I Nyoman Sedana
Biographic Data
| ID | 2744019 |
|---|---|
| NAME | I Nyoman Sedana |
| GIVEN NAMES | I Nyoman |
| FAMILY NAME | Sedana |
| SIGNATURE | SEDANA I N |
| AFFILIATIONS | Institut Seni Indonesia Denpasar |
| ORCID | 0000-0003-0803-8663 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Unveiling the aesthetic connection
The Prodigal Son, a well-known biblical parable cherished by children, has never been depicted using Balinese wayang, presenting an opportunity for cultural enrichment. This research aims to select appropriate Balinese wayang characters for the Bible story "The Lost Child." The motivation behind this study is to bridge the gap between the western visual style often associated with biblical depictions and the captivating Balinese wayang tradition,…
Cerita on Calonarang Dance Drama
I Nyoman Cerita (1961–2021) was a major Balinese choreographer of this generation and a teacher at Institut Seni Indonesia (ISI, Indonesian Institute of the Arts) at Denpasar. The essay that follows this introduction is his last written work and it displays his emic perspective on performing calonarang, a sacred dance drama popular in its current form since at least the nineteenth century. Its most common plot is related to an eleventh-century st…
Estetika Bentuk Busana Pada Lukisan Wayang Kamasan
Di balik keberagaman bentuk busana dalam lukisan Wayang Kamasan, terdapat pakem dan kreativitas bagi pelukis gaya Kamasan, mengingat bahwa kesenian ini merupakan kesenian klasik dan komunal di Bali. Penelitian menggunakan metode kualitatif dengan pendekatan estetika bentuk dari Thomas Munro yang menyatakan bahwa satu benda seni memiliki pengorganisasian unsur dan detail yang ditujukan untuk menyampaikan imajinasi dan pesan dari sebuah objek, adeg…
Report
In Indonesia, the Ramayana is performed in multiple theatre genres spanning puppetry, and masked and unmasked dance drama. Still performed throughout much of Indonesia, these forms function as both ritual and secular entertainments, ones distinguished by characteristically Indonesian elements of song, gamelan music, dramatic narration, costuming (including masks and headdresses), and stylized dance and movement. Historically, the Indonesian theat…
Performance in Bali
Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre Sanghyang ritual trance performance Gambuh classical dance-drama the virtuoso art of Topeng masked theatre. These culturally unique and beautiful …
Theatre in a Time of Terrorism
The bombing of the Sari Club on Legian Street, Kuta, Bali, on 12 October 2002 disrupted the natural balance that is sought for in Balinese religion. This article shows how a technically innovative shadow puppet performance that responds to the disaster is informed by the Balinese conception of the natural balance of human life governed by tri hita karana (three elements of harmony) and dasanama kerta (ten elements that cause harmonious prosperity…
Balinese Mask Dance from the Perspective of a Master Artist
I Ketut Kodi is one of the most noted performers of topeng mask dance and wayang puppetry in Bali today. These are two of the most important Balinese arts in that they have exorcistic power needed to complete religious ceremonies. The topeng dancer, like the dalang, is part entertainer, part philosopher, and part exorcist. Kodi teaches at Institute Seni Indonesia (Indonesian Institute of the Arts, formerly STSI) in Denpasar and performs all over …
Collaborative Music in the Performance of the Balinese Shadow Theater
This essay deals with the musical collaboration between dalang (puppeteer) and penabuh (musicians) in the performance of the Balinese shadow puppet theatre wayang kulit , perhaps the most demanding of Bali's rich performing arts. The multi-faceted skills of the dalang include a command of music, singing, improvisation, and percussive accompaniment, manipulation of the figures, ritual understanding, comic wit, and narrative insight. Without the su…
The Education of a Balinese Dalang
The dalang is the Balinese shadow-master, narrator, and puppeteer who presents the stories of wayang parwa-the shadow theatre of the area -via narration, song, dramatization, puppet manipulation, music, and humor.1 Pedalangan is the lore, technique, and religious-philosophical knowledge this artist must master. Although he most frequently performs shadow puppetry, a dalang is also needed as narrator in genres which do not involve puppets, includi…
No prominent works on this page.
