James S Ackerman
Biographic Data
| ID | 260869 |
|---|---|
| NAME | James S Ackerman |
| GIVEN NAMES | James S |
| FAMILY NAME | Ackerman |
| SIGNATURE | ACKERMAN J S |
| AFFILIATIONS | Harvard University Press |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1962 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 1 |
Uriel Simon. The JPS Bible Commentary
The JPS Torah/Bible Commentary series has already produced some exceptional commentaries that have immensely enriched biblical scholarship, and Uriel Simon's Jonah commentary is a worthy addition to this series. He concludes that the Book of Jonah was composed during the Second Temple period, mainly because of the late Hebrew language, but he does not find sufficient grounds to decide between a sixth-, fifth-, or even fourth-century date. Nor doe…
Giorgio Vasari
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Architecture in the Culture of Early Humanism
The World of Biblical Literature. Robert Alter
Distance Points
Venezia e il rinascimento
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
La Villa Medicea di Poggio a Caiano
Silvestro Bardazzi and Castellani Eugenio. La Villa Medicea di Poggio a Caiano. Illustrato da Paolo Brandielli. Prato: Cassa di Risparmi e Depositi, 1981. 2 vols. 600 pls. + 721 pp. L. 150,000. - Volume 37 Issue 1
Moses and the Deuteronomist
Images of Man and God
The Jonah Complex. Andre Lacocque , Pierre-Emmanuel Lacocque
Notes and Exchanges
On Judging Art without Absolutes
The Convento della Carità
Elena Bassi. The Convento della Carità. Tr. W. C. Westfall. (Corpus Palladianum, VI.) University Park: The Pennsylvania State University Press, 1976. 106 figs.+56 pls. (4 in color)+measured drawings+130 pp. $32.50. - Volume 31 Issue 2
Prophecy and Warfare in Early Israel
Transactions in Architectural Design
Toward a New Social Theory of Art
T HE LITERARY AND ART HISTORY issue of New Literary History (3 [19721) was a more exceptional event in the latter field than in the former. It is the only theoretical symposium that I can recall involving American art historians on any general problem of method. Art history in this country has been a discipline without any avowed theoretical base; until quite recently, few of us have cared to reflect on the assumptions by which we work. It is sym…
I ricordi di Michelangelo
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Indiana University Summer Institute on Teaching the Bible in Secondary English
Journal Article The Indiana University Summer Institute on Teaching the Bible in Secondary English Get access James S. Ackerman James S. Ackerman Associate Professor of Religion Indiana University in Bloomington, Indiana Search for other works by this author on: Oxford Academic Google Scholar Journal of Church and State, Volume 14, Issue 3, Autumn 1972, Pages 457–474, https://doi.org/10.1093/jcs/14.3.457 Published: 01 October 1972
The Demise of the Avant Garde
In a closed and stable society, innovation is likely to be rather feared than welcomed; in the seventeenth and eighteenth centuries, it was sometimes used as a synonym for ‘revolution’; in an open society like our own, innovation is considered a virtue. In discussing the present condition of art, I want to strip innovation of its value connotations and to consider the search for the new as an historical condition of modern art, but not one that m…
Inigo Jones
Il carteggio di Michelangelo
Il carteggio di Michelangelo. Edizione postuma di Giovanni Poggi a cura di Paola Barocchi e Renzo Ristori sotto gli auspici dell'Istituto nazionale di studi sul Rinascimento. Florence, Sansoni, 1, 1965. xxiv+431 pp. - Volume 20 Issue 1
The Rabbinic Interpretation of Psalm 82 and the Gospel of John
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Seventeenth-Century Science and the Arts
Was there a continuity between the "vigorous art and the seminal science" of the seventeenth century? How did they affect one another? Which, if either, was dominant? Four distinguished scholars explore the relation between seventeenth century science and the creative arts in a series of four essays: Introduction, by Stephen E. Toulmin of Columbia; Science and Literature, by Douglas Bush of Harvard; Science and Visual Art, by James S. Ackerman of…
On Judging Art without Absolutes
The Demise of the Avant Garde
