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Anne-Marie Christin

Biographic Data

ID258134
NAMEAnne-Marie Christin
GIVEN NAMESAnne-Marie
FAMILY NAMEChristin
SIGNATURECHRISTIN A
AFFILIATIONSDélégation Paris 7
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2001
H-INDEX1
  • De l'espace iconique à l'écriture

    Open Access•Anne-Marie Christin•ARTICLE•L Anthropologie•2001

  • The first page

    Open Access•Anne-Marie Christin•ARTICLE•European Review•2000

    The page is defined as a textual support , whether the text be present or virtual. This phenomenon is not specific to our book- and alphabet-based civilization. The very invention of writing rests on an original means of exploiting the space inaugurated by the image, and on the questions raised by that particular kind of space. By calibrating and structuring this space, soothsayers established the laws of a system of signs specific to visual comm…

  • Les origines de l'écriture: Image, signe, trace

    Anne-Marie Christin•ARTICLE•Le Débat•1999

  • Text and image

    Open Access•Anne-Marie Christin•ARTICLE•European Review•1995•References: 2

    Interdisciplinary studies on ‘Text and Image’, which began in the 1970s, have now taken on a position of some importance. They pick up and develop those theories which, from the 15th to the 17th centuries, considered the association of the arts in terms of the Horatian ‘ Ut pictura poesis ’. These studies, however, confront a major theoretical difficulty, inherent in the retention of Euclidean categories in our conception of vision and painting. …

  • Hebdomeros, théâtre de mémoire

    Anne-Marie Christin•ARTICLE•Littérature•1987

    Christin Anne-Marie. Hebdomeros, theâtre de memoire. In: Litterature, n°65, 1987. Espaces et chemins. pp. 20-36

  • Retour aux idéogrammes: L'affiche publicitaire française dans les années 30

    Anne-Marie Christin•ARTICLE•Langages•1984

    Christin Anne-Marie. Retour aux idéogrammes : l'affiche publicitaire française dans les années 30. In: Langages, 19e année, n°75, 1984. Lettres et icônes, sous la direction de Pierre Fresnault-Deruelle et Jean-Didier Urbain. pp. 65-76

  • Space and Convention in Eugene Fromentin: The Algerian Experience

    Anne-Marie Christin, Richard M Berrong•ARTICLE•New Literary History•1984•Cited by: 1

    Le recours ultime aux conventions de la memoire et l'esthetique sedentaire de F.: une lecture de Un ete dans le Sahara et Une annee dans le Sahel

  • Space and Convention in Eugene Fromentin: The Algerian Experience

    Anne-Marie Christin, Richard M Berrong•ARTICLE•New Literary History•1984•Cited by: 1

    Le recours ultime aux conventions de la memoire et l'esthetique sedentaire de F.: une lecture de Un ete dans le Sahara et Une annee dans le Sahel

  • Retour aux idéogrammes: L'affiche publicitaire française dans les années 30

    Anne-Marie Christin•ARTICLE•Langages•1984

    Christin Anne-Marie. Retour aux idéogrammes : l'affiche publicitaire française dans les années 30. In: Langages, 19e année, n°75, 1984. Lettres et icônes, sous la direction de Pierre Fresnault-Deruelle et Jean-Didier Urbain. pp. 65-76

  • Space and Convention in Eugene Fromentin: The Algerian Experience

    Anne-Marie Christin, Richard M Berrong•ARTICLE•New Literary History•1984•Cited by: 1

    Le recours ultime aux conventions de la memoire et l'esthetique sedentaire de F.: une lecture de Un ete dans le Sahara et Une annee dans le Sahel

  • Hebdomeros, théâtre de mémoire

    Anne-Marie Christin•ARTICLE•Littérature•1987

    Christin Anne-Marie. Hebdomeros, theâtre de memoire. In: Litterature, n°65, 1987. Espaces et chemins. pp. 20-36

  • Text and image

    Open Access•Anne-Marie Christin•ARTICLE•European Review•1995•References: 2

    Interdisciplinary studies on ‘Text and Image’, which began in the 1970s, have now taken on a position of some importance. They pick up and develop those theories which, from the 15th to the 17th centuries, considered the association of the arts in terms of the Horatian ‘ Ut pictura poesis ’. These studies, however, confront a major theoretical difficulty, inherent in the retention of Euclidean categories in our conception of vision and painting. …

  • Les origines de l'écriture: Image, signe, trace

    Anne-Marie Christin•ARTICLE•Le Débat•1999

  • The first page

    Open Access•Anne-Marie Christin•ARTICLE•European Review•2000

    The page is defined as a textual support , whether the text be present or virtual. This phenomenon is not specific to our book- and alphabet-based civilization. The very invention of writing rests on an original means of exploiting the space inaugurated by the image, and on the questions raised by that particular kind of space. By calibrating and structuring this space, soothsayers established the laws of a system of signs specific to visual comm…

  • De l'espace iconique à l'écriture

    Open Access•Anne-Marie Christin•ARTICLE•L Anthropologie•2001

Art (5 works) · Philosophy (4 works) · Humanities (3 works) · Linguistics (3 works) · Philosophy (3 works) · Political science (3 works) · Alphabet (2 works) · Artificial Intelligence (2 works) · Computer Science (2 works) · Epistemology (2 works)

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