Erwin Panofsky
Datos Biográficos
| ID | 275091 |
|---|---|
| NOMBRE | Erwin Panofsky |
| NOMBRES | Erwin |
| APELLIDO | Panofsky |
| FIRMA | PANOFSKY E |
| AFILIACIONES | Institut des Sciences Humaines et Sociales |
| VERIFICADO | No |
| TOTAL DE OBRAS | 24 |
| TOTAL DE CITAS | 41 |
| TOTAL COMO AUTOR | 24 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1954 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 4 |
The Problem of Style in the Visual Arts
This is an English translation of “‘Das Problem des Stills in der bildenden Kunst’” (1915). It is Erwin Panofsky’s first published essay and provides a critique of the famous theory of pictorial style by Panofsky’s distinguished predecessor, Heinrich Wölfflin
Trente ans d’histoire de l’art aux États-Unis
Les droits de reproduction pour la version numérique de ce document n’ont pas pu être obtenus dans le cadre d’une diffusion en accès ouvert
Pandora's Box
The Cultural Migration
On the Problem of Describing and Interpreting Works of the Visual Arts
Original and facsimile reproduction
Sur la relation entre l'histoire de l'art et la théorie de l'art. Contribution au débat sur la possibilité de « concepts fondamentaux de la science de l'art » [1924]
Este artigo, originalmente uma conferência de 1924, examina a complexa relação entre a história da arte e a teoria da arte, contribuindo para o debate sobre a possibilidade de estabelecer "conceitos fundamentais da ciência da arte". Panofsky argumenta que, embora a história da arte forneça dados empíricos essenciais, a teoria da arte busca abstrair princípios gerais e categorias interpretativas. Ele explora as tensões e interdependências entre es…
On the Relationship of Art History and Art Theory
Reflections on Historical Time
LA Perspectiva Como Forma Simbolica (Fbula)
Siegfried Kracauer / Erwin Panofsky Briefwechsel 1941-1966
Die Schriften aus dem Warburg Archiv umfassen kommentierte Editionen, die auf Material des Warburg Hauses Hamburg sowie des Warburg Instituts London basieren, sowie Tagungsbande.
Idea
Galilée critique d'art
Galileo as a Critic of the Arts. Drawing on encyclopaedic knowledge, Panofsky makes connections between the most varied areas of Renaissance culture, based on the homology between Galileo's aesthetic tastes and his scientific dispositions. Both derive from the same «critical purism» which explains both his ignorance of Kepler's discoveries on the elliptical orbits of the planets and his stated preference for painting as opposed to sculpture. Thus…
The Concept of Artistic Volition
The Historian and the Art Historian
Problems in Titian, Mostly Iconographic
Idea
Erasmus and the Visual Arts
Erasmus and the Visual Arts. Postprint aus: Journal of the Warburg and Courtauld Institutes 32 (1969), S. 200-227, plates 22-24
Tomb Sculpture. Four Lectures on Its Changing Aspects from Ancient Egypt to Bernini
Memoirs of Fellows and Corresponding Fellows of the Mediaeval Academy of America
Studies in iconology
Galileo as a Critic of the Arts
Notes & Correspondence
Galileo as a Critic of the Arts
Galileo as a Critic of the Arts
Galileo as a Critic of the Arts
Notes & Correspondence
Studies in iconology
Memoirs of Fellows and Corresponding Fellows of the Mediaeval Academy of America
Tomb Sculpture. Four Lectures on Its Changing Aspects from Ancient Egypt to Bernini
Erasmus and the Visual Arts
Erasmus and the Visual Arts. Postprint aus: Journal of the Warburg and Courtauld Institutes 32 (1969), S. 200-227, plates 22-24
Problems in Titian, Mostly Iconographic
Idea
The Historian and the Art Historian
The Concept of Artistic Volition
Galilée critique d'art
Galileo as a Critic of the Arts. Drawing on encyclopaedic knowledge, Panofsky makes connections between the most varied areas of Renaissance culture, based on the homology between Galileo's aesthetic tastes and his scientific dispositions. Both derive from the same «critical purism» which explains both his ignorance of Kepler's discoveries on the elliptical orbits of the planets and his stated preference for painting as opposed to sculpture. Thus…
Idea
Siegfried Kracauer / Erwin Panofsky Briefwechsel 1941-1966
Die Schriften aus dem Warburg Archiv umfassen kommentierte Editionen, die auf Material des Warburg Hauses Hamburg sowie des Warburg Instituts London basieren, sowie Tagungsbande.
LA Perspectiva Como Forma Simbolica (Fbula)
Reflections on Historical Time
On the Relationship of Art History and Art Theory
Original and facsimile reproduction
Sur la relation entre l'histoire de l'art et la théorie de l'art. Contribution au débat sur la possibilité de « concepts fondamentaux de la science de l'art » [1924]
Este artigo, originalmente uma conferência de 1924, examina a complexa relação entre a história da arte e a teoria da arte, contribuindo para o debate sobre a possibilidade de estabelecer "conceitos fundamentais da ciência da arte". Panofsky argumenta que, embora a história da arte forneça dados empíricos essenciais, a teoria da arte busca abstrair princípios gerais e categorias interpretativas. Ele explora as tensões e interdependências entre es…
On the Problem of Describing and Interpreting Works of the Visual Arts
The Cultural Migration
Pandora's Box
Trente ans d’histoire de l’art aux États-Unis
Les droits de reproduction pour la version numérique de ce document n’ont pas pu être obtenus dans le cadre d’une diffusion en accès ouvert
The Problem of Style in the Visual Arts
This is an English translation of “‘Das Problem des Stills in der bildenden Kunst’” (1915). It is Erwin Panofsky’s first published essay and provides a critique of the famous theory of pictorial style by Panofsky’s distinguished predecessor, Heinrich Wölfflin
Art (19 obras) · Art history (12 obras) · History (10 obras) · Visual arts (9 obras) · Philosophy (8 obras) · Philosophy (6 obras) · Law (5 obras) · Political science (5 obras) · The arts (5 obras) · Art (4 obras)