Jacques Rancière
Biographic Data
| ID | 259501 |
|---|---|
| NAME | Jacques Rancière |
| GIVEN NAMES | Jacques |
| FAMILY NAME | Rancière |
| SIGNATURE | RANCIÈRE J |
| AFFILIATIONS | Université Paris 8 |
| ORCID | 0000-0003-3485-2247 |
| VERIFIED | Yes |
| TOTAL WORKS | 127 |
| TOTAL CITATIONS | 847 |
| AUTHOR COUNT | 127 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1973 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 14 |
The Pensive Image (2008)
« Le deuil interminable de la science révolutionnaire »
Dans cet entretien conduit par Maël Bigot, Jacques Rancière revient sur son rapport à Althusser, à Marx et, plus généralement, au marxisme. C’est pour lui l’occasion de répondre à certaines des objections qu’ont pu susciter son travail, et de rappeler ses idées directrices : l’impossibilité de fonder la politique sur une science de l’histoire et de la société, l’importance d’une écriture de l’histoire qui accorde toute sa place aux pratiques subj…
Éduquer, (s’)émanciper
jamais contente d'elle-mme, se demandant toujours si ce qu'on a dit c'est bien ce qu'on voulait dire, si ce qu'on a expriment, c'est bien cela qu'on voulait exprimenter.La philosophie, c'est une pointe, une recherche, ce n'est pas une attitude de vie et a se traduit toujours ncessairement dans un discours
El teatro del pueblo: Una historia interminable
Julio de 1848. El ciudadano Eugène Delaporte, antiguo alumno del Conservatorio y músico en la ciudad de Sens, presenta a los miembros de la Asamblea nacional un proyecto que cuenta con el visto bueno del ciudadano ministro del Interior. Delaporte les muestra un arma capital para “propagar la Santa Fraternidad” y “disipar con ayuda de la ciencia las tinieblas del fanatismo y la ignorancia”: el desarrollo de la música coral. Como botón de muestra, …
Die emanzipierten Raumgebrauchenden
Coronavirus Disease 2019 (Covid-19) Lockdown: Morbidity, Perception, Behaviors, and Attitudes in French Families From the Paris Birth Cohort
Background Few studies have examined the overall experience of adolescents and their families during COVID-19 lockdowns. This study describes COVID-19-related morbidity in the PARIS birth cohort families during the first lockdown in France and identifies family profiles in terms of morbidity, perception, behaviors, and attitudes. Methods Online questionnaires were sent to adolescents of the PARIS birth cohort and their parents. Possible COVID-19 …
O que “Medium” pode querer dizer: O exemplo da Fotografia
Artigo escrito em 2008 e publicado na revista online Appareil n.o 1, tradução inédita autorizada pelo autor
Arquiteturas Deslocadas
Em 2019, Jacques Rancière apresentou “Architectures Deplacées”, na Société Française des Architectes, em Paris. Nosso trabalho consiste na tradução da referida palestra e no artigo introdutório publicado em revista, os quais abordaram temas de suas conferências recentes sobre arquitetura. Dentre os deslocamentos ético, poético e estético propostos, Rancière elucida questões intrínsecas da arquitetura na relação com a paisagem. Nesse contexto, o m…
Fuera de lugar: Cuerpos (in)tangibles en las culturas minorizadas de la península Ibérica. Literatura, Cine y Arte
This volume aims to research how Catalan, Galician, Basque and Mirandese literature, cinema and art conceptualize alterity with a focus on the corporeal. The articles explore how the Other is constructed from the perspective of minority culture and how their own identities are created in reference to this Other. Furthermore, the authors reflect on how the dominant cultures (Spanish and Portuguese, respectively) inscribe otherness in minority cult…
Does Communist Art Exist
Y a-t-il un art communiste? was given as a talk at the Grand Palais in Paris on 10 April 2019 on the occasion of a special exhibition, Red: Art and Utopia in the Land of the Soviets (Rouge: Art et utopie au pays des Soviets). The exhibition ran from 20 March 2019 to 1 July 2019. Red displayed works produced in the wake of the October Revolution of 1917 to the death of Joseph Stalin in 1953. This covers early experiments by avant-garde artists suc…
