Daniela Kukrechtová
Biographic Data
| ID | 2735663 |
|---|---|
| NAME | Daniela Kukrechtová |
| GIVEN NAMES | Daniela |
| FAMILY NAME | Kukrechtová |
| SIGNATURE | KUKRECHTOVÁ D |
| AFFILIATIONS | Emerson College |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Neither Requiem, nor Stabat Mater: Anna Akhmatova’s Mother as a Figure of Collective Defiance in Requiem
In her long poem Requiem Anna Akhmatova addresses her most horrific years during the Stalinist regime, when her son was imprisoned and she was waiting, along with hundreds of grief-stricken women, to learn what sentence her loved one would receive. But Akhmatova employs voice to stage a seemingly compliant muted figure of maternal suffering that, most importantly, talks back. While acknowledging the private suffering of a bereaved mother, the poe…
The Death and Life of a Chicago Edifice: "Gwendolyn Brooks's "In the Mecca
The Death and Life of a Chicago Edifice:Gwendolyn Brooks's "In the Mecca" Daniela Kukrechtová (bio) Isolation, stratification, fixation, regimentation, standardization, militarization—one or more of these attributes enter into the conception of the utopian city, as expounded by the Greeks. And these same features remain, in open or disguised form, even in the supposedly more democratic utopias of the nineteenth century, such as Bellamy's Looking …
No prominent works on this page.
The Death and Life of a Chicago Edifice: "Gwendolyn Brooks's "In the Mecca
The Death and Life of a Chicago Edifice:Gwendolyn Brooks's "In the Mecca" Daniela Kukrechtová (bio) Isolation, stratification, fixation, regimentation, standardization, militarization—one or more of these attributes enter into the conception of the utopian city, as expounded by the Greeks. And these same features remain, in open or disguised form, even in the supposedly more democratic utopias of the nineteenth century, such as Bellamy's Looking …
Neither Requiem, nor Stabat Mater: Anna Akhmatova’s Mother as a Figure of Collective Defiance in Requiem
In her long poem Requiem Anna Akhmatova addresses her most horrific years during the Stalinist regime, when her son was imprisoned and she was waiting, along with hundreds of grief-stricken women, to learn what sentence her loved one would receive. But Akhmatova employs voice to stage a seemingly compliant muted figure of maternal suffering that, most importantly, talks back. While acknowledging the private suffering of a bereaved mother, the poe…
Aesthetics (2 works) · Art (2 works) · Literature (2 works) · Philosophy (2 works) · Archaeology (1 works) · Art history (1 works) · Autobiographical and Biographical Writing (1 works) · Barbarism (1 works) · Civilization (1 works) · Consolation (1 works)