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Anne Higonnet

Biographic Data

ID275394
NAMEAnne Higonnet
GIVEN NAMESAnne
FAMILY NAMEHigonnet
SIGNATUREHIGONNET A
AFFILIATIONSAnne Higonnet is an associate professor in the Art Department of Wellesley College.
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS7
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Picturing Childhood in the Modern West

    Anne Higonnet•CHAPTER•The Routledge history of…•2015

  • Manet and the Multiple

    Anne Higonnet•ARTICLE•Grey Room•2012

    July 01 2012 Manet and the Multiple Anne Higonnet Anne Higonnet Anne Higonnet is a Professor of Art History at Barnard College, Columbia University. She is the author of many books and essays on nineteenth and twentieth century art, including A Museum of One's Own: Private Collecting, Public Gift (Periscope, 2009). Search for other works by this author on: This Site Google Scholar Author and Article Information Anne Higonnet Anne Higonnet is a Pr…

  • Self-Portrait as a Museum

    Open Access•Anne Higonnet•ARTICLE•Res: Anthropology and Aesthetics•2007

  • Clothing the Child's Body

    Anne Higonnet, Cassi Albinson•ARTICLE•Fashion Theory•1997•Cited by: 4

    Sally Mann’s 1989 photograph The New Mothers contradicts ideals of childhood innocence. The clothing and accessories worn by the image’s two girls engage conventions of childhood now more than two centuries old, only to pit them against body language. The New Mothers is as disturbing as our beliefs in the visual signs of childhood are deeply ingrained, and as our vision of childhood is now threatened by change. Superficially, The New Mothers belo…

  • Margarett Sargent

    Mary Sherman, Mary S Sherman et al.•ARTICLE•Woman s Art Journal•1996

  • Conclusions Based on Observation

    Anne Higonnet•ARTICLE•Yale journal of criticism/ The…•1996

    Conclusions Based on Observation Anne Higonnet (bio) In January 1995, a long child pornography case finally ended. Knox v. United States had bounced from the District Court of Pennsylvania to an Appeals Court to the Supreme Court and back again to the Third Circuit Court of Appeals, after which the Supreme Court refused to hear it again. The vicissitudes of the case magnified Knox into a national debate over child pornography. By the time it had …

  • Downcast Eyes

    Anne Higonnet•ARTICLE•The Journal of Modern History•1995

  • Perspectives on Morisot

    Therese Dolan, Teri J Edelstein et al.•ARTICLE•Woman s Art Journal•1994

    As a follow-up to Berthe Morisot -- Impressionist, one of the notable art events of the 1980s, seven leading feminists have written fascinating essays on Morisot's life, work, and career

  • Berthe Morisot’s Images of Women

    Anne Higonnet•BOOK•Berthe Morisot's Images of Women•1992

    Like her colleagues - Cassatt, Degas, Monet and Renoir - Berthe Morisot sought to represent the experience of modern life, a project that for her entailed rethinking what it meant to be a woman in the 19th century. Through close attention to the artist's work and its context, Anne Higonnet shows how Morisot transformed her femininity and its visual culture into Impressionist paintings. Higonnet presents a clear picture of visual traditions that, …

  • Berthe Morisot

    Anne Higonnet•BOOK•Berthe Morisot•1990

  • Secluded Vision

    Anne Higonnet•ARTICLE•Radical History Review•1987

  • Façades

    Patrice Higonnet, Anne Higonnet et al.•ARTICLE•Critical Inquiry•1984•Cited by: 3

  • Clothing the Child's Body

    Anne Higonnet, Cassi Albinson•ARTICLE•Fashion Theory•1997•Cited by: 4

    Sally Mann’s 1989 photograph The New Mothers contradicts ideals of childhood innocence. The clothing and accessories worn by the image’s two girls engage conventions of childhood now more than two centuries old, only to pit them against body language. The New Mothers is as disturbing as our beliefs in the visual signs of childhood are deeply ingrained, and as our vision of childhood is now threatened by change. Superficially, The New Mothers belo…

  • Façades

    Patrice Higonnet, Anne Higonnet et al.•ARTICLE•Critical Inquiry•1984•Cited by: 3

  • Façades

    Patrice Higonnet, Anne Higonnet et al.•ARTICLE•Critical Inquiry•1984•Cited by: 3

  • Secluded Vision

    Anne Higonnet•ARTICLE•Radical History Review•1987

  • Berthe Morisot

    Anne Higonnet•BOOK•Berthe Morisot•1990

  • Berthe Morisot’s Images of Women

    Anne Higonnet•BOOK•Berthe Morisot's Images of Women•1992

    Like her colleagues - Cassatt, Degas, Monet and Renoir - Berthe Morisot sought to represent the experience of modern life, a project that for her entailed rethinking what it meant to be a woman in the 19th century. Through close attention to the artist's work and its context, Anne Higonnet shows how Morisot transformed her femininity and its visual culture into Impressionist paintings. Higonnet presents a clear picture of visual traditions that, …

  • Perspectives on Morisot

    Therese Dolan, Teri J Edelstein et al.•ARTICLE•Woman s Art Journal•1994

    As a follow-up to Berthe Morisot -- Impressionist, one of the notable art events of the 1980s, seven leading feminists have written fascinating essays on Morisot's life, work, and career

  • Downcast Eyes

    Anne Higonnet•ARTICLE•The Journal of Modern History•1995

  • Margarett Sargent

    Mary Sherman, Mary S Sherman et al.•ARTICLE•Woman s Art Journal•1996

  • Conclusions Based on Observation

    Anne Higonnet•ARTICLE•Yale journal of criticism/ The…•1996

    Conclusions Based on Observation Anne Higonnet (bio) In January 1995, a long child pornography case finally ended. Knox v. United States had bounced from the District Court of Pennsylvania to an Appeals Court to the Supreme Court and back again to the Third Circuit Court of Appeals, after which the Supreme Court refused to hear it again. The vicissitudes of the case magnified Knox into a national debate over child pornography. By the time it had …

  • Clothing the Child's Body

    Anne Higonnet, Cassi Albinson•ARTICLE•Fashion Theory•1997•Cited by: 4

    Sally Mann’s 1989 photograph The New Mothers contradicts ideals of childhood innocence. The clothing and accessories worn by the image’s two girls engage conventions of childhood now more than two centuries old, only to pit them against body language. The New Mothers is as disturbing as our beliefs in the visual signs of childhood are deeply ingrained, and as our vision of childhood is now threatened by change. Superficially, The New Mothers belo…

  • Self-Portrait as a Museum

    Open Access•Anne Higonnet•ARTICLE•Res: Anthropology and Aesthetics•2007

  • Manet and the Multiple

    Anne Higonnet•ARTICLE•Grey Room•2012

    July 01 2012 Manet and the Multiple Anne Higonnet Anne Higonnet Anne Higonnet is a Professor of Art History at Barnard College, Columbia University. She is the author of many books and essays on nineteenth and twentieth century art, including A Museum of One's Own: Private Collecting, Public Gift (Periscope, 2009). Search for other works by this author on: This Site Google Scholar Author and Article Information Anne Higonnet Anne Higonnet is a Pr…

  • Picturing Childhood in the Modern West

    Anne Higonnet•CHAPTER•The Routledge history of…•2015

Art (8 works) · History (8 works) · Computer Science (6 works) · Art history (5 works) · History (4 works) · Political science (4 works) · Law (3 works) · Library science (3 works) · Psychology (3 works) · Visual arts (3 works)

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