Jordan Tate
Biographic Data
| ID | 264215 |
|---|---|
| NAME | Jordan Tate |
| GIVEN NAMES | Jordan |
| FAMILY NAME | Tate |
| SIGNATURE | TATE J |
| AFFILIATIONS | Queen's University Belfast |
| ORCID | 0009-0004-6399-2622 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 31 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1928 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 4 |
Breast Cancer Screening Barriers Among Southeast Asian Women in a Culturally Tailored Navigation Intervention
Southeast Asian cancer screening rates are alarmingly the lowest across all racial and ethnic groups in the United States. This paper examines barriers to breast cancer screening among Southeast Asian women, an understudied and underserved subgroup within the broader Asian American population, participating in a culturally tailored navigation intervention. A total of 194 women were randomly assigned to either the intervention–Tailored Messaging S…
Critical Visions and the Unsteady In-Between
Archaeometry, an introduction to physical methods in archaeology and the history of art
Excavations at Balloch Hill, Argyll
Plato, Art and Mr. Maritain
On Plato
The problem suggested by this passage cannot be properly appreciated unless it is shown first of all that the treatment of poetry and art in the Laws fundamentally agrees with, though of course in some respects it provides a welcome supplement to, the attitude set forth in the Republic and elsewhere by Plato. The demand that music and poetry should ‘imitate’ the good; and that this ‘imitation’ should have meaning and accuracy, and be free from me…
On the History of Allegorism
I have shown in an earlier article that from the second half of the fifth century onwards the desire to defend Homer and Hesiod against accusations of immorality was certainly not the main motive which actuated the allegorical interpreters of the early poets. That desire, no doubt, existed; but the part which it played was wholly a subordinate one. In the present article I propose first to consider allegorism in its earlier stages, and to state m…
Plato and ‘Imitation.’
In C.Q. , January, 1928, pp. 16 sqq., I examined afresh the two discussions of poetry as imitation which are found in Plato's Republic . I pointed out that Plato used the term ‘imitation’ (μίμησɩς and cognates) in two senses, a good and a bad. The only kind of poetry which Plato excludes from his ideal state is that which is imitative in the bad sense of the term. He admits, and indeed welcomes, that kind of poetry which is imitative in the good …
Cornutus and the Poets
No modern writer, so far as I am aware, has called attention to the peculiar attitude adopted by Cornutus towards Homer and Hesiod. My object in this article is to state his attitude, and attempt some account of its significance for the history of Greek allegorical interpretation of poetry
Plato and Allegorical Interpretation
Allegorical interpretation of the ancient Greek myths began (as I showed in C.R. XLI., pp. 214–15) not with the grammarians, but with the philosophers. As speculative thought developed, there grew up also the belief that in mystical and symbolic terms the ancient poets had expressed profound truths which were difficult to define in scientifically exact language. Assuming that the myth-makers were concerned to edify and to instruct, the philosophe…
Horace and the Moral Function of Poetry
The modern admirers of Horace who take him seriously as a moralist are inclined to attribute an undue degree of originality to his views on the moral function of poetry. The conception of the poet as teacher was, of course, the traditional Greek view. But Professor A. Y. Campbell thinks—in spite of ‘passages from Strabo and Plutarch’ —that this conception ‘after the days of Plato and Aristophanes lapsed as completely as did the production of the …
Imitation’ in Plato's Republic
It has become a standing reproach upon Plato's treatment of poetry in the Republic that he forgets or misrepresents in the tenth book what he said in the third. According to the earlier discussion, poetry is required to perform important services in the ideal state; its subject-matter will make the young familiar with true doctrines (376 sqq.); its style will reflect the qualities proper to the character of guardian, and therefore—by the principl…
Plato and Allegorical Interpretation
Allegorical interpretation of the ancient Greek myths began (as I showed in C.R. XLI., pp. 214–15) not with the grammarians, but with the philosophers. As speculative thought developed, there grew up also the belief that in mystical and symbolic terms the ancient poets had expressed profound truths which were difficult to define in scientifically exact language. Assuming that the myth-makers were concerned to edify and to instruct, the philosophe…
On the History of Allegorism
I have shown in an earlier article that from the second half of the fifth century onwards the desire to defend Homer and Hesiod against accusations of immorality was certainly not the main motive which actuated the allegorical interpreters of the early poets. That desire, no doubt, existed; but the part which it played was wholly a subordinate one. In the present article I propose first to consider allegorism in its earlier stages, and to state m…
Imitation’ in Plato's Republic
It has become a standing reproach upon Plato's treatment of poetry in the Republic that he forgets or misrepresents in the tenth book what he said in the third. According to the earlier discussion, poetry is required to perform important services in the ideal state; its subject-matter will make the young familiar with true doctrines (376 sqq.); its style will reflect the qualities proper to the character of guardian, and therefore—by the principl…
Plato and ‘Imitation.’
