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Lorenzo Fabbri

Biographic Data

ID274719
NAMELorenzo Fabbri
GIVEN NAMESLorenzo
FAMILY NAMEFabbri
SIGNATUREFABBRI L
AFFILIATIONSUniversity of Minnesota
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS7
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Speculative Whiteness

    Lorenzo Fabbri•ARTICLE•Critical Inquiry•2026

  • The Black Medici in Two Acts

    Daphne Di Cinto, Lorenzo Fabbri•ARTICLE•Italian Culture•2025•References: 1

  • A Note on the New Cover

    Lorenzo Fabbri, Ramsey Mcglazer•ARTICLE•Italian Culture•2021

  • Early Modern Media Theory

    Lorenzo Fabbri•ARTICLE•Modern Language Notes•2019•Cited by: 1

    This essay investigates how Machiavelli's Clizia problematizes any clear-cut distinction between the private and public realms by accenting that the proper governance of desire is crucial to avoid catastrophic socio-political disruptions. Integrating Louis Althusser's and Michel Foucault's takes on Machiavelli, I forefront the engaged dimension of the play. In fact, I argue that Machiavelli's account of the comic consequences of disorderly appeti…

  • Queer neorealism

    Open Access•Lorenzo Fabbri•ARTICLE•Screen•2018•Cited by: 1

    ‘Cinema is the most powerful weapon’ – Benito Mussolini’s motto loomed in capital letters over the 1937 inauguration of the massive production hub being built in the outskirts of Rome, reminding the film industry what was expected of it. Notwithstanding the effort to deploy cinema as a key technology for governing the nation and the empire, in the early 1940s film became a battlefield for the Regime. This essay excavates from the closet of memory…

  • Neorealism as Ideology

    Lorenzo Fabbri•ARTICLE•The Italianist•2015•Cited by: 1

    Although the very existence of neorealism has been under scrutiny at least since the 1950s, an obstinate outlook on Italy's cinema history still reduces all national films to anticipations, prolongations, or betrayals of this elusive new wave. Why is this the case? In this article, I explain the persisting critical hegemony of neorealism from the point of view of ideology critique. I argue that Bazin's and Deleuze's influential accounts of neorea…

  • From Inoperativeness to Action

    Lorenzo Fabbri, Philosophy Documentation Center•ARTICLE•Radical Philosophy Review•2011•Cited by: 3

  • On the Limits of Violence

    Giorgio Agamben, Lorenzo Fabbri•ARTICLE•diacritics•2009

    On the Limits of Violence Giorgio Agamben (bio) and Lorenzo Fabbri Translated by Elisabeth Fay Editor's introduction In February 1970, a twenty-eight-year-old Giorgio Agamben sends a letter to Hannah Arendt. After introducing himself as a friend of Dominique Fourcade, with whom Agamben attended Martin Heidegger's 1966 and 1968 seminars in Provence, Agamben proceeds to express his gratitude to Arendt: her books, he writes, provided him with a "dec…

  • Philosophy as Chance

    Lorenzo Fabbri•ARTICLE•Critical Inquiry•2007•Cited by: 1

  • Lorenzo de’ Medici and the Art of Magnificence

    Open Access•Lorenzo Fabbri•ARTICLE•Renaissance Quarterly•2006

    F.W. Kent. Lorenzo de’ Medici and the Art of Magnificence. The Johns Hopkins Symposia in Comparative History. Baltimore: The Johns Hopkins University Press, 2004. xiii + 230 pp. + 21 b/w plates. index. illus. bibl. $36.95. ISBN: 0-8018-7868-3. - Volume 59 Issue 2

  • La città dei crucci

    Open Access•Lorenzo Fabbri•ARTICLE•Renaissance Quarterly•2003

    William J. Connell. La città dei crucci: Fazioni e clientele in uno stato repubblicano del '400. Florence: Nuova Toscana Editrice, 2000. x + 318 pp. index, append. $15.49. ISBN: 88-87263-10-8. - Volume 56 Issue 1

  • From Inoperativeness to Action

    Lorenzo Fabbri, Philosophy Documentation Center•ARTICLE•Radical Philosophy Review•2011•Cited by: 3

  • Early Modern Media Theory

    Lorenzo Fabbri•ARTICLE•Modern Language Notes•2019•Cited by: 1

    This essay investigates how Machiavelli's Clizia problematizes any clear-cut distinction between the private and public realms by accenting that the proper governance of desire is crucial to avoid catastrophic socio-political disruptions. Integrating Louis Althusser's and Michel Foucault's takes on Machiavelli, I forefront the engaged dimension of the play. In fact, I argue that Machiavelli's account of the comic consequences of disorderly appeti…