The Education of a Balinese Dalang
The dalang is the Balinese shadow-master, narrator, and puppeteer who presents the stories of wayang parwa-the shadow theatre of the area -via narration, song, dramatization, puppet manipulation, music, and humor.1 Pedalangan is the lore, technique, and religious-philosophical knowledge this artist must master. Although he most frequently performs shadow puppetry, a dalang is also needed as narrator in genres which do not involve puppets, includi…
Theatre in a Time of Terrorism
The bombing of the Sari Club on Legian Street, Kuta, Bali, on 12 October 2002 disrupted the natural balance that is sought for in Balinese religion. This article shows how a technically innovative shadow puppet performance that responds to the disaster is informed by the Balinese conception of the natural balance of human life governed by tri hita karana (three elements of harmony) and dasanama kerta (ten elements that cause harmonious prosperity…
Balinese Mask Dance from the Perspective of a Master Artist
I Ketut Kodi is one of the most noted performers of topeng mask dance and wayang puppetry in Bali today. These are two of the most important Balinese arts in that they have exorcistic power needed to complete religious ceremonies. The topeng dancer, like the dalang, is part entertainer, part philosopher, and part exorcist. Kodi teaches at Institute Seni Indonesia (Indonesian Institute of the Arts, formerly STSI) in Denpasar and performs all over …
Collaborative Music in the Performance of the Balinese Shadow Theater
This essay deals with the musical collaboration between dalang (puppeteer) and penabuh (musicians) in the performance of the Balinese shadow puppet theatre wayang kulit , perhaps the most demanding of Bali's rich performing arts. The multi-faceted skills of the dalang include a command of music, singing, improvisation, and percussive accompaniment, manipulation of the figures, ritual understanding, comic wit, and narrative insight. Without the su…
Performance in Bali
Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: Wayang shadow-puppet theatre Sanghyang ritual trance performance Gambuh classical dance-drama the virtuoso art of Topeng masked theatre. These culturally unique and beautiful …
Report
In Indonesia, the Ramayana is performed in multiple theatre genres spanning puppetry, and masked and unmasked dance drama. Still performed throughout much of Indonesia, these forms function as both ritual and secular entertainments, ones distinguished by characteristically Indonesian elements of song, gamelan music, dramatic narration, costuming (including masks and headdresses), and stylized dance and movement. Historically, the Indonesian theat…
Estetika Bentuk Busana Pada Lukisan Wayang Kamasan
Di balik keberagaman bentuk busana dalam lukisan Wayang Kamasan, terdapat pakem dan kreativitas bagi pelukis gaya Kamasan, mengingat bahwa kesenian ini merupakan kesenian klasik dan komunal di Bali. Penelitian menggunakan metode kualitatif dengan pendekatan estetika bentuk dari Thomas Munro yang menyatakan bahwa satu benda seni memiliki pengorganisasian unsur dan detail yang ditujukan untuk menyampaikan imajinasi dan pesan dari sebuah objek, adeg…
Cerita on Calonarang Dance Drama
I Nyoman Cerita (1961–2021) was a major Balinese choreographer of this generation and a teacher at Institut Seni Indonesia (ISI, Indonesian Institute of the Arts) at Denpasar. The essay that follows this introduction is his last written work and it displays his emic perspective on performing calonarang, a sacred dance drama popular in its current form since at least the nineteenth century. Its most common plot is related to an eleventh-century st…
Unveiling the aesthetic connection
The Prodigal Son, a well-known biblical parable cherished by children, has never been depicted using Balinese wayang, presenting an opportunity for cultural enrichment. This research aims to select appropriate Balinese wayang characters for the Bible story "The Lost Child." The motivation behind this study is to bridge the gap between the western visual style often associated with biblical depictions and the captivating Balinese wayang tradition,…
Art (8 works) · Cultural and Artistic Studies (7 works) · History (5 works) · Sociology (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Literature (4 works) · Asian Studies and History (3 works) · Dance (3 works) · Folklore, Mythology, and Literature Studies (3 works)