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Nina Auerbach

Biographic Data

ID275089
NAMENina Auerbach
GIVEN NAMESNina
FAMILY NAMEAuerbach
SIGNATUREAUERBACH N
AFFILIATIONSCalifornia University of Pennsylvania
VERIFIEDNo
TOTAL WORKS25
TOTAL CITATIONS10
AUTHOR COUNT25
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2008
H-INDEX2
  • Fanny Kemble: A Performed Life , by Deirdre David

    Nina Auerbach•ARTICLE•Victorian Studies•2008

    Reviewed by: Fanny Kemble: A Performed Life Nina Auerbach Fanny kemble: A Performed Life, by Deirdre David; pp. xix + 350. Philadelphia: University of Pennsylvania Press, 2007, $39.95. Deirdre David's biography of Fanny Kemble is as vivid and many-sided as Kemble was herself. an actress who claimed to hate the stage, Kemble seems more a presence than a performer. Though her audiences loved her, I wonder whether she was an actress at all. unlike H…

  • Women's Theatre Writing in Victorian Britain

    Nina Auerbach•ARTICLE•Journal of Victorian Culture•2007

  • Ghosts of Ghosts

    Open Access•Nina Auerbach•ARTICLE•Victorian Literature and Culture•2004•Cited by: 2•References: 2

    What hope of answer, or redress? Behind the veil, behind the veil. In Memoriam 56, ll. 27–28

  • The Waning George Eliot

    Open Access•Nina Auerbach•ARTICLE•Victorian Literature and Culture•1997

    Taken together, the four books under review here make me feel, not too comfortably, like a character in Middlemarch : in the aggregate, recent work on George Eliot is so slight that it evokes books unwritten, mighty tasks not only unfinished, but unbegun. The comparative modesty of even excellent work like Rosemarie Bodenheimer's, the sense that criticism is returning, in a smaller compass with more scrupulous vision, to ground already broken, is…

  • Our Vampires, Ourselves

    Nina Auerbach•BOOK•Our Vampires, Ourselves•1995

    "Sometimes bewitchingly erotic, sometimes repellent, sometimes ravenous, vampires embody their societies' fears and forbidden dreams. In this wry, original book, literary critic and vampire enthusiast Nina Auerbach shows how every age embraces the vampire it needs and, at the same time, gets the vampire it deserves."--BOOK JACKET.

  • The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell's Demon

    Nina Auerbach, Felicia Bonaparte et al.•ARTICLE•Tulsa Studies in Women s Literature•1994

  • Revelations on Pages and Stages

    Nina Auerbach•ARTICLE•Victorian Literature and Culture•1993•References: 3

  • Victorian Sages and Cultural Discourse: Renegotiating Gender and Power

    Nina Auerbach, Thaïs E Morgan•ARTICLE•Tulsa Studies in Women s Literature•1992

  • Oscar Wilde and the Theatre of the 1890s

    Nina Auerbach, Kerry Powell•ARTICLE•Theatre Journal•1992•Cited by: 4

    1. Rewriting the past 2. Lady Windermere's Fan and the unmotherly mother 3. Salome, the censor, and the divine Sarah 4. Unimportant women and men with a past 5. Wilde and Ibsen 6. An Ideal Husband: resisting the feminist police 7. The importance of being at Terry's 8. Algernon's other brothers Epilogue Appendix: Dramatists of the 1890s Notes Bibliography Index

  • Edwin Booth's Performances: The Mary Isabella Stone Commentaries

    Daniel Barrett, Daniel J Watermeier et al.•ARTICLE•Theatre Journal•1991

  • Ellen Terry: Player in Her Time

    Robin Sheets, Nina Auerbach•ARTICLE•Tulsa Studies in Women s Literature•1990

    Drawing on actress Ellen Terry's vivid letters, many of which have never before been published, Nina Auerbach gives a rich new picture of a compelling woman and the society against which she struggled to define herself. Photographs

  • Mythology and Misogyny: The Social Discourse of Nineteenth-Century British Classical-Subject Painting

    Nina Auerbach, Joseph A Kestner•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Woman against Women in Victorian England: A Life of Eliza Lynn Linton

    Nina Auerbach, Nancy Fix Anderson et al.•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Female Friendships and Communities: Charlotte Bronte, George Eliot, Elizabeth Gaskell

    Nina Auerbach, Pauline Nestor et al.•ARTICLE•Tulsa Studies in Women s Literature•1987

  • Fanny Burney

    Joseph A Kestner, Judy Simons et al.•ARTICLE•Tulsa Studies in Women s Literature•1987

  • Feminist Criticism: Women as Contemporary Critics

    Maria Lauret, Maggie Humm et al.•ARTICLE•Feminist Review•1987

    Buku ini membahas tentang kritik sastra feminis dan metode-metode yang digunakan. Pada bagian kedua, buku ini juga mengupas Virginia Woolf, Rebecca West, dan Adrienne Rich, sebagai pengarang yang aktif menyuarakan feminisme

