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Peter Hodgins

Biographic Data

ID2783124
NAMEPeter Hodgins
GIVEN NAMESPeter
FAMILY NAMEHodgins
SIGNATUREHODGINS P
AFFILIATIONSCarleton University
ORCID0000-0002-3016-348X
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Climate Witnessing in Canada’s National Science and Technology Collection

    Cathy Gray, Casey Gray et al.•ARTICLE•Memory studies review•2025

    In a workshop on climate witnessing and material storytelling held at Ingenium – Canada’s Museums of Science and Technology – scholars, curators and artists collaboratively studied five artefacts from the museum’s collection through the lens of climate change and witnessing. Collaborators submitted interpretive captions that represent the hybrid testimonies of objects that bear witness to our changing global climate and humans who receive their s…

  • Recasting History

    Open Access•Peter Hodgins•ARTICLE•Canadian Historical Review•2020

  • Commemorating Canada

    Open Access•Peter Hodgins•ARTICLE•Journal of History•2018

  • Presenting Canada to the Scientific Gaze

    Peter Hodgins•ARTICLE•International Journal of Canadian…•2014

    In 1884, the Handbook for the Dominion of Canada was produced by the Montreal organizing committee for the first-ever meeting of the British Association for the Advancement of Science to be held outside of the British Isles. At first glance, the Handbook resembles present-day tourist guides in that it separates the country into sections, provides historical and natural historical descriptions for each, and identifies major sights. Yet its style b…

  • Immunize-Nation

    Peter Hodgins•ARTICLE•Southern Journal of Canadian…•2012•References: 2

    This exploratory essay investigates the fruitfulness of thinking about the intersection of fears of contagion and the construction of national cultural boundaries in relation to cultural nationalist discourse in general and to the specific Canadian nation-building project. It begins by tracing the rise of biopolitical discourses on contagion in the 19 th century, explores how these discourses took on a moral-cultural character with the rise of fe…

  • Taking the Romance out of Extraction

    Peter Hodgins, Peter Thompson•ARTICLE•Environmental Communication•2011

    As in many nation-states, Canadian modernity viewed nature through two seemingly opposed gazes: the extractive and the romantic. In many ways, the Romantic movement was a response to the de-humanizing effects of industrial extraction, a process that summarily stripped the natural world of spirit and meaning. For many working within this representational tradition, however, the search for ontological meaning was a question of developing techniques…

  • The Haunted Terroir

    Peter Hodgins•ARTICLE•British Journal of Canadian Studies•2009•References: 3

    This article looks at the manner in which a recent Québécois film – Francis Leclerc's Mémoires affectives (2004) – uses avant-garde formal and narratives devices to unsettle the memory-terroir-language-masculinity equation upon which traditional Québécois nationalist identity narratives rest. In so doing, it renders the Québécois terroir 'unhomely' by revealing it to be at once haunted by traumatic and fragmented memories of colonial and gendered…

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  • The Haunted Terroir

    Peter Hodgins•ARTICLE•British Journal of Canadian Studies•2009•References: 3

    This article looks at the manner in which a recent Québécois film – Francis Leclerc's Mémoires affectives (2004) – uses avant-garde formal and narratives devices to unsettle the memory-terroir-language-masculinity equation upon which traditional Québécois nationalist identity narratives rest. In so doing, it renders the Québécois terroir 'unhomely' by revealing it to be at once haunted by traumatic and fragmented memories of colonial and gendered…

  • Taking the Romance out of Extraction

    Peter Hodgins, Peter Thompson•ARTICLE•Environmental Communication•2011

    As in many nation-states, Canadian modernity viewed nature through two seemingly opposed gazes: the extractive and the romantic. In many ways, the Romantic movement was a response to the de-humanizing effects of industrial extraction, a process that summarily stripped the natural world of spirit and meaning. For many working within this representational tradition, however, the search for ontological meaning was a question of developing techniques…

  • Immunize-Nation

    Peter Hodgins•ARTICLE•Southern Journal of Canadian…•2012•References: 2

    This exploratory essay investigates the fruitfulness of thinking about the intersection of fears of contagion and the construction of national cultural boundaries in relation to cultural nationalist discourse in general and to the specific Canadian nation-building project. It begins by tracing the rise of biopolitical discourses on contagion in the 19 th century, explores how these discourses took on a moral-cultural character with the rise of fe…

  • Presenting Canada to the Scientific Gaze

    Peter Hodgins•ARTICLE•International Journal of Canadian…•2014

    In 1884, the Handbook for the Dominion of Canada was produced by the Montreal organizing committee for the first-ever meeting of the British Association for the Advancement of Science to be held outside of the British Isles. At first glance, the Handbook resembles present-day tourist guides in that it separates the country into sections, provides historical and natural historical descriptions for each, and identifies major sights. Yet its style b…

  • Commemorating Canada

    Open Access•Peter Hodgins•ARTICLE•Journal of History•2018

  • Recasting History

    Open Access•Peter Hodgins•ARTICLE•Canadian Historical Review•2020

  • Climate Witnessing in Canada’s National Science and Technology Collection

    Cathy Gray, Casey Gray et al.•ARTICLE•Memory studies review•2025

    In a workshop on climate witnessing and material storytelling held at Ingenium – Canada’s Museums of Science and Technology – scholars, curators and artists collaboratively studied five artefacts from the museum’s collection through the lens of climate change and witnessing. Collaborators submitted interpretive captions that represent the hybrid testimonies of objects that bear witness to our changing global climate and humans who receive their s…

Art (4 works) · Canadian Identity and History (4 works) · History (4 works) · Political science (4 works) · Law (3 works) · Literature (3 works) · Aesthetics (2 works) · Sociology (2 works) · Witness (2 works) · Anthropology (1 work)

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