paper aims to rectify the gap by examining the construction of women’s identity in Moroccan television talk shows. Using textual analysis, it investigates two television shows Bidoun Haraj and Mâa Nass, both hosted by women. The episodes for this analysis were selected based on the criter…

  • Re-Writing History on Screen

    Open Access•Kenza Oumlil•ARTICLE•Arab Studies Quarterly•2016•Cited by: 1•References: 6

    This article examines how the award winning film Salt of This Sea (2008) responds to dominant gendered representations of Arab and Palestinian identity. The choice of this film is based on its significance as a contemporary cinematic text that aims to present alternative portrayals to those prevalent in the media. Furthermore, Annemarie Jacir is the first Palestinian female filmmaker to make a full-length feature film. The film puts a courageous …

  • Talking Back”

    Kenza Oumlil•ARTICLE•Feminist Media Studies•2013•Cited by: 4•References: 7

    This paper examines how Suheir Hammad's poetry “talks back” (bell hooks) to dominant gendered discourses. My central argument is that Hammad's influential poetry is constitutive of a discourse of resistance. This paper posits resistance as being counter-hegemonic. It demonstrates how these representations signify a re-articulation of identity and a call for a redistribution of symbolic power. On the basis of a textual analysis of Hammad's poetry,…

  • Muslims and Media Images

    Open Access•Kenza Oumlil•ARTICLE•American Journal of Islamic…•2012

    Ather Farouqi’s edited book Muslims and Media Images: News VersusViews examines the Hindi and Urdu press as well as Hindi and regional languagefilms. The uniqueness of the collection lies in the grounded approachtaken to study the topic of media images of Indian Muslims. Along with anintroduction and two appendices, this volume consists of nineteen mainlyshort chapters organized in four sections that highlight the experiences ofmedia practitioner…

  • The representation of women in Moroccan television talk shows

    Kenza Oumlil•ARTICLE•The Journal of North African…•2017•Cited by: 5•References: 13

    Women’s representation in Moroccan media is still an understudied area of academic inquiry; Anglophone scholarship in particular is lacking in this domain. This paper aims to rectify the gap by examining the construction of women’s identity in Moroccan television talk shows. Using textual analysis, it investigates two television shows Bidoun Haraj and Mâa Nass, both hosted by women. The episodes for this analysis were selected based on the criter…

  • Talking Back”

    Kenza Oumlil•ARTICLE•Feminist Media Studies•2013•Cited by: 4•References: 7

    This paper examines how Suheir Hammad's poetry “talks back” (bell hooks) to dominant gendered discourses. My central argument is that Hammad's influential poetry is constitutive of a discourse of resistance. This paper posits resistance as being counter-hegemonic. It demonstrates how these representations signify a re-articulation of identity and a call for a redistribution of symbolic power. On the basis of a textual analysis of Hammad's poetry,…

  • Re-Writing History on Screen

    Open Access•Kenza Oumlil•ARTICLE•Arab Studies Quarterly•2016•Cited by: 1•References: 6

    This article examines how the award winning film Salt of This Sea (2008) responds to dominant gendered representations of Arab and Palestinian identity. The choice of this film is based on its significance as a contemporary cinematic text that aims to present alternative portrayals to those prevalent in the media. Furthermore, Annemarie Jacir is the first Palestinian female filmmaker to make a full-length feature film. The film puts a courageous …

  • Muslims and Media Images

    Open Access•Kenza Oumlil•ARTICLE•American Journal of Islamic…•2012

    Ather Farouqi’s edited book Muslims and Media Images: News VersusViews examines the Hindi and Urdu press as well as Hindi and regional languagefilms. The uniqueness of the collection lies in the grounded approachtaken to study the topic of media images of Indian Muslims. Along with anintroduction and two appendices, this volume consists of nineteen mainlyshort chapters organized in four sections that highlight the experiences ofmedia practitioner…

  • Talking Back”

    Kenza Oumlil•ARTICLE•Feminist Media Studies•2013•Cited by: 4•References: 7

    This paper examines how Suheir Hammad's poetry “talks back” (bell hooks) to dominant gendered discourses. My central argument is that Hammad's influential poetry is constitutive of a discourse of resistance. This paper posits resistance as being counter-hegemonic. It demonstrates how these representations signify a re-articulation of identity and a call for a redistribution of symbolic power. On the basis of a textual analysis of Hammad's poetry,…

  • Re-Writing History on Screen

    Open Access•Kenza Oumlil•ARTICLE•Arab Studies Quarterly•2016•Cited by: 1•References: 6

    This article examines how the award winning film Salt of This Sea (2008) responds to dominant gendered representations of Arab and Palestinian identity. The choice of this film is based on its significance as a contemporary cinematic text that aims to present alternative portrayals to those prevalent in the media. Furthermore, Annemarie Jacir is the first Palestinian female filmmaker to make a full-length feature film. The film puts a courageous …

  • The representation of women in Moroccan television talk shows

    Kenza Oumlil•ARTICLE•The Journal of North African…•2017•Cited by: 5•References: 13

    Women’s representation in Moroccan media is still an understudied area of academic inquiry; Anglophone scholarship in particular is lacking in this domain. This paper aims to rectify the gap by examining the construction of women’s identity in Moroccan television talk shows. Using textual analysis, it investigates two television shows Bidoun Haraj and Mâa Nass, both hosted by women. The episodes for this analysis were selected based on the criter…

  • The Rise of Fourth‐Wave Feminism in the Arab region? Cyberfeminism and Women's Activism at the Crossroads of the Arab Spring

    Open Access•Maha Tazi, Kenza Oumlil•ARTICLE•CyberOrient•2020

    This article explores the emergence of fourth-wave feminism in the Middle East North Africa (MENA) region in the context of the Arab Spring, which was a series of uprisings that followed the self-immolation of Tunisian Mohamed Bouazizi in December 2010 and spread through several countries in the MENA region. The uprisings protested authoritarian regimes and called for democracy, freedom, and social justice. Fourth-wave feminism finds its origins …

  • North American Muslim Women Artists Talk Back

    Kenza Oumlil•BOOK•North American Muslim Women…•2022

  • Counter-Narratives about Sub-Saharan Migrant Women in the Digital Public Sphere

    Open Access•Kenza Oumlil•ARTICLE•Arab Media and Society•2023

    This article looks at counter-narratives of sub-Saharan migrant women in the digital public sphere in Morocco. It aims to highlight the civic engagement of migrant social media activism. Whereas migration and media have been covered in other contexts, this study contributes to the debate in Morocco and North/Sub-Saharan Africa. It will tackle the topic of media migrant representation in Morocco, with a particular focus on women’s representation. …

Sociology (7 works) · Law (5 works) · Political science (5 works) · Art (4 works) · Gender Studies (4 works) · Literature (4 works) · Politics (4 works) · Law (3 works) · Media studies (3 works) · Middle East Politics and Society (3 works)

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