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Jerome Mcgann

Biographic Data

ID277439
NAMEJerome Mcgann
GIVEN NAMESJerome
FAMILY NAMEMcgann
SIGNATUREMCGANN J
AFFILIATIONSUniversity of Virginia
VERIFIEDNo
TOTAL WORKS65
TOTAL CITATIONS68
AUTHOR COUNT63
EDITOR COUNT2
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2025
H-INDEX4
  • The Kinds of Poetry I Want: Essays & Comedies

    Jerome Mcgann•ARTICLE•Critical Inquiry•2025

  • The Cambridge Companion to Byron: Second Edition

    Open Access•Paul Douglas, Tom Mole et al.•BOOK•The Cambridge Companion to Byron•2023

    Deeply informed and appealingly written, this revised and updated second edition gives fresh life to the enthralling sexual, poetic and political contradictions that make Byron the first literary celebrity. Encompassing his entire oeuvre, the volume both provides an authoritative guide for students, and points to emerging new areas of research, highlighting Byron's ongoing relevance in an increasingly complex world both within academia and beyond…

  • Byron and the Poetics of Adversity

    Jerome Mcgann•BOOK•Byron and the Poetics of Adversity•2022

  • Breakthrough into Performance: A Touchstone Work of Late Modernist American Poetry

    Jerome Mcgann•ARTICLE•PAJ: A Journal of Performance and…•2022•References: 1

  • From Cultural Memory to Living Word: On Mather's Magnalia

    Jerome Mcgann•ARTICLE•New Literary History•2019

    Keying off Reiner Smolinski's study of the Magnalia and three other early New England histories, McGann argues for a more rigorously philological approach to Mather's magnum opus. Though it represents itself, as Sacvan Berkovitch showed, as a testament to "the redemptive meaning of America", a close inquiry into the Magnalia's documentary condition argues that the importance and "greatness" of the work lies in its dynamic incoherencies. The histo…

  • Colonial Exceptionalism on Native Grounds: American Literature before American Literature

    Jerome Mcgann•ARTICLE•Critical Inquiry•2019•References: 5

  • Romantic Subjects and Iambic Laws: Episodes in the Early History of Contract Negotiations

    Jerome Mcgann•ARTICLE•New Literary History•2018•Cited by: 1

    The prosodic innovations of free verse, prose poetry, and concrete poetry that overwhelmed poetic practices in the later nineteenth and throughout the twentieth century were grounded in Romantic ideas and practices with vernacular language. While the key agents of change were Wordsworth, Coleridge, and Byron, John Thelwall’s involvement with the British Elocutionary Movement was equally crucial. What Pound called “the first heave” toward prosodic…

  • Young Men and the Sea

    Algernon Charles Swinburne, Jerome Mcgann et al.•BOOK•Young Men and the Sea•2017

    Two centuries of American maritime history, in which the Atlantic Ocean remained the great frontier Westward expansion has been the great narrative of the first two centuries of American history, but as historian Daniel Vickers demonstrates here, the horizon extended in all directions. For those who lived along the Atlantic coast, it was the East and the Atlantic Ocean that beckoned. While historical and fictional accounts have tended to stress t…

  • Rethinking Delany's Blake

    Jerome Mcgann•ARTICLE•Callaloo•2016

    Rethinking Delany's Blake Jerome McGann (bio) Martin Delany's Blake was at once the most important and the least consequential work of fiction published by a black writer in the nineteenth century. Most important, because of the intellectual scope of its representations, least consequential because it caught the attention of almost no one for nearly one hundred years after its publication.1 Consider first of all its importance. No work of America…

  • The Point Is To Change It: Poetry and Criticism in the Continuing Present

    Jerome Mcgann•BOOK•Point Is to Change It•2015

  • Truth and Method: Humanities Scholarship as a Science of Exceptions

    Jerome Mcgann•ARTICLE•Interdisciplinary Science Reviews•2015•References: 2

    Hans-George Gadamer’s dialectic of enlightenment is my point of reference. I mean to recover and revise Gadamer’s thought by shifting it from a philosophical to a philological perspective. From the living example of certain individuals, I propose a model of humanist inquiry that seems to me worth preserving and emulating, particularly now when educational policy is reinvesting so heavily in the technical expertise offered by the STEM disciplines …

  • American Memory in Black Elk Speaks

    Jerome Mcgann•ARTICLE•New Literary History•2013

    Black Elk Speaks is now generally understood to be John Neihardt's highly idiosyncratic representation of his interviews with Black Elk. While this is certainly the case, Black Elk's worldviews nonetheless can be recognized if we carefully track the patterns of misrecognition that pervade Neihardt's book. For it can be shown that as Neihardt works to channel Black Elk, Black Elk is channeling Neihardt. When that reciprocal process is critically e…