In C.Q. , January, 1928, pp. 16 sqq., I examined afresh the two discussions of poetry as imitation which are found in Plato's Republic . I pointed out that Plato used the term ‘imitation’ (μίμησɩς and cognates) in two senses, a good and a bad. The only kind of poetry which Plato excludes from his ideal state is that which is imitative in the bad sense of the term. He admits, and indeed welcomes, that kind of poetry which is imitative in the good …
Horace and the Moral Function of Poetry
The modern admirers of Horace who take him seriously as a moralist are inclined to attribute an undue degree of originality to his views on the moral function of poetry. The conception of the poet as teacher was, of course, the traditional Greek view. But Professor A. Y. Campbell thinks—in spite of ‘passages from Strabo and Plutarch’ —that this conception ‘after the days of Plato and Aristophanes lapsed as completely as did the production of the …
Critical Visions and the Unsteady In-Between
Cornutus and the Poets
No modern writer, so far as I am aware, has called attention to the peculiar attitude adopted by Cornutus towards Homer and Hesiod. My object in this article is to state his attitude, and attempt some account of its significance for the history of Greek allegorical interpretation of poetry
Excavations at Balloch Hill, Argyll
On Plato
The problem suggested by this passage cannot be properly appreciated unless it is shown first of all that the treatment of poetry and art in the Laws fundamentally agrees with, though of course in some respects it provides a welcome supplement to, the attitude set forth in the Republic and elsewhere by Plato. The demand that music and poetry should ‘imitate’ the good; and that this ‘imitation’ should have meaning and accuracy, and be free from me…
Horace and the Moral Function of Poetry
The modern admirers of Horace who take him seriously as a moralist are inclined to attribute an undue degree of originality to his views on the moral function of poetry. The conception of the poet as teacher was, of course, the traditional Greek view. But Professor A. Y. Campbell thinks—in spite of ‘passages from Strabo and Plutarch’ —that this conception ‘after the days of Plato and Aristophanes lapsed as completely as did the production of the …
Imitation’ in Plato's Republic
It has become a standing reproach upon Plato's treatment of poetry in the Republic that he forgets or misrepresents in the tenth book what he said in the third. According to the earlier discussion, poetry is required to perform important services in the ideal state; its subject-matter will make the young familiar with true doctrines (376 sqq.); its style will reflect the qualities proper to the character of guardian, and therefore—by the principl…
Cornutus and the Poets
No modern writer, so far as I am aware, has called attention to the peculiar attitude adopted by Cornutus towards Homer and Hesiod. My object in this article is to state his attitude, and attempt some account of its significance for the history of Greek allegorical interpretation of poetry
Plato and Allegorical Interpretation
Allegorical interpretation of the ancient Greek myths began (as I showed in C.R. XLI., pp. 214–15) not with the grammarians, but with the philosophers. As speculative thought developed, there grew up also the belief that in mystical and symbolic terms the ancient poets had expressed profound truths which were difficult to define in scientifically exact language. Assuming that the myth-makers were concerned to edify and to instruct, the philosophe…
Plato and ‘Imitation.’
In C.Q. , January, 1928, pp. 16 sqq., I examined afresh the two discussions of poetry as imitation which are found in Plato's Republic . I pointed out that Plato used the term ‘imitation’ (μίμησɩς and cognates) in two senses, a good and a bad. The only kind of poetry which Plato excludes from his ideal state is that which is imitative in the bad sense of the term. He admits, and indeed welcomes, that kind of poetry which is imitative in the good …
On the History of Allegorism
I have shown in an earlier article that from the second half of the fifth century onwards the desire to defend Homer and Hesiod against accusations of immorality was certainly not the main motive which actuated the allegorical interpreters of the early poets. That desire, no doubt, existed; but the part which it played was wholly a subordinate one. In the present article I propose first to consider allegorism in its earlier stages, and to state m…
On Plato
The problem suggested by this passage cannot be properly appreciated unless it is shown first of all that the treatment of poetry and art in the Laws fundamentally agrees with, though of course in some respects it provides a welcome supplement to, the attitude set forth in the Republic and elsewhere by Plato. The demand that music and poetry should ‘imitate’ the good; and that this ‘imitation’ should have meaning and accuracy, and be free from me…
Plato, Art and Mr. Maritain
Excavations at Balloch Hill, Argyll
Archaeometry, an introduction to physical methods in archaeology and the history of art
Critical Visions and the Unsteady In-Between
Breast Cancer Screening Barriers Among Southeast Asian Women in a Culturally Tailored Navigation Intervention
Southeast Asian cancer screening rates are alarmingly the lowest across all racial and ethnic groups in the United States. This paper examines barriers to breast cancer screening among Southeast Asian women, an understudied and underserved subgroup within the broader Asian American population, participating in a culturally tailored navigation intervention. A total of 194 women were randomly assigned to either the intervention–Tailored Messaging S…
Philosophy (8 works) · Art (7 works) · Literature (7 works) · Philosophy (7 works) · Classical Philosophy and Thought (6 works) · Poetry (6 works) · Classical Antiquity Studies (5 works) · Epistemology (5 works) · Linguistics (4 works) · State (computer science (4 works)