Nancy J Vickers
Biographic Data
| ID | 275086 |
|---|---|
| NAME | Nancy J Vickers |
| GIVEN NAMES | Nancy J |
| FAMILY NAME | Vickers |
| SIGNATURE | VICKERS N J |
| AFFILIATIONS | Dartmouth Hospital |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 32 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Language Machines: Technologies of Literary and Cultural Production
Language Machines questions any easily progressive model of technological change, demonstrating the persistence rather than the obsolescence of language technologies over time, the continuous and complicated overlap of pens, presses, screens and voice. In these essays new technologies do not simply replace, but rather draw upon, absorb, displace and resituate earlier technologies
The Medusa Reader
Ranging from classical times to pop culture, this collection will appeal to art historians, feminists, classicists, cultural critics, and anyone interested in mythology
Rewriting the Renaissance. The Discourses of Sexual Difference in Early Modern Europe
Renaissance et Réforme / 85 italienne, ces convegni internazionali ne tardèrent pas à avoir une ample résonance dans les milieux dédiés à l'étude de la Renaissance et de l'humanisme en général.Depuis mars 1988, Giovannangiola Tarugi n'est plus.En un geste de piété, il fut décidé que le centre d'études mettrait fin à ses activités, du moins sous son appellation d'origine
Canon, Rule and the Restoration Renaissance
This Heraldry in Lucrece' Face
The brief exchange between a governor and a lieutenant that figures as epigraph to this essay is curiously about the limits of description. As they stand in the stormy port of the isle of Cyprus (1.43) awaiting the Moor Othello (1.27), Montano and Cassio digress from appropriately warlike concerns to evoke Othello's exquisite and doomed bride, Desdemona. Cassio comments that she is so beautiful as to be beyond description: her charms surpass all …
The Storyteller as Humanist: The Serées of Guillaume Bouchet
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Re-membering Dante: "Petrarch's "Chiare, fresche et dolci acque
Petrarch's reticence on the subject of Dante was already a source of surprise and confusion during his lifetime. In those rare passages where he discusses him directly, it is only to tell us that he never seriously read the Commedia and to intimate that he considered Dante's popularity somewhat suspect.1 Whether we attribute this disinterested posture to disdain, envy or simple misapprehension, Petrarch's refusal to acknowledge the formative infl…
Diana Described: Scattered Woman and Scattered Rhyme
Diana Described: Scattered Woman and Scattered Rhyme
This Heraldry in Lucrece' Face
The brief exchange between a governor and a lieutenant that figures as epigraph to this essay is curiously about the limits of description. As they stand in the stormy port of the isle of Cyprus (1.43) awaiting the Moor Othello (1.27), Montano and Cassio digress from appropriately warlike concerns to evoke Othello's exquisite and doomed bride, Desdemona. Cassio comments that she is so beautiful as to be beyond description: her charms surpass all …
Re-membering Dante: "Petrarch's "Chiare, fresche et dolci acque
Petrarch's reticence on the subject of Dante was already a source of surprise and confusion during his lifetime. In those rare passages where he discusses him directly, it is only to tell us that he never seriously read the Commedia and to intimate that he considered Dante's popularity somewhat suspect.1 Whether we attribute this disinterested posture to disdain, envy or simple misapprehension, Petrarch's refusal to acknowledge the formative infl…
Diana Described: Scattered Woman and Scattered Rhyme
The Storyteller as Humanist: The Serées of Guillaume Bouchet
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
This Heraldry in Lucrece' Face
The brief exchange between a governor and a lieutenant that figures as epigraph to this essay is curiously about the limits of description. As they stand in the stormy port of the isle of Cyprus (1.43) awaiting the Moor Othello (1.27), Montano and Cassio digress from appropriately warlike concerns to evoke Othello's exquisite and doomed bride, Desdemona. Cassio comments that she is so beautiful as to be beyond description: her charms surpass all …
Canon, Rule and the Restoration Renaissance
Rewriting the Renaissance. The Discourses of Sexual Difference in Early Modern Europe
Renaissance et Réforme / 85 italienne, ces convegni internazionali ne tardèrent pas à avoir une ample résonance dans les milieux dédiés à l'étude de la Renaissance et de l'humanisme en général.Depuis mars 1988, Giovannangiola Tarugi n'est plus.En un geste de piété, il fut décidé que le centre d'études mettrait fin à ses activités, du moins sous son appellation d'origine
The Medusa Reader
Ranging from classical times to pop culture, this collection will appeal to art historians, feminists, classicists, cultural critics, and anyone interested in mythology
Language Machines: Technologies of Literary and Cultural Production
Language Machines questions any easily progressive model of technological change, demonstrating the persistence rather than the obsolescence of language technologies over time, the continuous and complicated overlap of pens, presses, screens and voice. In these essays new technologies do not simply replace, but rather draw upon, absorb, displace and resituate earlier technologies
Art (6 works) · History (4 works) · Philosophy (4 works) · Early Modern Spanish Literature (3 works) · Literature (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · Linguistics (2 works) · Reformation and Early Modern Christianity (2 works)