  • Philology in a New Key

    Jerome Mcgann•ARTICLE•Critical Inquiry•2013•Cited by: 7•References: 1

  • The Cambridge History of Victorian Literature

    Open Access•David Finkelstein, L Price et al.•BOOK•The Cambridge history of…•2012

    This collaborative History aims to become the standard work on Victorian literature for the twenty-first century. Well-known scholars introduce readers to their particular fields, discuss influential critical debates and offer illuminating contextual detail to situate authors and works in their wider cultural and historical contexts. Sections on publishing and readership and a chronological survey of major literary developments between 1837 and 1…

  • Special Issue: ‘Scholarly Editing in the Twenty‐First Century’– Combined Bibliography

    Open Access•Jerome Mcgann, Hans Walter Gabler et al.•ARTICLE•Literature Compass•2010

    This piece is the combined bibliography for the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Mar…

  • Electronic Archives and Critical Editing

    Open Access•Jerome Mcgann•ARTICLE•Literature Compass•2010•References: 1

    Developments in traditional editorial theory and method that came into prominence 25 years ago have converged with more recent online IT resources to establish important, perhaps even breakthrough, approaches to the ways we pursue the scholarly investigation of cultural materials. Various online projects illustrate the widespread effort to create digital tools and environments for studying cultural materials at remarkable levels of complexity. Sc…

  • Recitation Considered as a Fine Art

    Jerome Mcgann•ARTICLE•English Language Notes•2009

    Research Article| March 01 2009 Recitation Considered as a Fine Art Jerome McGann Jerome McGann University of Virginia [email protected] Jerome McGann is the John Stewart Bryan University Professor at the University of Virginia. His most recent book is Are the Humanities Inconsequent? (Prickly Paradigm Press, 2009). Rice University Press will publish his facsimile edition of Stephen Crane's The Black Riders and Other Lines in late 2009. Search f…

  • Literary History and Editorial Method: Poe and Antebellum America

    Jerome Mcgann•ARTICLE•New Literary History•2009

  • Collected Poetry and Prose

    Dante Gabriel Rossetti, Jerome Mcgann•BOOK•Collected Poetry and Prose•2008

  • The Future is Digital

    Jerome Mcgann•ARTICLE•Journal of Victorian Culture•2008•References: 1

  • Swinburne, “Hertha,” and the Voice of Language

    Open Access•Jerome Mcgann•ARTICLE•Victorian Literature and Culture•2008•References: 1

    This soaring passage comes from Max Müller's celebrated 1855 essay on linguistic anthropology. I start with it because no brief text better captures the import of Swinburne's poetic manifesto “Hertha.” And “Hertha” is important because, like “Anactoria,” it is pivotal in Swinburne's ambitious poetic program

  • A Response to “Recantorium”

    Jerome Mcgann•ARTICLE•Critical Inquiry•2008

  • Pseudodoxia Academica

    Jerome Mcgann•ARTICLE•New Literary History•2008

  • Like Leaving the Nile. Ivanhoe, a User's Manual

    Open Access•Jerome Mcgann•ARTICLE•Literature Compass•2005

  • Culture and technology: The way we live now, what is to be done

    Jerome Mcgann•ARTICLE•Interdisciplinary Science Reviews•2005•Cited by: 1•References: 2

    This paper addresses the so called 'crisis in the humanities' in the context of two of its most apparent symptoms: the digital transformation of our museums and archives, and the explicitly parallel 'crisis in tenure and publishing' that has more recently come to attention. It introduces and frames a practical proposal, now under way, for dealing with both. This is the NINES initiative – Networked Infrastructure for Nineteenth-century Electronic …

Next
  • The Beauty of InflectionsLiterary Investigations in Historical Method and Theory: Literary Investigations in Historical Method and Theory

    Jerome J Mcgann, Jerome Mcgann•BOOK•The beauty of inflections•1988•Cited by: 27

    Part 1: Keats and the historical method in literary criticism. Part 2 Textual studies and practical criticism: the monks and the giants - textual and bibliographical studies and the interpretation of literary works shall these bones live? the text, the poem and the problem of historical method. Part 3 Interpretation and critical history: The Ancient Mariner - the meaning of the meanings Tennyson and the histories of criticism. Part 4 Problems of …

  • Deformance and Interpretation

    Lisa Samuels, Jerome J Mcgann et al.•ARTICLE•New Literary History•1999•Cited by: 8

