Kaisa Hiltunen
Biographic Data
| ID | 258458 |
|---|---|
| NAME | Kaisa Hiltunen |
| GIVEN NAMES | Kaisa |
| FAMILY NAME | Hiltunen |
| SIGNATURE | HILTUNEN K |
| AFFILIATIONS | University of Jyväskylä |
| ORCID | 0000-0001-6120-0098 |
| VERIFIED | Yes |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 70 |
| WORKS AS AUTHOR | 18 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Exhibiting Europe at European Union film festivals
The aim of the EU Film Festivals (EUFFs), organised by EU delegations in third countries, is to promote European cinema and European values internationally.This suggests that at EUFFs films are seen as a form of public diplomacy to foster European creativity and values considered European. As most EU delegations organise an EUFF, a consortium has been established to support the festivals. The consortium provides a repository of European films tha…
Film promotion across the EU member states and abroad
The article examines public practices in three European Union (EU) Member States (MSs) – Denmark, Finland, and France – regarding the international promotion of their respective film industries and, by extension, the broader European film industry. It focuses on three main aspects: it examines (i) institutional mechanisms through which national authorities contribute to the film promotion across EU MSs and abroad, and (ii) how national authoritie…
EU film festivals – balancing and harnessing the ambiguity of competitiveness and public diplomacy
European Union (EU) film policy can be understood as a balancing act between multiple, and at times contradictory, objectives. These objectives aim not only to strike an equilibrium between artistic expression and commercial demands but also to pursue the twin goals of enhancing the competitiveness of the European film industry and employing European film as a tool in the EU’s external relations. This article explores the EU Film Festivals (EUFF)…
Räjähtävistä petäjistä puiden puhutteluun
Vihreä kulta ja jännitteiset metsäkeskustelut
Teknologia ja huolen eleet elokuvassa Rotanpyydystäjä
nonPeerReviewed
Avaran luonnon luontodokumenttien hitaasti muuttuva luontokäsitys
nonPeerReviewed
Lamaannuttava dystopia, toivoa herättävä ekotopia
Ympristaiheisia elokuvia ksittelevi vastaanottotutkimuksia on kuitenkin toteutettu melko vhn. Ptimme vastata tutkijoiden haasteeseen ja jrjestimme kolmen ympristkriisi
Elokuvan ja median tutkijat ja tekijät luontokysymysten äärellä
nonPeerReviewed
Monisärmäinen elokuva- ja mediatutkimus
Tutkimuksen jatkumot ja uudet suunnat
nonPeerReviewed
Laajasti pohjoismaisen elokuvakulttuurin kansainvälisistä yhteyksistä
Kirja-arvostelu teoksesta Anna Westerstahl Stenport & Arne Lunde (toim.) (2019) Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh: Edinburgh University Press, 389 s
Pohjoista päin
nonPeerReviewed
Rajojen poetiikkaa ja politiikkaa
Käsittelemme artikkelissa suomalaisten nykytaiteilijoiden reaktioita vuoden 2015 ”pakolaiskriisiin” taiteellisen aktivismin näkökulmasta. Analysoimme kolmea teosta, Lauri Ahtisen Elias-sarjakuvaromaania (2018), Minna Rainion ja Mark Robertsin lyhytelokuvaa They Came in Crowded Boats and Trains (2017) ja Riiko Sakkisen näyttelyä Rajat kiinni (2017). Tulkitsemme teoksia poeettisena aktivismina, jolla taiteilijat pyrkivät vaikuttamaan yleisöön taite…
Tale(s) of a Forest—Re-Creation of a Primeval Forest in Three Environmental Narratives
We analyze three environmentally conscious works that are concerned with the state of Finnish forests: the documentary film Metsän tarina/Tale of a Forest (2012), the book with the same name (2013) and the series of short documentaries Tarinoita metsästä/Tales from the Forest (2013). By combining methods from arts research and ecology, we ask how the narratives adapt material from nature photography. The film and book present mythic stories and o…
Teknologia, (mieli)kuvat, historia
vuodelta 1971.Hän nostaa väitteensä tueksi esimerkkejä menneiltä vuosisadoilta, Napoleonista britti-imperiumiin ja Leniniin.Esimerkeistä käy ilmi, että imperialismi on määriteltävissä historiallisesti lopulta vain sen (oletetuista) vastaideologioista käsin.Vieläkin selvempää on, että imperialismi on eurooppalaisten ei-länsimaalaisiin kansoihin
Post memory and cinematic affect in T he Midwife
The Second World War has proved a rich source of inspiration for fiction films worldwide. The Finnish fiction film The Midwife (Kätilö, Antti J. Jokinen, 2015) is aimed at an international audience with a story that takes place in the context of the Lapland War in Finland in 1944. The film tells of a romantic relationship between a local woman and a member of the German army, in a highly affective manner. This article argues that the film downpla…
Fluidity and flexibility of 'belonging
Studies framing 'belonging' as a key focus and a central concept of research have increased significantly in the 2000s. This article explores the dimensions of belonging as a scholarly concept. The investigation is based on a qualitative content analysis of articles published in academic journals covering a large number of different disciplines. The article poses and answers the following research questions: How is belonging understood and used i…
Fluidity and flexibility of 'belonging
