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Rosanne Martorella

Biographic Data

ID262777
NAMERosanne Martorella
GIVEN NAMESRosanne
FAMILY NAMEMartorella
SIGNATUREMARTORELLA R
AFFILIATIONSWilliam Paterson College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS8
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR1992
H-INDEX1
  • Corporate Art

    Florent Champy, Rosanne Martorella•ARTICLE•Revue Française de Sociologie•1992

  • Corporate Art

    Sharon Zukin, Rosanne Martorella•ARTICLE•Contemporary Sociology A Journal…•1991

  • Course Syllabi, Resources, and Instructional Material on the Sociology of Culture

    Kathryn Baker, Rosanne Martorella et al.•ARTICLE•Teaching Sociology•1990

  • The Transformation of the Avant-Garde

    Rosanne Martorella, Diana Crane•ARTICLE•Contemporary Sociology A Journal…•1988

  • Divining the Powers of Music

    Rosanne Martorella, Richard Katz et al.•ARTICLE•Contemporary Sociology A Journal…•1987

  • Economics of Cultural Decisions

    Rosanne Martorella, William S Hendon et al.•ARTICLE•Contemporary Sociology A Journal…•1985

  • Performers and Performances

    Gerald Lee Ratliff, Jack Kamerman et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • The Sociology of Opera

    S Micha Namenwirth, Rosanne Martorella•ARTICLE•Contemporary Sociology A Journal…•1983

  • The Relationship Between Box Office and Repertoire

    Open Access•Rosanne Martorella•ARTICLE•Sociological Quarterly•1977•Cited by: 7•References: 7

    This is a study of opera as a performing arts organization. The concept of market is used to explain the selection of repertoire. The box office—an expression of client-centeredness—acts to constrain repertory selections, and affects the content and style of opera production in the United States

  • The Relationship Between Box Office and Repertoire

    Open Access•Rosanne Martorella•ARTICLE•Sociological Quarterly•1977•Cited by: 7•References: 7

    This is a study of opera as a performing arts organization. The concept of market is used to explain the selection of repertoire. The box office—an expression of client-centeredness—acts to constrain repertory selections, and affects the content and style of opera production in the United States

  • Performers and Performances

    Gerald Lee Ratliff, Jack Kamerman et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • The Relationship Between Box Office and Repertoire

    Open Access•Rosanne Martorella•ARTICLE•Sociological Quarterly•1977•Cited by: 7•References: 7

    This is a study of opera as a performing arts organization. The concept of market is used to explain the selection of repertoire. The box office—an expression of client-centeredness—acts to constrain repertory selections, and affects the content and style of opera production in the United States

  • The Sociology of Opera

    S Micha Namenwirth, Rosanne Martorella•ARTICLE•Contemporary Sociology A Journal…•1983

  • Performers and Performances

    Gerald Lee Ratliff, Jack Kamerman et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • Economics of Cultural Decisions

    Rosanne Martorella, William S Hendon et al.•ARTICLE•Contemporary Sociology A Journal…•1985

  • Divining the Powers of Music

    Rosanne Martorella, Richard Katz et al.•ARTICLE•Contemporary Sociology A Journal…•1987

  • The Transformation of the Avant-Garde

    Rosanne Martorella, Diana Crane•ARTICLE•Contemporary Sociology A Journal…•1988

  • Course Syllabi, Resources, and Instructional Material on the Sociology of Culture

    Kathryn Baker, Rosanne Martorella et al.•ARTICLE•Teaching Sociology•1990

  • Corporate Art

    Sharon Zukin, Rosanne Martorella•ARTICLE•Contemporary Sociology A Journal…•1991

  • Corporate Art

    Florent Champy, Rosanne Martorella•ARTICLE•Revue Française de Sociologie•1992

Art (5 works) · Art History and Market Analysis (5 works) · Sociology (5 works) · Aesthetics (3 works) · Art history (3 works) · Business (3 works) · Opera (3 works) · Musicology and Musical Analysis (2 works) · Visual arts (2 works) · Advertising (1 work)

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