Kellie D Hay
Biographic Data
| ID | 269309 |
|---|---|
| NAME | Kellie D Hay |
| GIVEN NAMES | Kellie D |
| FAMILY NAME | Hay |
| SIGNATURE | HAY K D |
| AFFILIATIONS | Oakland University |
| ORCID | 0000-0002-4989-0855 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Cycles of (Im)mobilities flowing through race, class and refuge
In her introduction of the recent CCCS special issue on refuge, Marian Levina argues that this concept draws attention to how movement and mobility are oftentimes performed at the service of refuge...
Too indigent for citizenship
This essay examines the 1933 anti-indigent law in California that led to the Supreme Court case of Edwards v California. This case provides a rich site to scrutinize the relationship Okie refuge, class and mobility. In 1933, California crafted a border blockage against poor Okie migrants, who left Oklahoma, Arkansas, Missouri and Texas during the 1930s and 1940s. People, who migrated from these states, were all framed as Okies, as Californians sa…
Black Fatherhood, Hip Hop, and Inner Life
This article theorizes affect, aesthetics, and black inner life through an analysis of two hip hop music videos: Rapsody’s “The Man” and Mama Sol and The N.U.T.S.’s “Manhood.” The authors deploy Quashie’s notion of “the quiet interior” and Rose’s concept of “(inter)personal justice” to examine the aesthetics through which hip hop fatherhood is forged. Scrutinizing the dynamics of inner life, the article showcases the social construction of father…
Wrecking rap's conventions
This article profiles the music of three politically motivated hip hop emcees. It combines textual and musicological analysis with ethnographic data to examine the ways in which these women use music to empower themselves and to contribute to meaningful, positive change in post-industrial, post-bankruptcy Detroit. These narratives are significant because they combat the dominant, hegemonic two-dimensional representations of African American women…
The Women of the Foundation
The authors examine the spaces, cultural practices, and relational possibilities that exist in one particular context of community hip-hop, the Foundation. Arguing that it offers Black girlhood studies forms of political action through cultural production, the authors draw on four years of ethnographic work. After explicating key connections that the Foundation shares with Black girlhood studies, the authors showcase a sample of the cultural prod…
Anxiety and Amnesia in the New Deal’s Social Imaginary
The authors examine Graham Cassano’s A New Kind Of Public and its effectiveness in providing a means of analyzing the rise and fall of Popular Front ideology in the 1930s and 1940s. Through the lens of Hollywood film, Cassano examines the changing values brought on by the New Deal and also their demise in the wake of World War II. The authors admire this work—particularly Cassano’s willingness to use multiple theoretical perspectives to create a …
Grace Lee's Story
A Superhero for Gays
Engaging materialist, poststructuralist and postcolonial rhetorics
CONTROL AND CONSOLATION IN AMERICAN CULTURE AND POLITICS: RHETORICS OF THERAPY. By Dana Cloud. Thousand Oaks: Sage Publications, 1998; pp. 224. Cloth $67.95; Paper $31.95. DANGEROUS LIAISONS: GENDER, NATION, AND POSTCOLONIAL PERSPECTIVES. By Anne McClintock, Aamir Mufti, and Ella Shohat. Minneapolis and London: University of Minnesota Press, 1997; pp. 560. Cloth $62.95; Paper $24.95. WHITENESS: THE COMMUNICATION OF SOCIAL IDENTITY. Edited by Thom…
A Superhero for Gays
Wrecking rap's conventions
This article profiles the music of three politically motivated hip hop emcees. It combines textual and musicological analysis with ethnographic data to examine the ways in which these women use music to empower themselves and to contribute to meaningful, positive change in post-industrial, post-bankruptcy Detroit. These narratives are significant because they combat the dominant, hegemonic two-dimensional representations of African American women…
Engaging materialist, poststructuralist and postcolonial rhetorics
CONTROL AND CONSOLATION IN AMERICAN CULTURE AND POLITICS: RHETORICS OF THERAPY. By Dana Cloud. Thousand Oaks: Sage Publications, 1998; pp. 224. Cloth $67.95; Paper $31.95. DANGEROUS LIAISONS: GENDER, NATION, AND POSTCOLONIAL PERSPECTIVES. By Anne McClintock, Aamir Mufti, and Ella Shohat. Minneapolis and London: University of Minnesota Press, 1997; pp. 560. Cloth $62.95; Paper $24.95. WHITENESS: THE COMMUNICATION OF SOCIAL IDENTITY. Edited by Thom…
A Superhero for Gays
Grace Lee's Story
The Women of the Foundation
The authors examine the spaces, cultural practices, and relational possibilities that exist in one particular context of community hip-hop, the Foundation. Arguing that it offers Black girlhood studies forms of political action through cultural production, the authors draw on four years of ethnographic work. After explicating key connections that the Foundation shares with Black girlhood studies, the authors showcase a sample of the cultural prod…
Anxiety and Amnesia in the New Deal’s Social Imaginary
The authors examine Graham Cassano’s A New Kind Of Public and its effectiveness in providing a means of analyzing the rise and fall of Popular Front ideology in the 1930s and 1940s. Through the lens of Hollywood film, Cassano examines the changing values brought on by the New Deal and also their demise in the wake of World War II. The authors admire this work—particularly Cassano’s willingness to use multiple theoretical perspectives to create a …
Wrecking rap's conventions
This article profiles the music of three politically motivated hip hop emcees. It combines textual and musicological analysis with ethnographic data to examine the ways in which these women use music to empower themselves and to contribute to meaningful, positive change in post-industrial, post-bankruptcy Detroit. These narratives are significant because they combat the dominant, hegemonic two-dimensional representations of African American women…
Black Fatherhood, Hip Hop, and Inner Life
This article theorizes affect, aesthetics, and black inner life through an analysis of two hip hop music videos: Rapsody’s “The Man” and Mama Sol and The N.U.T.S.’s “Manhood.” The authors deploy Quashie’s notion of “the quiet interior” and Rose’s concept of “(inter)personal justice” to examine the aesthetics through which hip hop fatherhood is forged. Scrutinizing the dynamics of inner life, the article showcases the social construction of father…
Cycles of (Im)mobilities flowing through race, class and refuge
In her introduction of the recent CCCS special issue on refuge, Marian Levina argues that this concept draws attention to how movement and mobility are oftentimes performed at the service of refuge...
Too indigent for citizenship
This essay examines the 1933 anti-indigent law in California that led to the Supreme Court case of Edwards v California. This case provides a rich site to scrutinize the relationship Okie refuge, class and mobility. In 1933, California crafted a border blockage against poor Okie migrants, who left Oklahoma, Arkansas, Missouri and Texas during the 1930s and 1940s. People, who migrated from these states, were all framed as Okies, as Californians sa…
Sociology (7 works) · Aesthetics (5 works) · Art (5 works) · Law (5 works) · Political science (5 works) · Gender Studies (4 works) · History (4 works) · Politics (4 works) · Race, History, and American Society (4 works) · Anthropology (3 works)