L Stefanoff
Biographic Data
| ID | 26886 |
|---|---|
| NAME | L Stefanoff |
| GIVEN NAMES | L |
| FAMILY NAME | Stefanoff |
| SIGNATURE | STEFANOFF L |
| AFFILIATIONS | UNSW Sydney |
| ORCID | 0000-0001-8233-7894 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Epistemic attunements
‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective, independent of Wiley's infrastructure and oversight. The result is a unique off‐grid adventure in academic publi…
Winimaku ara papa wiimatjaraku and other stories
This audio‐visual essay invites readers to enter a new intermedial archive of documentary paintings and stories by a celebrated and prolific multilingual Central Australian Aboriginal woman artist. Addressing our written text to intimate family and audiences from elsewhere, in multiple voices and modes of address, we offer an opportunity to consider the dynamics of creating, keeping and caring for memory through the affordances of digital co‐crea…
Iconicities of Immersion After Voices of the Rainforest
Noise-cancelling headphones dampen my kids' garden-play yells and fade the rev of motorbikes on the red dirt track across the road.I tune out the final sibilant spinning of the clothes washer and the skeins of summer afternoon desert birdsong, and I listen again to the 11 interlaced tracks of Voice of the Rainforest, the endlessly wonderful Feld-Kaluli/Bosavi day-in-the-lifeworld opus, first published as a Rykodisc CD in 1991, played this time fr…
Moving Painting
This article introduces paintings by Pintupi/Luritja‐Arrernte town camp artist Kunmanara M. Nampitjinpa Boko from the Tangentyere Artists group in Alice Springs and discusses a project we began together before her death, to explore new media futures for her graphic desert narratives. I argue that Kunmanara’s figurative and entextualized images articulate a specific central Australian mode of “survivance” and perform the “precarity” of their emerg…
What is Same but Different and why does it matter
A detailed outline of the Same but Different Desert Art forums held in Alice Springs in 2012 and 2013, and an introduction to the essays, interviews, films and images that make up the 'Same but Different' section of this issue of CSR
Emerging Perspectives on Automobilities in Non-Urban Australia
Since the early twentieth century, motor vehicles of all descriptions have been central characters in the settlement, governance and representation of Australia. They have been, and remain, objects of desire and exchange, characters in subsistence, ceremonial and market economies, sites of projective identification and spaces of distinctive social experience. Local and national spaces, time, histories and identities are reshaped in and through ou…
What is Same but Different and why does it matter
A detailed outline of the Same but Different Desert Art forums held in Alice Springs in 2012 and 2013, and an introduction to the essays, interviews, films and images that make up the 'Same but Different' section of this issue of CSR
Emerging Perspectives on Automobilities in Non-Urban Australia
Since the early twentieth century, motor vehicles of all descriptions have been central characters in the settlement, governance and representation of Australia. They have been, and remain, objects of desire and exchange, characters in subsistence, ceremonial and market economies, sites of projective identification and spaces of distinctive social experience. Local and national spaces, time, histories and identities are reshaped in and through ou…
What is Same but Different and why does it matter
A detailed outline of the Same but Different Desert Art forums held in Alice Springs in 2012 and 2013, and an introduction to the essays, interviews, films and images that make up the 'Same but Different' section of this issue of CSR
Moving Painting
This article introduces paintings by Pintupi/Luritja‐Arrernte town camp artist Kunmanara M. Nampitjinpa Boko from the Tangentyere Artists group in Alice Springs and discusses a project we began together before her death, to explore new media futures for her graphic desert narratives. I argue that Kunmanara’s figurative and entextualized images articulate a specific central Australian mode of “survivance” and perform the “precarity” of their emerg…
Iconicities of Immersion After Voices of the Rainforest
Noise-cancelling headphones dampen my kids' garden-play yells and fade the rev of motorbikes on the red dirt track across the road.I tune out the final sibilant spinning of the clothes washer and the skeins of summer afternoon desert birdsong, and I listen again to the 11 interlaced tracks of Voice of the Rainforest, the endlessly wonderful Feld-Kaluli/Bosavi day-in-the-lifeworld opus, first published as a Rykodisc CD in 1991, played this time fr…
Epistemic attunements
‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective, independent of Wiley's infrastructure and oversight. The result is a unique off‐grid adventure in academic publi…
Winimaku ara papa wiimatjaraku and other stories
This audio‐visual essay invites readers to enter a new intermedial archive of documentary paintings and stories by a celebrated and prolific multilingual Central Australian Aboriginal woman artist. Addressing our written text to intimate family and audiences from elsewhere, in multiple voices and modes of address, we offer an opportunity to consider the dynamics of creating, keeping and caring for memory through the affordances of digital co‐crea…
History (4 works) · Sociology (4 works) · Anthropological Studies and Insights (3 works) · Geographies of human-animal interactions (3 works) · Art (2 works) · Art history (2 works) · Desert (philosophy (2 works) · History (2 works) · Literature (2 works) · Political science (2 works)