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Jonathon S Epstein

Biographic Data

ID262397
NAMEJonathon S Epstein
GIVEN NAMESJonathon S
FAMILY NAMEEpstein
SIGNATUREEPSTEIN J S
AFFILIATIONSKent State University
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS56
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR1997
H-INDEX4
  • Machine

    Jonathon S Epstein, Patrick Lichty•ARTICLE•Sociological Spectrum•1997•References: 2

    The purpose of this article is to describe and offer a rationale for what we have labeled cybertheory. Cybertheory attempts to use the current technologies of postmodernity, the personal computer, the VCR, and home recording equipment, to produce a multimedia theoretical “text,” a video trilogy titled Machine, which explicates a postmodern view of late 20th‐century culture. The theoretical background for this work is rooted in the works of Baudri…

  • Hole in Our Soul

    Jonathon S Epstein, Martha Bayles•ARTICLE•American Music•1996

  • Adolescents and Their Music

    Joanna Bosse, Jonathon S Epstein et al.•ARTICLE•American Music•1996

  • Disturbing Pleasures

    Open Access•Jonathon S Epstein•ARTICLE•Symbolic Interaction•1995

  • Adolescents and Their Music

    JOHN RYAN, Jonathon S Epstein•ARTICLE•Contemporary Sociology A Journal…•1995

  • Rock ‘n’ roll Ain't noise pollution

    Bruce K Friesen, Jonathon S Epstein•ARTICLE•Popular Music & Society•1994•Cited by: 2•References: 6

    (1994). Rock ‘n’ roll Ain't noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music. Popular Music and Society: Vol. 18, No. 3, pp. 1-17

  • Role Identity in a Devalued Occupation

    Scott A Reid, Jonathon S Epstein et al.•ARTICLE•Sociological Focus•1994•Cited by: 17•References: 6

    Until the present study identity theory has not been employed in the study of socially deprecated roles. In an effort to fill this lacuna, this paper examines the degree to which occupants of the role of “exotic dancer” regard their identification with the role as salient and authentic and the extent to which these constructs are associated with perceived and actual role behavior. Hypotheses addressing these theoretical questions are examined wit…

  • Audio reviews

    B Lee Cooper, George H Lewis et al.•ARTICLE•Popular Music & Society•1992

    A Man and a Half: The Best of Wilson Pickett. Wilson Pickett. Rhino/Atlantic R2–70287.1992. $22.95. “Live”; At The Star‐Club In Hamburg. Jerry Lee Lewis. Rhino R2–70168. 1992. $13.95. Available from Rhino Records, Inc., 2225 Colorado Ave, Santa Monica, CA. Aretha Franklin—Queen Of Soul: The Atlantic Recordings. (R2–71063) Aretha Franklin (four CD set). Santa Monica, CA: Rhino Records, Inc., 1992. Crossing Borders (FF90601). Deanna Bogart. Chicago…

  • Painted Black

    Jonathon S Epstein, Carl Raschke et al.•ARTICLE•Contemporary Sociology A Journal…•1991

  • Heavy metal rock music juvenile delinquency and satanic identification

    Jonathon S Epstein, David J Pratto•ARTICLE•Popular Music & Society•1990•Cited by: 6•References: 8

    (1990). Heavy metal rock music juvenile delinquency and satanic identification. Popular Music and Society: Vol. 14, No. 4, pp. 67-76

  • Teenagers, behavioral problems, and preferences for heavy metal and rap music

    Jonathon S Epstein, David J Pratto et al.•ARTICLE•Deviant Behavior•1990•Cited by: 25•References: 12

    The purpose of this research was to examine the relationship between musical preference, commitment to popular music and behavior problems of teenagers in an optional middle school. This research tested three hypotheses. 1) Musical preference is related to race, 2) Musical preference can predict behavior problems, and, 3) Commitment to popular music, measured in hours, can predict behavior problems. Data were gathered from a survey distributed to…

  • The wharf rats

    Jonathon S Epstein, Robert Sardiello•ARTICLE•Deviant Behavior•1990•Cited by: 6•References: 6

    The Grateful Dead are a San Francisco rock band. Their fans, commonly referred to as "Deadheads", are considered to be among the most loyal group of rock fans in the history of this musical genre. Deadheads nomadic lifestyle, tastes in clothing, normative values and belief in drug use have strong links to the hippie subculture of the 1960's. In recent years a group of recovering alcoholic Deadheads, called the Wharf Rats, have organized themselve…

  • Teenagers, behavioral problems, and preferences for heavy metal and rap music

    Jonathon S Epstein, David J Pratto et al.•ARTICLE•Deviant Behavior•1990•Cited by: 25•References: 12

    The purpose of this research was to examine the relationship between musical preference, commitment to popular music and behavior problems of teenagers in an optional middle school. This research tested three hypotheses. 1) Musical preference is related to race, 2) Musical preference can predict behavior problems, and, 3) Commitment to popular music, measured in hours, can predict behavior problems. Data were gathered from a survey distributed to…

  • Role Identity in a Devalued Occupation

    Scott A Reid, Jonathon S Epstein et al.•ARTICLE•Sociological Focus•1994•Cited by: 17•References: 6

    Until the present study identity theory has not been employed in the study of socially deprecated roles. In an effort to fill this lacuna, this paper examines the degree to which occupants of the role of “exotic dancer” regard their identification with the role as salient and authentic and the extent to which these constructs are associated with perceived and actual role behavior. Hypotheses addressing these theoretical questions are examined wit…