  • Women and Fiction Revisited: Feminist Criticism of the English Novel

    Louise Yelin, Nina Auerbach et al.•ARTICLE•Feminist Studies•1986

  • George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning . Sally Shuttleworth

    Nina Auerbach•ARTICLE•Isis•1985

  • Why Communities of Women Aren't Enough

    Nina Auerbach•ARTICLE•Tulsa Studies in Women s Literature•1984

  • Woman and the demon: The life of a Victorian myth

    Nina Auerbach•BOOK•Woman and the demon•1982

  • Communities of Women: An Idea in Fiction

    Louise Yelin, Nina Auerbach•ARTICLE•Feminist Studies•1981

  • Magi and Maidens: The Romance of the Victorian Freud

    Nina Auerbach•ARTICLE•Critical Inquiry•1981•Cited by: 4

  • Incarnations of the Orphan

    Nina Auerbach•ARTICLE•ELH•1975

    The figure of the wandering orphan, searching through an alien world for his home, has fascinated generations of novelists. The loneliness and the license of his point of view shake the solid foundations of English fiction. His isolation is a counterpoint to the view of the English novel given us by such critics as Wayne Booth, Ian Watt, and, most recently, David Goldknopf, who see it as a form in which consciousness is born into self-knowledge o…

  • Dorothy Sayers and the Amazons

    Nina Auerbach•ARTICLE•Feminist Studies•1975

  • O Brave New World: Evolution and Revolution in Persuasion

    Nina Auerbach•ARTICLE•ELH•1972

    An analysis of the symbolism in Jane Austen's Persuasion may lead us to discover stirrings of revolution underneath the quiet surface of the novel. To define the revolution of Persuasion, we should begin by examining the laws of its created world in relation to those governing Jane Austen's earlier novels. It may be helpful in this connection to think of Persuasion as Jane Austen's Tempest, another final work that reprises and transforms themes a…

  • Oscar Wilde and the Theatre of the 1890s

    Nina Auerbach, Kerry Powell•ARTICLE•Theatre Journal•1992•Cited by: 4

    1. Rewriting the past 2. Lady Windermere's Fan and the unmotherly mother 3. Salome, the censor, and the divine Sarah 4. Unimportant women and men with a past 5. Wilde and Ibsen 6. An Ideal Husband: resisting the feminist police 7. The importance of being at Terry's 8. Algernon's other brothers Epilogue Appendix: Dramatists of the 1890s Notes Bibliography Index

  • Magi and Maidens: The Romance of the Victorian Freud

    Nina Auerbach•ARTICLE•Critical Inquiry•1981•Cited by: 4

  • Ghosts of Ghosts

    Open Access•Nina Auerbach•ARTICLE•Victorian Literature and Culture•2004•Cited by: 2•References: 2

    What hope of answer, or redress? Behind the veil, behind the veil. In Memoriam 56, ll. 27–28

  • O Brave New World: Evolution and Revolution in Persuasion

    Nina Auerbach•ARTICLE•ELH•1972

    An analysis of the symbolism in Jane Austen's Persuasion may lead us to discover stirrings of revolution underneath the quiet surface of the novel. To define the revolution of Persuasion, we should begin by examining the laws of its created world in relation to those governing Jane Austen's earlier novels. It may be helpful in this connection to think of Persuasion as Jane Austen's Tempest, another final work that reprises and transforms themes a…

  • Incarnations of the Orphan

    Nina Auerbach•ARTICLE•ELH•1975

    The figure of the wandering orphan, searching through an alien world for his home, has fascinated generations of novelists. The loneliness and the license of his point of view shake the solid foundations of English fiction. His isolation is a counterpoint to the view of the English novel given us by such critics as Wayne Booth, Ian Watt, and, most recently, David Goldknopf, who see it as a form in which consciousness is born into self-knowledge o…

  • Dorothy Sayers and the Amazons

    Nina Auerbach•ARTICLE•Feminist Studies•1975

  • Communities of Women: An Idea in Fiction

    Louise Yelin, Nina Auerbach•ARTICLE•Feminist Studies•1981

  • Magi and Maidens: The Romance of the Victorian Freud

    Nina Auerbach•ARTICLE•Critical Inquiry•1981•Cited by: 4

  • Woman and the demon: The life of a Victorian myth

    Nina Auerbach•BOOK•Woman and the demon•1982

  • Why Communities of Women Aren't Enough

    Nina Auerbach•ARTICLE•Tulsa Studies in Women s Literature•1984

  • George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning . Sally Shuttleworth

    Nina Auerbach•ARTICLE•Isis•1985

  • Women and Fiction Revisited: Feminist Criticism of the English Novel

    Louise Yelin, Nina Auerbach et al.•ARTICLE•Feminist Studies•1986

  • Female Friendships and Communities: Charlotte Bronte, George Eliot, Elizabeth Gaskell

