Michael Riffaterre
Dados Biográficos
| ID | 275397 |
|---|---|
| NOME | Michael Riffaterre |
| PRENOMES | Michael |
| SOBRENOME | Riffaterre |
| ASSINATURA | RIFFATERRE M |
| AFILIAÇÕES | Columbia University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 38 |
| TOTAL DE CITAÇÕES | 89 |
| TOTAL COMO AUTOR | 38 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1959 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 6 |
La ilusión referencial
Traducción
Fear of Theory
Research Article| January 01 2002 Fear of Theory Michael Riffaterre Michael Riffaterre Columbia University Search for other works by this author on: This Site Google Romanic Review (2002) 93 (1-2): 185–199. https://doi.org/10.1215/26885220-93.1-2.185 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Riffaterre; Fear of Theory. Romanic Review 1 January 2002; 93 (1-2): 185–199. doi: https://do…
Virgil's Romantic Muse
MLN - Volume 110, Number 5, December 1995 (French Issue)
How Do Images Signify
its tropological version, remains inadequate to account for the impact of the imagistic component on readers, for its semiotic role both within the text as a stylistic device and outside the text as an agent of intertextuality, and ultimately as a factor in the evolution of literary forms. In the case of the tropological approach to imagery, this inadequacy stems from the mere fact that no necessary relationship exists between tropes and imagery.…
Intertextuality vs. Hypertextuality
HE INSTITUTIONS OF INTERPRETATION have remained largely unchanged since Aristotle, with one exception. Born almost unnoticed initially in the backyard of the humanities, first mistakenly seen as a mere improvement in the techniques of inquiry available to literary scholars, computer programming evolved almost overnight from a system of information retrieval to one of real analysis, to one capable of producing first critical discourse and later cr…
Fear of Theory
The fear that literary theory inspires needs to be explained. One cannot deny that this fear is very real, since most current discussions of literary theory echo doubts about its usefulness, or question whether a separate theory is needed for literature alone. (1) The first position implies that the practice of the texts is quite enough. It seems to assume that conscious reading will blossom forth into evaluative criticism. For such to be enlight…
Fictional Truth
Orion voyeur
Comment un roman peut-il retenir l'attention et continuer 'a interesser son lecteur lorsque ce roman n'a pas d'intrigue, 'a part des allusions indirectes 'a des evenements dont la chronologie reste confuse? Telle est la question qu'on se pose 'a la lecture de Claude Simon. Telle est sans douts la raison pour laquelle le Prix Nobel a surpris, le public s'etonnant de voir couronner un roman qui ne ressemble 'a rien. La dispersion de l'histoire qui …
The Intertextual Unconscious
Prosopopeia
Text Production
Intertextual Representation
Semiotique de la poesie
Hermeneutic Models
Trollope's Metonymies
Up against the Text
Hypogram and Inscription
Interview
DIACRITICS: One source of continuity in your critical and theoretical work over the past twenty years has been your unwavering attention to the performance of the reader. In your recent work, however, one also senses that the framework within which you envisage the reading process has been shifting, that it is more clearly predicated on a model of the relation between a text and the understanding that this text engenders. It is as if the text con…
Flaubert's Presuppositions
Descriptive Imagery
Poetic words
Ponge intertextuel
Interpretation and Undecidability
Podsum ow ując ostatnie 50-lecie w am erykańskich
Semiotics of Poetry
La Production du texte
Criteria for Style Analysis
Stylistic Context
Syllepsis
Intertextual Representation
The Intertextual Unconscious
Describing Poetic Structures
Vers La Definition Linguistique Du Style
Intertextuality vs. Hypertextuality
HE INSTITUTIONS OF INTERPRETATION have remained largely unchanged since Aristotle, with one exception. Born almost unnoticed initially in the backyard of the humanities, first mistakenly seen as a mere improvement in the techniques of inquiry available to literary scholars, computer programming evolved almost overnight from a system of information retrieval to one of real analysis, to one capable of producing first critical discourse and later cr…
Prosopopeia
Interpretation and Descriptive Poetry
aesthetics. Traditional criticism emphasized the aesthetic aspect; today our attention has fortunately shifted to the more basic problem of meaning. Since poetry says one thing but means something else, the main thrust of interpretation is towards the second, the deep or true meaning. What is more, the difference between the meaning of a literary utterance and the meaning of a nonliterary utterance is found at the level of significance. The assum…
Trollope's Metonymies
Criteria for Style Analysis
Stylistic Context
Vers La Definition Linguistique Du Style
La Vision Hallucinatoire chez Victor Hugo
Describing Poetic Structures
The Stylistic Approach to Literary History
ITrrEARY history tends to interest itself in the genesis of literature, its contents, its relationship to external reality, the changes in its meaning wrought by time. Style analysis bears upon the text, which is unchanging; upon the internal relationships among words; upon forms rather than contents, upon the literary work as the start of a chain of events, rather than as an end product. The two approaches are thus complementary. It seems furthe…
Sade, or Text as Fantasy
Fonctions de l'humour dans Les Miserables
The Self-Sufficient Text
ed from the roots of Science. (Night IX, 11) But when Blake does this, either he makes it quite explicit, or, if the equation of Man and insect is not stated. Michael Riffaterre is Professor of French and Romance Philology at Columbia. Much of his pioneering contributions to the field of stylistics is contained in the recent Essais de stylistique structurale. The Self-sufficient Text
Interpretation and Descriptive Poetry
aesthetics. Traditional criticism emphasized the aesthetic aspect; today our attention has fortunately shifted to the more basic problem of meaning. Since poetry says one thing but means something else, the main thrust of interpretation is towards the second, the deep or true meaning. What is more, the difference between the meaning of a literary utterance and the meaning of a nonliterary utterance is found at the level of significance. The assum…
Semiotics of Poetry
Semiotics of Poetry
Semiotics of Poetry
La Production du texte
Syllepsis
Up against the Text
Hypogram and Inscription
Interview
DIACRITICS: One source of continuity in your critical and theoretical work over the past twenty years has been your unwavering attention to the performance of the reader. In your recent work, however, one also senses that the framework within which you envisage the reading process has been shifting, that it is more clearly predicated on a model of the relation between a text and the understanding that this text engenders. It is as if the text con…
Flaubert's Presuppositions
Descriptive Imagery
Poetic words
Ponge intertextuel
Interpretation and Undecidability
Podsum ow ując ostatnie 50-lecie w am erykańskich
Trollope's Metonymies
Semiotique de la poesie
Art (27 obras) · Philosophy (26 obras) · Linguistics (18 obras) · Literature (17 obras) · Poetry (10 obras) · Digital Humanities and Scholarship (9 obras) · Philosophy (8 obras) · Psychology (7 obras) · Linguistics and Discourse Analysis (6 obras) · History (5 obras)