  • Heavy metal rock music juvenile delinquency and satanic identification

    Jonathon S Epstein, David J Pratto•ARTICLE•Popular Music & Society•1990•Cited by: 6•References: 8

    (1990). Heavy metal rock music juvenile delinquency and satanic identification. Popular Music and Society: Vol. 14, No. 4, pp. 67-76

  • The wharf rats

    Jonathon S Epstein, Robert Sardiello•ARTICLE•Deviant Behavior•1990•Cited by: 6•References: 6

    The Grateful Dead are a San Francisco rock band. Their fans, commonly referred to as "Deadheads", are considered to be among the most loyal group of rock fans in the history of this musical genre. Deadheads nomadic lifestyle, tastes in clothing, normative values and belief in drug use have strong links to the hippie subculture of the 1960's. In recent years a group of recovering alcoholic Deadheads, called the Wharf Rats, have organized themselve…

  • Rock ‘n’ roll Ain't noise pollution

    Bruce K Friesen, Jonathon S Epstein•ARTICLE•Popular Music & Society•1994•Cited by: 2•References: 6

    (1994). Rock ‘n’ roll Ain't noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music. Popular Music and Society: Vol. 18, No. 3, pp. 1-17

  • Heavy metal rock music juvenile delinquency and satanic identification

    Jonathon S Epstein, David J Pratto•ARTICLE•Popular Music & Society•1990•Cited by: 6•References: 8

    (1990). Heavy metal rock music juvenile delinquency and satanic identification. Popular Music and Society: Vol. 14, No. 4, pp. 67-76

  • Teenagers, behavioral problems, and preferences for heavy metal and rap music

    Jonathon S Epstein, David J Pratto et al.•ARTICLE•Deviant Behavior•1990•Cited by: 25•References: 12

    The purpose of this research was to examine the relationship between musical preference, commitment to popular music and behavior problems of teenagers in an optional middle school. This research tested three hypotheses. 1) Musical preference is related to race, 2) Musical preference can predict behavior problems, and, 3) Commitment to popular music, measured in hours, can predict behavior problems. Data were gathered from a survey distributed to…

  • The wharf rats

    Jonathon S Epstein, Robert Sardiello•ARTICLE•Deviant Behavior•1990•Cited by: 6•References: 6

    The Grateful Dead are a San Francisco rock band. Their fans, commonly referred to as "Deadheads", are considered to be among the most loyal group of rock fans in the history of this musical genre. Deadheads nomadic lifestyle, tastes in clothing, normative values and belief in drug use have strong links to the hippie subculture of the 1960's. In recent years a group of recovering alcoholic Deadheads, called the Wharf Rats, have organized themselve…

  • Painted Black

    Jonathon S Epstein, Carl Raschke et al.•ARTICLE•Contemporary Sociology A Journal…•1991

  • Audio reviews

    B Lee Cooper, George H Lewis et al.•ARTICLE•Popular Music & Society•1992

    A Man and a Half: The Best of Wilson Pickett. Wilson Pickett. Rhino/Atlantic R2–70287.1992. $22.95. “Live”; At The Star‐Club In Hamburg. Jerry Lee Lewis. Rhino R2–70168. 1992. $13.95. Available from Rhino Records, Inc., 2225 Colorado Ave, Santa Monica, CA. Aretha Franklin—Queen Of Soul: The Atlantic Recordings. (R2–71063) Aretha Franklin (four CD set). Santa Monica, CA: Rhino Records, Inc., 1992. Crossing Borders (FF90601). Deanna Bogart. Chicago…

  • Rock ‘n’ roll Ain't noise pollution

    Bruce K Friesen, Jonathon S Epstein•ARTICLE•Popular Music & Society•1994•Cited by: 2•References: 6

    (1994). Rock ‘n’ roll Ain't noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music. Popular Music and Society: Vol. 18, No. 3, pp. 1-17

  • Role Identity in a Devalued Occupation

    Scott A Reid, Jonathon S Epstein et al.•ARTICLE•Sociological Focus•1994•Cited by: 17•References: 6

    Until the present study identity theory has not been employed in the study of socially deprecated roles. In an effort to fill this lacuna, this paper examines the degree to which occupants of the role of “exotic dancer” regard their identification with the role as salient and authentic and the extent to which these constructs are associated with perceived and actual role behavior. Hypotheses addressing these theoretical questions are examined wit…

  • Disturbing Pleasures

    Open Access•Jonathon S Epstein•ARTICLE•Symbolic Interaction•1995

  • Adolescents and Their Music

    JOHN RYAN, Jonathon S Epstein•ARTICLE•Contemporary Sociology A Journal…•1995

  • Hole in Our Soul

    Jonathon S Epstein, Martha Bayles•ARTICLE•American Music•1996

  • Adolescents and Their Music

    Joanna Bosse, Jonathon S Epstein et al.•ARTICLE•American Music•1996

  • Machine

    Jonathon S Epstein, Patrick Lichty•ARTICLE•Sociological Spectrum•1997•References: 2

    The purpose of this article is to describe and offer a rationale for what we have labeled cybertheory. Cybertheory attempts to use the current technologies of postmodernity, the personal computer, the VCR, and home recording equipment, to produce a multimedia theoretical “text,” a video trilogy titled Machine, which explicates a postmodern view of late 20th‐century culture. The theoretical background for this work is rooted in the works of Baudri…

Art (7 works) · Music History and Culture (6 works) · Sociology (6 works) · History (5 works) · Psychology (5 works) · History (4 works) · Neuroscience and Music Perception (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Computer Science (3 works)

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