    Nina Auerbach, Pauline Nestor et al.•ARTICLE•Tulsa Studies in Women s Literature•1987

  • Fanny Burney

    Joseph A Kestner, Judy Simons et al.•ARTICLE•Tulsa Studies in Women s Literature•1987

  • Feminist Criticism: Women as Contemporary Critics

    Maria Lauret, Maggie Humm et al.•ARTICLE•Feminist Review•1987

    Buku ini membahas tentang kritik sastra feminis dan metode-metode yang digunakan. Pada bagian kedua, buku ini juga mengupas Virginia Woolf, Rebecca West, dan Adrienne Rich, sebagai pengarang yang aktif menyuarakan feminisme

  • Mythology and Misogyny: The Social Discourse of Nineteenth-Century British Classical-Subject Painting

    Nina Auerbach, Joseph A Kestner•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Woman against Women in Victorian England: A Life of Eliza Lynn Linton

    Nina Auerbach, Nancy Fix Anderson et al.•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Ellen Terry: Player in Her Time

    Robin Sheets, Nina Auerbach•ARTICLE•Tulsa Studies in Women s Literature•1990

    Drawing on actress Ellen Terry's vivid letters, many of which have never before been published, Nina Auerbach gives a rich new picture of a compelling woman and the society against which she struggled to define herself. Photographs

  • Edwin Booth's Performances: The Mary Isabella Stone Commentaries

    Daniel Barrett, Daniel J Watermeier et al.•ARTICLE•Theatre Journal•1991

  • Victorian Sages and Cultural Discourse: Renegotiating Gender and Power

    Nina Auerbach, Thaïs E Morgan•ARTICLE•Tulsa Studies in Women s Literature•1992

  • Oscar Wilde and the Theatre of the 1890s

    Nina Auerbach, Kerry Powell•ARTICLE•Theatre Journal•1992•Cited by: 4

    1. Rewriting the past 2. Lady Windermere's Fan and the unmotherly mother 3. Salome, the censor, and the divine Sarah 4. Unimportant women and men with a past 5. Wilde and Ibsen 6. An Ideal Husband: resisting the feminist police 7. The importance of being at Terry's 8. Algernon's other brothers Epilogue Appendix: Dramatists of the 1890s Notes Bibliography Index

  • Revelations on Pages and Stages

    Nina Auerbach•ARTICLE•Victorian Literature and Culture•1993•References: 3

  • The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell's Demon

    Nina Auerbach, Felicia Bonaparte et al.•ARTICLE•Tulsa Studies in Women s Literature•1994

  • Our Vampires, Ourselves

    Nina Auerbach•BOOK•Our Vampires, Ourselves•1995

    "Sometimes bewitchingly erotic, sometimes repellent, sometimes ravenous, vampires embody their societies' fears and forbidden dreams. In this wry, original book, literary critic and vampire enthusiast Nina Auerbach shows how every age embraces the vampire it needs and, at the same time, gets the vampire it deserves."--BOOK JACKET.

  • The Waning George Eliot

    Open Access•Nina Auerbach•ARTICLE•Victorian Literature and Culture•1997

    Taken together, the four books under review here make me feel, not too comfortably, like a character in Middlemarch : in the aggregate, recent work on George Eliot is so slight that it evokes books unwritten, mighty tasks not only unfinished, but unbegun. The comparative modesty of even excellent work like Rosemarie Bodenheimer's, the sense that criticism is returning, in a smaller compass with more scrupulous vision, to ground already broken, is…

  • Ghosts of Ghosts

    Open Access•Nina Auerbach•ARTICLE•Victorian Literature and Culture•2004•Cited by: 2•References: 2

    What hope of answer, or redress? Behind the veil, behind the veil. In Memoriam 56, ll. 27–28

  • Women's Theatre Writing in Victorian Britain

    Nina Auerbach•ARTICLE•Journal of Victorian Culture•2007

  • Fanny Kemble: A Performed Life , by Deirdre David

    Nina Auerbach•ARTICLE•Victorian Studies•2008

    Reviewed by: Fanny Kemble: A Performed Life Nina Auerbach Fanny kemble: A Performed Life, by Deirdre David; pp. xix + 350. Philadelphia: University of Pennsylvania Press, 2007, $39.95. Deirdre David's biography of Fanny Kemble is as vivid and many-sided as Kemble was herself. an actress who claimed to hate the stage, Kemble seems more a presence than a performer. Though her audiences loved her, I wonder whether she was an actress at all. unlike H…

Art (17 works) · History (13 works) · Art history (9 works) · History (9 works) · Literature (8 works) · Sociology (7 works) · Gender Studies (5 works) · Shakespeare, Adaptation, and Literary Criticism (5 works) · Computer Science (4 works) · Literature: history, themes, analysis (4 works)

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