An Interview with Jacques Rancière: Playing Freely, from the Other, to the Letter
An Interview with Jacques Rancière:Playing Freely, from the Other, to the Letter Joseph R. Shafer (bio) and Jacques Rancière (bio) When I first contacted Jacques Rancière in March 2017, nearly three-and-a-half years before the completion of this interview, a few basic questions were growing heavy. Questions limited to current political climates, trending philosophical systems, specific literary works, designated historical shifts, or particular R…
Cuestiones de fronteras: Arte, política, ética hoy
El presente artículo analiza algunas formas singulares que abordan la cuestión de las fronteras o el borrado de las fronteras entre lo que generalmente llamamos arte y lo que solemos llamar política. En primer lugar, se presentarán dos obras significativas (And Europe will be stunned, por Yaël Bartana y Sumando ausencias, por Doris Salcedo) para presentar el problema. A continuación, se identificarán algunos elementos de la genealogía de este pro…
Ce dont le peuple est capable
Von der Aufteilung des Sinnlichen und den daraus folgenden Beziehungen zwischen Politik und Ästhetik
El tiempo de los no-vencidos. (Tiempo, ficción, política)
Politika fikce
Th is text looks at the early Communist intellectual movement in Slovakia (in an area that, for part of the time under discussion, was affi liated with the the Hungarian Soviet Republic) organized around the journal Kassai Munkás (Th e Košice Worker).By placing this movement in the context of the development of Western Marxism and the incipient Marxist aesthetics of György Lukács, who was among those who published in the journal, the paper charac…
Da Política à Estética
Eu gostaria de dar algumas pistas para se entender o que às vezes é descrito como a minha mudança ou virada "estética". Estou ciente da simplicidade e do caráter retrospectivo dos assuntos a seguir. No entanto, espero que possam ajudar não somente na compreensão do meu trabalho - o que não é de maior importância -, mas também em seu uso como ferramenta para o que é mais relevante: tentar reformular as categorias pelas quais captamos o estado da p…
Da representação à expressão
representao" e de "sistemas poticos" -os modos especcos segundo os quais cada momento histrico compreende a natureza da
The Politics of Fiction
This essay uses constructions of avowed fiction from modern Western literature and criticism (Erich Auerbach, Virginia Woolf, William Faulkner) to question the sense of reality constructed by dominant social discourses that claim to be the mere expression of reality. Avowed fiction has in fact an “epistemological” privilege: it is not obliged to deny its fictional character. It must build and make visible these modes of presentation of situations…
O espectador emancipado
Reflexão sobre as implicações do teatro contemporâneo, a partir das funções do espectador. Diante da vigência da “sociedade do espetáculo”, é desejável que a arte crítica introduza renovados mecanismos de partilha do sensível, promova a horizontalidade das relações, a redistribuição dos lugares comuns e reinstale no espectador o prazer do aprendizado
A poética do saber - Sobre Os nomes da história
O artigo enfoca as contradições existentes na dimensão histórica, especialment equando se pensa as "artes de fazer". Contrapõe arte e ciência, história científica e história ideológica, finalizando com considerações sobre o presente, quando o trabalho analítico deve deixar de ser um trabalho de luto para voltar-se às constituintes da democracia
Images Re-Read: The Method of Georges Didi-Huberman
In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of diff…
Auerbach and the Contradictions of Realism
Althusser's Lesson
Translator's Preface 1. A lesson in orthodoxy: M.L. teaches John Lewis that the masses make history 2. A lesson in politics: philosophers do not become kings 3. A lesson in self-criticism: class struggle rages in theory 4. A lesson in history: the damages of humanism 5. A discourse in its place 6. For the record: on the theory of ideology (1969) Index.
