Janne Vanhanen
Biographic Data
| ID | 2578622 |
|---|---|
| NAME | Janne Vanhanen |
| GIVEN NAMES | Janne |
| FAMILY NAME | Vanhanen |
| SIGNATURE | VANHANEN J |
| AFFILIATIONS | University of Helsinki |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
“Noise belongs to everyone” – interview with Vilho Koivisto, a noise musician
The interview with Vilho Koivisto, a Finnish noise music practitioner, explores topics related to noise vis-à-vis music, the practices of making, performing, recording as well as releasing and distributing noise, and the audience of noise music. In our conversation Koivisto reflects upon his own becoming aware of noise music and his acquiring of the skills needed to create, perform and publish noise, the contemporary noise music scene and relatio…
Virtual Sound
The arrival of so-called laptop music in the late 1990s also created a distinctively new aesthetic, which utilized the errors and disturbances taking place in digital sound processing. This focus on the glitch became an emblematic sound and signaled a new approach to the relation between the sound artist and the tools of music production by focusing on the production process itself. There has been a steady increase in the quantity of music produc…
Virtual Sound
The arrival of so-called laptop music in the late 1990s also created a distinctively new aesthetic, which utilized the errors and disturbances taking place in digital sound processing. This focus on the glitch became an emblematic sound and signaled a new approach to the relation between the sound artist and the tools of music production by focusing on the production process itself. There has been a steady increase in the quantity of music produc…
Virtual Sound
The arrival of so-called laptop music in the late 1990s also created a distinctively new aesthetic, which utilized the errors and disturbances taking place in digital sound processing. This focus on the glitch became an emblematic sound and signaled a new approach to the relation between the sound artist and the tools of music production by focusing on the production process itself. There has been a steady increase in the quantity of music produc…
“Noise belongs to everyone” – interview with Vilho Koivisto, a noise musician
The interview with Vilho Koivisto, a Finnish noise music practitioner, explores topics related to noise vis-à-vis music, the practices of making, performing, recording as well as releasing and distributing noise, and the audience of noise music. In our conversation Koivisto reflects upon his own becoming aware of noise music and his acquiring of the skills needed to create, perform and publish noise, the contemporary noise music scene and relatio…
Music Technology and Sound Studies (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Art (1 work) · Background noise (1 work) · Computer Science (1 work) · Conversation (1 work) · Diverse Musicological Studies (1 work) · Glitch (1 work) · Laptop (1 work)