  • Queer neorealism

    Open Access•Lorenzo Fabbri•ARTICLE•Screen•2018•Cited by: 1

    ‘Cinema is the most powerful weapon’ – Benito Mussolini’s motto loomed in capital letters over the 1937 inauguration of the massive production hub being built in the outskirts of Rome, reminding the film industry what was expected of it. Notwithstanding the effort to deploy cinema as a key technology for governing the nation and the empire, in the early 1940s film became a battlefield for the Regime. This essay excavates from the closet of memory…

  • Neorealism as Ideology

    Lorenzo Fabbri•ARTICLE•The Italianist•2015•Cited by: 1

    Although the very existence of neorealism has been under scrutiny at least since the 1950s, an obstinate outlook on Italy's cinema history still reduces all national films to anticipations, prolongations, or betrayals of this elusive new wave. Why is this the case? In this article, I explain the persisting critical hegemony of neorealism from the point of view of ideology critique. I argue that Bazin's and Deleuze's influential accounts of neorea…

  • Philosophy as Chance

    Lorenzo Fabbri•ARTICLE•Critical Inquiry•2007•Cited by: 1

  • La città dei crucci

    Open Access•Lorenzo Fabbri•ARTICLE•Renaissance Quarterly•2003

    William J. Connell. La città dei crucci: Fazioni e clientele in uno stato repubblicano del '400. Florence: Nuova Toscana Editrice, 2000. x + 318 pp. index, append. $15.49. ISBN: 88-87263-10-8. - Volume 56 Issue 1

  • Lorenzo de’ Medici and the Art of Magnificence

    Open Access•Lorenzo Fabbri•ARTICLE•Renaissance Quarterly•2006

    F.W. Kent. Lorenzo de’ Medici and the Art of Magnificence. The Johns Hopkins Symposia in Comparative History. Baltimore: The Johns Hopkins University Press, 2004. xiii + 230 pp. + 21 b/w plates. index. illus. bibl. $36.95. ISBN: 0-8018-7868-3. - Volume 59 Issue 2

  • Philosophy as Chance

    Lorenzo Fabbri•ARTICLE•Critical Inquiry•2007•Cited by: 1

  • On the Limits of Violence

    Giorgio Agamben, Lorenzo Fabbri•ARTICLE•diacritics•2009

    On the Limits of Violence Giorgio Agamben (bio) and Lorenzo Fabbri Translated by Elisabeth Fay Editor's introduction In February 1970, a twenty-eight-year-old Giorgio Agamben sends a letter to Hannah Arendt. After introducing himself as a friend of Dominique Fourcade, with whom Agamben attended Martin Heidegger's 1966 and 1968 seminars in Provence, Agamben proceeds to express his gratitude to Arendt: her books, he writes, provided him with a "dec…

  • From Inoperativeness to Action

    Lorenzo Fabbri, Philosophy Documentation Center•ARTICLE•Radical Philosophy Review•2011•Cited by: 3

  • Neorealism as Ideology

    Lorenzo Fabbri•ARTICLE•The Italianist•2015•Cited by: 1

    Although the very existence of neorealism has been under scrutiny at least since the 1950s, an obstinate outlook on Italy's cinema history still reduces all national films to anticipations, prolongations, or betrayals of this elusive new wave. Why is this the case? In this article, I explain the persisting critical hegemony of neorealism from the point of view of ideology critique. I argue that Bazin's and Deleuze's influential accounts of neorea…

  • Queer neorealism

    Open Access•Lorenzo Fabbri•ARTICLE•Screen•2018•Cited by: 1

    ‘Cinema is the most powerful weapon’ – Benito Mussolini’s motto loomed in capital letters over the 1937 inauguration of the massive production hub being built in the outskirts of Rome, reminding the film industry what was expected of it. Notwithstanding the effort to deploy cinema as a key technology for governing the nation and the empire, in the early 1940s film became a battlefield for the Regime. This essay excavates from the closet of memory…

  • Early Modern Media Theory

    Lorenzo Fabbri•ARTICLE•Modern Language Notes•2019•Cited by: 1

    This essay investigates how Machiavelli's Clizia problematizes any clear-cut distinction between the private and public realms by accenting that the proper governance of desire is crucial to avoid catastrophic socio-political disruptions. Integrating Louis Althusser's and Michel Foucault's takes on Machiavelli, I forefront the engaged dimension of the play. In fact, I argue that Machiavelli's account of the comic consequences of disorderly appeti…

  • A Note on the New Cover

    Lorenzo Fabbri, Ramsey Mcglazer•ARTICLE•Italian Culture•2021

  • The Black Medici in Two Acts

    Daphne Di Cinto, Lorenzo Fabbri•ARTICLE•Italian Culture•2025•References: 1

  • Speculative Whiteness

    Lorenzo Fabbri•ARTICLE•Critical Inquiry•2026

Art (9 works) · Philosophy (6 works) · History (4 works) · History (4 works) · Law (4 works) · Literature (4 works) · Philosophy (4 works) · Politics (4 works) · Aesthetics (3 works) · Art history (3 works)

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