    New Literary History - Volume 30, Number 1, Winter 1999

  • The Meaning of the Ancient Mariner

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1981•Cited by: 8

  • Philology in a New Key

    Jerome Mcgann•ARTICLE•Critical Inquiry•2013•Cited by: 7•References: 1

  • Contemporary Poetry, Alternate Routes

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1987•Cited by: 4

  • The Religious Poetry of Christina Rossetti

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1983•Cited by: 3

  • Revison, Rewriting, Rereading; or, Än Error [Not] in The Ambassadors

    Jerome Mcgann•ARTICLE•American Literature•1992•Cited by: 2

  • Romantic Subjects and Iambic Laws: Episodes in the Early History of Contract Negotiations

    Jerome Mcgann•ARTICLE•New Literary History•2018•Cited by: 1

    The prosodic innovations of free verse, prose poetry, and concrete poetry that overwhelmed poetic practices in the later nineteenth and throughout the twentieth century were grounded in Romantic ideas and practices with vernacular language. While the key agents of change were Wordsworth, Coleridge, and Byron, John Thelwall’s involvement with the British Elocutionary Movement was equally crucial. What Pound called “the first heave” toward prosodic…

  • Culture and technology: The way we live now, what is to be done

    Jerome Mcgann•ARTICLE•Interdisciplinary Science Reviews•2005•Cited by: 1•References: 2

    This paper addresses the so called 'crisis in the humanities' in the context of two of its most apparent symptoms: the digital transformation of our museums and archives, and the explicitly parallel 'crisis in tenure and publishing' that has more recently come to attention. It introduces and frames a practical proposal, now under way, for dealing with both. This is the NINES initiative – Networked Infrastructure for Nineteenth-century Electronic …

  • Culture and Technology: The Way We Live Now, What Is to Be Done

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•New Literary History•2005•Cited by: 1

    The paper addresses the so-called "Crisis in the Humanities" in the context of two of its most apparent symptoms: the digital transformation of our museums and archives, and the explicitly parallel "Crisis in Tenure and Publishing" that has more recently come to attention. It introduces and frames a practical proposal, now underway, for dealing with both. This is the NINES initiative: Networked Infrastructure for Nineteenth-century Electronic Sch…

  • A Note on the Current State of Humanities Scholarship

    Jerome Mcgann, McGann McGann•ARTICLE•Critical Inquiry•2004•Cited by: 1

  • The Complete Writings and Pictures of Dante Gabriel Rossetti: A Hypermedia Research Archive

    Jerome Mcgann•ARTICLE•Victorian Literature and Culture•1994•Cited by: 1

    RECENT YEARS HAVE BROUGHT remarkable developments in electronic storage, management, and analysis of texts. It is difficult to overstate the importance of this technology for the scholarship and teaching of literature. Textual studies is the most fundamental area of literary studies, the subdiscipline upon which all else is based. The new technology revolutionizes textual studies. In doing so, it will eventually bring about profound changes in th…

  • Canonade

    Jerome Mcgann•ARTICLE•New Literary History•1994•Cited by: 1

  • Laura (Riding) Jackson and the Literal Truth

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1992•Cited by: 1

  • Some Forms of Critical Discourse

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1985•Cited by: 1•References: 3

  • Keats and the Historical Method in Literary Criticism

    Jerome Mcgann•ARTICLE•Modern Language Notes•1979•Cited by: 1

    Conflicts between formal or stylistic analysis and historical scholarship are a traditional problem in literary studies. In field of hermeneutics, where lines of disagreement tend to sharpen, best commentators-Lionel Trilling, for example-have generally aimed for, and achieved, various pragmatic agreements. Few critics would take seriously any suggestion that Byron's poetry could be adequately interpreted without bringing a fair amount of histori…

  • Formalism, Savagery, and Care; Or, the Function of Criticism Once Again

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1976

  • On Byron

    Jerome J Mcgann, Jerome Mcgann et al.•ARTICLE•Studies in Romanticism•1977

  • Keats and the Historical Method in Literary Criticism

    Jerome Mcgann•ARTICLE•Modern Language Notes•1979•Cited by: 1

    Conflicts between formal or stylistic analysis and historical scholarship are a traditional problem in literary studies. In field of hermeneutics, where lines of disagreement tend to sharpen, best commentators-Lionel Trilling, for example-have generally aimed for, and achieved, various pragmatic agreements. Few critics would take seriously any suggestion that Byron's poetry could be adequately interpreted without bringing a fair amount of histori…