Prefácio ao Le Philosophe et ses pauvres
Who Is the Subject of the Rights of Man
Research Article| July 01 2004 Who Is the Subject of the Rights of Man? Jacques Rancière Jacques Rancière Search for other works by this author on: This Site Google South Atlantic Quarterly (2004) 103 (2-3): 297–310. https://doi.org/10.1215/00382876-103-2-3-297 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jacques Rancière; Who Is the Subject of the Rights of Man?. South Atlantic Quarterly 1 Jul…
Politics, Identification, and Subjectivization
In a sense, the whole matter of my paper is involved in a preliminary question: In what language will it be uttered? Neither my language nor your language, but rather a dialect between French and English, a special one, a dialect that carries no identification with any group. No tribal dialect, no univeral language, only an in-between dialect, constructed for the aims of this discussion and guided by the idea that the activity of thinking is prim…
Hatred of democracy
Introducing disagreement
Dissenting Words: A Conversation with Jacques Rancière
In your writings you highlight the political efficacy of words. In The Names of History, for instance, this emphasis is discussed most vividly in terms of what you refer to as an "excess of words" that marks the rise of democratic movements in the seventeenth century. Similarly, in On The Shores of Politics, you begin your discussion with an excursus on the end of politics as the end of the promise. Finally, in Dis-agreement you speak of "the par…
The Aesthetic Dimension: Aesthetics, Politics, Knowledge
Politics and aesthetics an interview
A few remarks on the method of Jacques Rancière
When it comes to the appreciation of a thinker, there are two levels of investigation. One can examine his/her ideas, test their consistency, compare them with other thinkers' ideas and judge the g
O espectador emancipado
Reflexão sobre as implicações do teatro contemporâneo, a partir das funções do espectador. Diante da vigência da “sociedade do espetáculo”, é desejável que a arte crítica introduza renovados mecanismos de partilha do sensível, promova a horizontalidade das relações, a redistribuição dos lugares comuns e reinstale no espectador o prazer do aprendizado
What Does it Mean to be Un
Great Hall, New Parliament House, Canberra, 7 December 2006 Jacques Ranciere is Emeritus Professor of Aesthetics and Politics at the University of Paris VIII where he taught from 1969 to 2000. He h
From Politics to Aesthetics
The Nights of Labor: The Workers' Dream in Nineteenth-Century France
The Gate of Hell 2. The Gate of Heaven 3. The New Babylon 4. Circuit Rounds and Spirals 5. The Morning Star Part II: The Broken Plane 6. The Army of Work 7. The Lovers of Humanity 8. The Hammer and the Anvil 9. The Holes of the Temple Part III: The Christian Hercules 10. The Interrupted Banquet 11. The Republic of Work 12. The Journey of Icarus Epilogue: The Night of October Outline Chronology
Democracy, Republic, Representation
The Politics of Literature
I will start by explaining what my title means—and first of all what it does not mean. The politics of literature is not the politics of its writers. It does not deal with their personal commitment to the social and political issues and struggles of their times. Nor does it deal with the modes of representation of political events or the social structure and the social struggles in their books. The syntagma "politics of literature" means that lit…
The Ethical Turn of Aesthetics and Politics
Günümüzde sanatsal ve politik pratikleri etkileyen etik yönelim, onların ahlaki kriterlere tabi olmaları olarak yorumlanmamalıdır. Günümüzde etiğin saltanatı, gerçek ile yasa arasında, olan ile olması gereken arasında, yargının kendisini dayatan yasanın gücüne boyun eğdiği giderek artan bir ayrımsızlığa yol açmaktadır. Bu yasanın radikalliği, hiçbir seçeneğe yer bırakmaması ve şeylerin düzeninden kaynaklanan basit bir kısıtlamadan başka bir şey o…
Jacques Ranciere: Literature, Politics, Aesthetics: Approaches to Democratic Disagreement
SubStance - Issue 92 (Volume 29, Number 2), 2000
Aesthetics against Incarnation: An Interview by Anne Marie Oliver
Why Emma Bovary Had to Be Killed
The Cause of the Other
The Myth of the Artisan Critical Reflections on a Category of Social History
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What Is a People
Auerbach and the Contradictions of Realism
O efeito de realidade e a política da ficção
O artigo discute elementos do romance realista e questiona as interpretações do papel do "efeito de realidade" oferecidas por críticos literários do século XIX e XX. Para o autor, esse efeito, mais do que mero resultado do "excesso descritivo" característico da obra de escritores como Dostoiévski e Flaubert, revela a abertura social do romance para uma nova sensibilidade, menos aristocrática e mais democrática
Le travail de l'image
Représenter, c'est être à la place d'autre chose, c'est donc mentir à la vérité de la chose. Esther Shalev-Gerz réfute doublement ce présupposé : d'un côté, la chose même n'est jamais là : il n'y a que de la représentation : des mots portés par des corps, des images qui nous présentent non pas ce que les mots disent mais ce que font ces corps ; d'un autre côté, il n'y a jamais de représentation : on n'a jamais affaire qu'à de la présence : des ch…
