Andreas Rauh
Biographic Data
| ID | 277132 |
|---|---|
| NAME | Andreas Rauh |
| GIVEN NAMES | Andreas |
| FAMILY NAME | Rauh |
| SIGNATURE | RAUH A |
| AFFILIATIONS | Dublin City University |
| ORCID | 0000-0003-3298-3403 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Artificial Intelligence and Indigenous (Self-)Representation
The rise of generative AI (Gen-AI) models in cultural production has enabled broader access to image-making, particularly for underrepresented communities. Tools like MidJourney, DALL-E, and Stable Diffusion allow users with little technical expertise to create images from text prompts. However, these models reproduce biases embedded in their training datasets, raising concerns about representation, visibility politics, and data exploitation. Thi…
Showing Off as Selling Out
SoundCloud and Bandcamp as Alternative Music Platforms
We examine two 'producer-oriented' audio distribution platforms, SoundCloud and Bandcamp, which have been important repositories for the hopes of musicians, commentators, and audiences that digital technologies and cultural platforms might promote democratization of the cultural industries, and we compare their achievements and limitations in this respect. We show that the emancipatory elements enshrined in SoundCloud's bottom-up abundance are co…
Popular Music, Digital Technology and Society (Nick Prior)
SoundCloud and Bandcamp as Alternative Music Platforms
We examine two 'producer-oriented' audio distribution platforms, SoundCloud and Bandcamp, which have been important repositories for the hopes of musicians, commentators, and audiences that digital technologies and cultural platforms might promote democratization of the cultural industries, and we compare their achievements and limitations in this respect. We show that the emancipatory elements enshrined in SoundCloud's bottom-up abundance are co…
Popular Music, Digital Technology and Society (Nick Prior)
SoundCloud and Bandcamp as Alternative Music Platforms
We examine two 'producer-oriented' audio distribution platforms, SoundCloud and Bandcamp, which have been important repositories for the hopes of musicians, commentators, and audiences that digital technologies and cultural platforms might promote democratization of the cultural industries, and we compare their achievements and limitations in this respect. We show that the emancipatory elements enshrined in SoundCloud's bottom-up abundance are co…
Showing Off as Selling Out
Artificial Intelligence and Indigenous (Self-)Representation
The rise of generative AI (Gen-AI) models in cultural production has enabled broader access to image-making, particularly for underrepresented communities. Tools like MidJourney, DALL-E, and Stable Diffusion allow users with little technical expertise to create images from text prompts. However, these models reproduce biases embedded in their training datasets, raising concerns about representation, visibility politics, and data exploitation. Thi…
Art (2 works) · Business (2 works) · Cultural Industries and Urban Development (2 works) · Music History and Culture (2 works) · Political science (2 works) · Politics (2 works) · Visual arts (2 works) · Advertising (1 works) · Art, Technology, and Culture (1 works) · Autonomy (1 works)