Chad Jewett
Biographic Data
| ID | 2735838 |
|---|---|
| NAME | Chad Jewett |
| GIVEN NAMES | Chad |
| FAMILY NAME | Jewett |
| SIGNATURE | JEWETT C |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Being Uncle Remus”
“Being Uncle Remus”:The Folk Uncanny and the Remus/Rabbit Archetype in Faulkner’s “Was” and The Reivers Chad Jewett (bio) Beginning with Go Down, Moses (1942) and ending with his final novel, The Reivers (1962), William Faulkner’s final two decades of writing consistently focused on questions of black humanity and racial discord in his Yoknapatawpha County. While the literal voicing of narrative is left in the hands of white characters like Cass …
The Modality of Toni Morrison's Jazz
This article examines Morrison's novel through the tenets of modal jazz and John Coltrane's 1965 album A Love Supreme . Both Morrison's novel and the modal form of jazz performed by Coltrane resist the format of the novel/song as a future-oriented teleological entity. Instead Morrison's novel reflects modal jazz's focus on the improvisation of the "riff" and a focus on present-tense performance over anticipated resolution. This article investigat…
No prominent works on this page.
The Modality of Toni Morrison's Jazz
This article examines Morrison's novel through the tenets of modal jazz and John Coltrane's 1965 album A Love Supreme . Both Morrison's novel and the modal form of jazz performed by Coltrane resist the format of the novel/song as a future-oriented teleological entity. Instead Morrison's novel reflects modal jazz's focus on the improvisation of the "riff" and a focus on present-tense performance over anticipated resolution. This article investigat…
Being Uncle Remus”
“Being Uncle Remus”:The Folk Uncanny and the Remus/Rabbit Archetype in Faulkner’s “Was” and The Reivers Chad Jewett (bio) Beginning with Go Down, Moses (1942) and ending with his final novel, The Reivers (1962), William Faulkner’s final two decades of writing consistently focused on questions of black humanity and racial discord in his Yoknapatawpha County. While the literal voicing of narrative is left in the hands of white characters like Cass …
Art (2 works) · Art history (2 works) · Literature (2 works) · Aesthetics (1 work) · American and British Literature Analysis (1 work) · American Literature and Humor Studies (1 work) · Archetype (1 work) · Computer Science (1 work) · Depiction (1 work) · Epistemology (1 work)