In a closed and stable society, innovation is likely to be rather feared than welcomed; in the seventeenth and eighteenth centuries, it was sometimes used as a synonym for ‘revolution’; in an open society like our own, innovation is considered a virtue. In discussing the present condition of art, I want to strip innovation of its value connotations and to consider the search for the new as an historical condition of modern art, but not one that m…
Seventeenth-Century Science and the Arts
Was there a continuity between the "vigorous art and the seminal science" of the seventeenth century? How did they affect one another? Which, if either, was dominant? Four distinguished scholars explore the relation between seventeenth century science and the creative arts in a series of four essays: Introduction, by Stephen E. Toulmin of Columbia; Science and Literature, by Douglas Bush of Harvard; Science and Visual Art, by James S. Ackerman of…
The Rabbinic Interpretation of Psalm 82 and the Gospel of John
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Il carteggio di Michelangelo
Il carteggio di Michelangelo. Edizione postuma di Giovanni Poggi a cura di Paola Barocchi e Renzo Ristori sotto gli auspici dell'Istituto nazionale di studi sul Rinascimento. Florence, Sansoni, 1, 1965. xxiv+431 pp. - Volume 20 Issue 1
Inigo Jones
The Demise of the Avant Garde
In a closed and stable society, innovation is likely to be rather feared than welcomed; in the seventeenth and eighteenth centuries, it was sometimes used as a synonym for ‘revolution’; in an open society like our own, innovation is considered a virtue. In discussing the present condition of art, I want to strip innovation of its value connotations and to consider the search for the new as an historical condition of modern art, but not one that m…
I ricordi di Michelangelo
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Indiana University Summer Institute on Teaching the Bible in Secondary English
Journal Article The Indiana University Summer Institute on Teaching the Bible in Secondary English Get access James S. Ackerman James S. Ackerman Associate Professor of Religion Indiana University in Bloomington, Indiana Search for other works by this author on: Oxford Academic Google Scholar Journal of Church and State, Volume 14, Issue 3, Autumn 1972, Pages 457–474, https://doi.org/10.1093/jcs/14.3.457 Published: 01 October 1972
Toward a New Social Theory of Art
T HE LITERARY AND ART HISTORY issue of New Literary History (3 [19721) was a more exceptional event in the latter field than in the former. It is the only theoretical symposium that I can recall involving American art historians on any general problem of method. Art history in this country has been a discipline without any avowed theoretical base; until quite recently, few of us have cared to reflect on the assumptions by which we work. It is sym…
Transactions in Architectural Design
Prophecy and Warfare in Early Israel
The Convento della Carità
Elena Bassi. The Convento della Carità. Tr. W. C. Westfall. (Corpus Palladianum, VI.) University Park: The Pennsylvania State University Press, 1976. 106 figs.+56 pls. (4 in color)+measured drawings+130 pp. $32.50. - Volume 31 Issue 2
Notes and Exchanges
On Judging Art without Absolutes
La Villa Medicea di Poggio a Caiano
Silvestro Bardazzi and Castellani Eugenio. La Villa Medicea di Poggio a Caiano. Illustrato da Paolo Brandielli. Prato: Cassa di Risparmi e Depositi, 1981. 2 vols. 600 pls. + 721 pp. L. 150,000. - Volume 37 Issue 1
Moses and the Deuteronomist
Images of Man and God
The Jonah Complex. Andre Lacocque , Pierre-Emmanuel Lacocque
Venezia e il rinascimento
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Distance Points
Architecture in the Culture of Early Humanism
The World of Biblical Literature. Robert Alter
Giorgio Vasari
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Uriel Simon. The JPS Bible Commentary
The JPS Torah/Bible Commentary series has already produced some exceptional commentaries that have immensely enriched biblical scholarship, and Uriel Simon's Jonah commentary is a worthy addition to this series. He concludes that the Book of Jonah was composed during the Second Temple period, mainly because of the late Hebrew language, but he does not find sufficient grounds to decide between a sixth-, fifth-, or even fourth-century date. Nor doe…
Art (16 works) · History (14 works) · Art history (10 works) · Philosophy (10 works) · Classics (8 works) · Computer Science (8 works) · Biblical Studies and Interpretation (7 works) · Download (7 works) · History (7 works) · World Wide Web (6 works)