A poética do saber - Sobre Os nomes da história
O artigo enfoca as contradições existentes na dimensão histórica, especialment equando se pensa as "artes de fazer". Contrapõe arte e ciência, história científica e história ideológica, finalizando com considerações sobre o presente, quando o trabalho analítico deve deixar de ser um trabalho de luto para voltar-se às constituintes da democracia
Sur la théorie de l'idéologie politique d'Althusser
Utopistes, bourgeois et prolétaires
Teaching Reading: The Case of Marx in France
How to use Lire le Capital
* This introduction is adapted by Rancière from a text published in Les Temps Modernes, Nov. 1973. Notes * This introduction is adapted by Rancière from a text published in Les Temps Modernes, Nov. 1973
The concept of 'critique' and the 'critique of political economy' (from the 1844 Manuscript to Capital)
1976). The concept of ‘critique’ and the ‘critique of political economy’ (from the 1844 Manuscript to Capital) Economy and Society: Vol. 5, No. 3, pp. 352-376
Reply to Levy
If the debates over a hypothetical new philosophy and its political affiliation have taken on exaggerated proportions in regard to their object, this is because they have crystalized certain processes which are as yet difficult to discern, concerning the status of intellectuals and their relation to power. The issue is initially presented in the form of a paradox, crudely expressed in Bernard-Henri Lévy's strange piece, “Reply to the Master Censo…
The Myth of the Artisan Critical Reflections on a Category of Social History
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A Reply
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Le maître ignorant: Cinq Leçons Sur l'Émancipation Intellectuelle
La démocratie corrigée
The Nights of Labor: The Workers' Dream in Nineteenth-Century France
The Gate of Hell 2. The Gate of Heaven 3. The New Babylon 4. Circuit Rounds and Spirals 5. The Morning Star Part II: The Broken Plane 6. The Army of Work 7. The Lovers of Humanity 8. The Hammer and the Anvil 9. The Holes of the Temple Part III: The Christian Hercules 10. The Interrupted Banquet 11. The Republic of Work 12. The Journey of Icarus Epilogue: The Night of October Outline Chronology
Politics, Identification, and Subjectivization
In a sense, the whole matter of my paper is involved in a preliminary question: In what language will it be uttered? Neither my language nor your language, but rather a dialect between French and English, a special one, a dialect that carries no identification with any group. No tribal dialect, no univeral language, only an in-between dialect, constructed for the aims of this discussion and guided by the idea that the activity of thinking is prim…
Overlegitimation
Politique et philosophie dans l'œuvre de Louis Althusser
L'Histoire ' des ' Femmes entre subjectivation et représentation (note critique)
Les pages qui suivent n'entendent pas rendre un compte exhaustif et objectif du quatrième volume de l'Histoire des femmes. Elles répondent en effet à la demande formulée par les responsables de ce volume d'un point de vue critique qui tâche d'en porter au jour les aspects les plus problématiques et d'engager la discussion à leur sujet. C'est dans cet esprit que je proposerai quelques réflexions sur le point de torsion qu'une histoire des femmes a…
The names of history: On the Poetics of Knowledge
Histoire des mots, mots de l'histoire
Rancière Jacques. Histoire des mots, mots de l'histoire. In: Communications, 58, 1994. L'écriture des sciences de l'homme, sous la direction de Martyne Perrot et Martin de la Soudière. pp. 87-101
L’inadmissible
Los Nombres de la Historia: Una Poetica del Saber (Coleccion Diagonal)
La cause de l'autre
The Cause of the Other
Disagreement: Politics and Philosophy
Le partage du sensible: Esthétique et politique
Au-delà des débats sur la crise de l\'art ou la mort de l\'image qui rejouent l\'interminable scène de la fin des utopies, le présent texte voudrait établir quelques conditions d\'intelligibilité du lien qui noue esthétique et politique. Il propose pour cela d\'en revenir à l\'inscription première des pratiques artistiques dans le découpage des temps et des espaces, du visible et de l\'invisible, de la parole et du bruit, qui définit à la fois le…
Dissenting Words: A Conversation with Jacques Rancière
In your writings you highlight the political efficacy of words. In The Names of History, for instance, this emphasis is discussed most vividly in terms of what you refer to as an "excess of words" that marks the rise of democratic movements in the seventeenth century. Similarly, in On The Shores of Politics, you begin your discussion with an excursus on the end of politics as the end of the promise. Finally, in Dis-agreement you speak of "the par…
Jacques Ranciere: Literature, Politics, Aesthetics: Approaches to Democratic Disagreement
SubStance - Issue 92 (Volume 29, Number 2), 2000
Political science (48 works) · Philosophy (47 works) · Art (43 works) · Critical Theory and Political Philosophy (29 works) · Sociology (28 works) · Philosophy (26 works) · Law (24 works) · Politics (24 works) · Humanities (23 works) · Aesthetics (22 works)