  • The Anachronism of George Crabbe

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•ELH•1981

    These Romantic judgments upon Crabbe eventually became normative, not merely for those who agreed with their assessment of Crabbe's value, but even for those who-like Leavis himself-saw Crabbe as living classic. It is a commonplace of criticism to say of Crabbe that he was <the last of the Augustans. Leavis himself reproduced such a view when he said that Crabbe's sensibility belongs to an order that those who were most alive to the age ... had c…

  • The Text, the Poem, and the Problem of Historical Method

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•New Literary History•1981

    T HE MOST INFLUENTIAL work in literary criticism during the past fifty years has been produced by that remarkably diverse movement of intrinsic studies which stretches from the early formalist schools to the latest poststructural investigations. From our present vantage, however, we are able to see that as these traditions of criticism enriched themselves, the so-called extrinsic disciplines made a progressive retreat into a number of scholarly e…

  • The Meaning of the Ancient Mariner

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1981•Cited by: 8

  • The Religious Poetry of Christina Rossetti

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1983•Cited by: 3

  • The Romantic Ideology

    Antony H Harrison, Jerome J Mcgann et al.•ARTICLE•South Atlantic Review•1984

  • Some Forms of Critical Discourse

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1985•Cited by: 1•References: 3

  • Textual Criticism and Literary Interpretation

    Open Access•Ruth Rosenberg, Jerome J Mcgann et al.•ARTICLE•South Central Review•1986

  • Contemporary Poetry, Alternate Routes

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1987•Cited by: 4

  • Tennyson and the Histories of Criticism

    Jerome J Mcgann, Jerome Mcgann•CHAPTER•The beauty of inflections•1988

  • The Book of Byron and the Book of a World

    Jerome J Mcgann, Jerome Mcgann•CHAPTER•The beauty of inflections•1988

  • Social Values and Poetic Acts: The Historical Judgment of Literary Work

    Open Access•Nelson Hilton, Jerome J Mcgann et al.•ARTICLE•South Central Review•1988

  • The Beauty of InflectionsLiterary Investigations in Historical Method and Theory: Literary Investigations in Historical Method and Theory

    Jerome J Mcgann, Jerome Mcgann•BOOK•The beauty of inflections•1988•Cited by: 27

    Part 1: Keats and the historical method in literary criticism. Part 2 Textual studies and practical criticism: the monks and the giants - textual and bibliographical studies and the interpretation of literary works shall these bones live? the text, the poem and the problem of historical method. Part 3 Interpretation and critical history: The Ancient Mariner - the meaning of the meanings Tennyson and the histories of criticism. Part 4 Problems of …

  • Postmodernism and Politics

    B Mch, Jonathan Arac et al.•ARTICLE•Poetics Today•1988

  • The 'Cantos' of Ezra Pound, the Truth in Contradiction

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1988

  • A Dialogue on Dialogue, Part I

    Open Access•Georg Mannejc, Jerome J Mcgann et al.•ARTICLE•Postmodern Culture•1991

    Postmodern Culture - Volume 2, Number 1, September 1991

  • Towards a Literature of Knowledge

    Open Access•Orrin N C Wang, Jerome J Mcgann et al.•ARTICLE•South Central Review•1991

    List of illustrations Introduction William Blake illuminates the truth Lord Byron's twin opposites of truth Dante Gabriel Rossetti, or the truth betrayed The Cantos of Ezra Pound, the truth in contradiction Towards a literature of knowledge

  • Rethinking Romanticism

    Jerome Mcgann•ARTICLE•ELH•1992

  • Revison, Rewriting, Rereading; or, Än Error [Not] in The Ambassadors

    Jerome Mcgann•ARTICLE•American Literature•1992•Cited by: 2

  • Laura (Riding) Jackson and the Literal Truth

    Jerome J Mcgann, Jerome Mcgann•ARTICLE•Critical Inquiry•1992•Cited by: 1

  • New Historical Literary Study: Essays on Reproducing Texts, Representing History

    Janet Aikins, Lawrence Buell et al.•BOOK•New Historical Literary Study•1993

  • Black Riders: The Visible Language of Modernism

    Jerome J Mcgann, Jerome Mcgann•BOOK•Black Riders•1993

  • Symposium on Russian Postmodernism

    Open Access•Jerome J Mcgann, Jerome Mcgann et al.•ARTICLE•Postmodern Culture•1993

    Postmodern Culture - Volume 3, Number 2, January 1993

Art (47 works) · Literature (36 works) · History (34 works) · Philosophy (30 works) · Computer Science (26 works) · Art history (21 works) · Law (21 works) · Political science (20 works) · History (15 works) · Poetry (15 works)

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