Studies framing 'belonging' as a key focus and a central concept of research have increased significantly in the 2000s. This article explores the dimensions of belonging as a scholarly concept. The investigation is based on a qualitative content analysis of articles published in academic journals covering a large number of different disciplines. The article poses and answers the following research questions: How is belonging understood and used i…
Fluidity and flexibility of 'belonging
Studies framing 'belonging' as a key focus and a central concept of research have increased significantly in the 2000s. This article explores the dimensions of belonging as a scholarly concept. The investigation is based on a qualitative content analysis of articles published in academic journals covering a large number of different disciplines. The article poses and answers the following research questions: How is belonging understood and used i…
Post memory and cinematic affect in T he Midwife
The Second World War has proved a rich source of inspiration for fiction films worldwide. The Finnish fiction film The Midwife (Kätilö, Antti J. Jokinen, 2015) is aimed at an international audience with a story that takes place in the context of the Lapland War in Finland in 1944. The film tells of a romantic relationship between a local woman and a member of the German army, in a highly affective manner. This article argues that the film downpla…
Laajasti pohjoismaisen elokuvakulttuurin kansainvälisistä yhteyksistä
Kirja-arvostelu teoksesta Anna Westerstahl Stenport & Arne Lunde (toim.) (2019) Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh: Edinburgh University Press, 389 s
Pohjoista päin
nonPeerReviewed
Rajojen poetiikkaa ja politiikkaa
Käsittelemme artikkelissa suomalaisten nykytaiteilijoiden reaktioita vuoden 2015 ”pakolaiskriisiin” taiteellisen aktivismin näkökulmasta. Analysoimme kolmea teosta, Lauri Ahtisen Elias-sarjakuvaromaania (2018), Minna Rainion ja Mark Robertsin lyhytelokuvaa They Came in Crowded Boats and Trains (2017) ja Riiko Sakkisen näyttelyä Rajat kiinni (2017). Tulkitsemme teoksia poeettisena aktivismina, jolla taiteilijat pyrkivät vaikuttamaan yleisöön taite…
Tale(s) of a Forest—Re-Creation of a Primeval Forest in Three Environmental Narratives
We analyze three environmentally conscious works that are concerned with the state of Finnish forests: the documentary film Metsän tarina/Tale of a Forest (2012), the book with the same name (2013) and the series of short documentaries Tarinoita metsästä/Tales from the Forest (2013). By combining methods from arts research and ecology, we ask how the narratives adapt material from nature photography. The film and book present mythic stories and o…
Teknologia, (mieli)kuvat, historia
vuodelta 1971.Hän nostaa väitteensä tueksi esimerkkejä menneiltä vuosisadoilta, Napoleonista britti-imperiumiin ja Leniniin.Esimerkeistä käy ilmi, että imperialismi on määriteltävissä historiallisesti lopulta vain sen (oletetuista) vastaideologioista käsin.Vieläkin selvempää on, että imperialismi on eurooppalaisten ei-länsimaalaisiin kansoihin
Monisärmäinen elokuva- ja mediatutkimus
Tutkimuksen jatkumot ja uudet suunnat
nonPeerReviewed
Lamaannuttava dystopia, toivoa herättävä ekotopia
Ympristaiheisia elokuvia ksittelevi vastaanottotutkimuksia on kuitenkin toteutettu melko vhn. Ptimme vastata tutkijoiden haasteeseen ja jrjestimme kolmen ympristkriisi
Elokuvan ja median tutkijat ja tekijät luontokysymysten äärellä
nonPeerReviewed
Teknologia ja huolen eleet elokuvassa Rotanpyydystäjä
nonPeerReviewed
Avaran luonnon luontodokumenttien hitaasti muuttuva luontokäsitys
nonPeerReviewed
Räjähtävistä petäjistä puiden puhutteluun
Vihreä kulta ja jännitteiset metsäkeskustelut
Exhibiting Europe at European Union film festivals
The aim of the EU Film Festivals (EUFFs), organised by EU delegations in third countries, is to promote European cinema and European values internationally.This suggests that at EUFFs films are seen as a form of public diplomacy to foster European creativity and values considered European. As most EU delegations organise an EUFF, a consortium has been established to support the festivals. The consortium provides a repository of European films tha…
Film promotion across the EU member states and abroad
The article examines public practices in three European Union (EU) Member States (MSs) – Denmark, Finland, and France – regarding the international promotion of their respective film industries and, by extension, the broader European film industry. It focuses on three main aspects: it examines (i) institutional mechanisms through which national authorities contribute to the film promotion across EU MSs and abroad, and (ii) how national authoritie…
EU film festivals – balancing and harnessing the ambiguity of competitiveness and public diplomacy
European Union (EU) film policy can be understood as a balancing act between multiple, and at times contradictory, objectives. These objectives aim not only to strike an equilibrium between artistic expression and commercial demands but also to pursue the twin goals of enhancing the competitiveness of the European film industry and employing European film as a tool in the EU’s external relations. This article explores the EU Film Festivals (EUFF)…
Art (6 works) · Research in Social Sciences (5 works) · Sociology (5 works) · Cinema and Media Studies (4 works) · Humanities (4 works) · Cultural Industries and Urban Development (3 works) · European Cultural and National Identity (3 works) · European union (3 works) · Media Studies and Communication (3 works) · Psychology (3 works)