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Fabien Gouyon

Biographic Data

ID2787750
NAMEFabien Gouyon
GIVEN NAMESFabien
FAMILY NAMEGouyon
SIGNATUREGOUYON F
AFFILIATIONSInstituto de Engenharia de Sistemas e Computadores Investigação e Desenvolvimento
ORCID0000-0001-7070-9937
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Syncopation and Groove in Polyphonic Music

    George Sioros, Guy Madison et al.•ARTICLE•Music Perception An Interdisciplina…•2022

    Music often evokes a regular beat and a pleasurable sensation of wanting to move to that beat called groove. Recent studies show that a rhythmic pattern’s ability to evoke groove increases at moderate levels of syncopation, essentially, when some notes occur earlier than expected. We present two studies that investigate that effect of syncopation in more realistic polyphonic music examples. First, listeners rated their urge to move to music excer…

  • Inferring Semantic Facets of a Music Folksonomy with Wikipedia

    Mohamed Sordo, Fabien Gouyon et al.•ARTICLE•Journal of New Music Research•2013•References: 11

    Music folksonomies include both general and detailed descriptions of music, and are usually continuously updated. These are significant advantages over music tax-onomies, which tend to be incomplete and inconsistent. However, music folksonomies have an inherent loose and open semantics, which hampers their use in many appli-cations, such as structured music browsing and recommendation. In this paper, we present a system that can (1) automatically…

  • Short-term Feature Space and Music Genre Classification

    Gonçalo Marques, Thibault Langlois et al.•ARTICLE•Journal of New Music Research•2011•Cited by: 1•References: 8

    In music genre classification, most approaches rely on statistical characteristics of low-level features computed on short audio frames. In these methods, it is implicitly considered that frames carry equally relevant information loads and that either individual frames, or distributions thereof, somehow capture the specificities of each genre. In this paper we study the representation space defined by short-term audio features with respect to cla…

  • Microtiming Patterns and Interactions with Musical Properties in Samba Music

    Luiz Naveda, Luiz Alberto Bavaresco De Naveda et al.•ARTICLE•Journal of New Music Research•2011•Cited by: 1•References: 32

    In this study, we focus on the interaction between microtiming patterns and several musical properties: intensity, meter and spectral characteristics. The data-set of 106 musical audio excerpts is processed by means of an auditory model and then divided into several spectral regions and metric levels. The resulting segments are described in terms of their musical properties, over which patterns of peak positions and their intensities are sought. …

  • Sound and Music Computing

    Gerhard Widmer, Davide Rocchesso et al.•ARTICLE•Journal of New Music Research•2007•Cited by: 2•References: 45

    This contribution attempts to give an overview of current research trends and open research problems in the rich field of Sound and Music Computing (SMC). To that end, the field is roughly divided into three large areas related to Sound, Music, and Interaction, respectively, and within each of these, major research trends are briefly described. In addition, for each sub-field a small number of open research (or research strategy) issues are ident…

  • Towards Rhythmic Content Processing of Musical Signals

    Fabien Gouyon, Beno�t Meudic•ARTICLE•Journal of New Music Research•2003

    This paper is concerned with the handling of rhythm in music content processing applications. Keeping this framework in mind, we briefly report on terminology issues and the interdisciplinary nature of rhythm investigations, we then review approaches to computational modeling of rhythm and rhythm representation schemes. We comment the bottom-up and top-down oriented approaches to computational modeling and the parallel that some authors make with…

  • Sound and Music Computing

    Gerhard Widmer, Davide Rocchesso et al.•ARTICLE•Journal of New Music Research•2007•Cited by: 2•References: 45

    This contribution attempts to give an overview of current research trends and open research problems in the rich field of Sound and Music Computing (SMC). To that end, the field is roughly divided into three large areas related to Sound, Music, and Interaction, respectively, and within each of these, major research trends are briefly described. In addition, for each sub-field a small number of open research (or research strategy) issues are ident…

  • Short-term Feature Space and Music Genre Classification

    Gonçalo Marques, Thibault Langlois et al.•ARTICLE•Journal of New Music Research•2011•Cited by: 1•References: 8

    In music genre classification, most approaches rely on statistical characteristics of low-level features computed on short audio frames. In these methods, it is implicitly considered that frames carry equally relevant information loads and that either individual frames, or distributions thereof, somehow capture the specificities of each genre. In this paper we study the representation space defined by short-term audio features with respect to cla…

  • Microtiming Patterns and Interactions with Musical Properties in Samba Music

    Luiz Naveda, Luiz Alberto Bavaresco De Naveda et al.•ARTICLE•Journal of New Music Research•2011•Cited by: 1•References: 32

    In this study, we focus on the interaction between microtiming patterns and several musical properties: intensity, meter and spectral characteristics. The data-set of 106 musical audio excerpts is processed by means of an auditory model and then divided into several spectral regions and metric levels. The resulting segments are described in terms of their musical properties, over which patterns of peak positions and their intensities are sought. …

  • Towards Rhythmic Content Processing of Musical Signals

    Fabien Gouyon, Beno�t Meudic•ARTICLE•Journal of New Music Research•2003

    This paper is concerned with the handling of rhythm in music content processing applications. Keeping this framework in mind, we briefly report on terminology issues and the interdisciplinary nature of rhythm investigations, we then review approaches to computational modeling of rhythm and rhythm representation schemes. We comment the bottom-up and top-down oriented approaches to computational modeling and the parallel that some authors make with…

  • Sound and Music Computing

    Gerhard Widmer, Davide Rocchesso et al.•ARTICLE•Journal of New Music Research•2007•Cited by: 2•References: 45

    This contribution attempts to give an overview of current research trends and open research problems in the rich field of Sound and Music Computing (SMC). To that end, the field is roughly divided into three large areas related to Sound, Music, and Interaction, respectively, and within each of these, major research trends are briefly described. In addition, for each sub-field a small number of open research (or research strategy) issues are ident…

  • Short-term Feature Space and Music Genre Classification

    Gonçalo Marques, Thibault Langlois et al.•ARTICLE•Journal of New Music Research•2011•Cited by: 1•References: 8

    In music genre classification, most approaches rely on statistical characteristics of low-level features computed on short audio frames. In these methods, it is implicitly considered that frames carry equally relevant information loads and that either individual frames, or distributions thereof, somehow capture the specificities of each genre. In this paper we study the representation space defined by short-term audio features with respect to cla…

  • Microtiming Patterns and Interactions with Musical Properties in Samba Music

    Luiz Naveda, Luiz Alberto Bavaresco De Naveda et al.•ARTICLE•Journal of New Music Research•2011•Cited by: 1•References: 32

    In this study, we focus on the interaction between microtiming patterns and several musical properties: intensity, meter and spectral characteristics. The data-set of 106 musical audio excerpts is processed by means of an auditory model and then divided into several spectral regions and metric levels. The resulting segments are described in terms of their musical properties, over which patterns of peak positions and their intensities are sought. …

  • Inferring Semantic Facets of a Music Folksonomy with Wikipedia

    Mohamed Sordo, Fabien Gouyon et al.•ARTICLE•Journal of New Music Research•2013•References: 11

    Music folksonomies include both general and detailed descriptions of music, and are usually continuously updated. These are significant advantages over music tax-onomies, which tend to be incomplete and inconsistent. However, music folksonomies have an inherent loose and open semantics, which hampers their use in many appli-cations, such as structured music browsing and recommendation. In this paper, we present a system that can (1) automatically…

  • Syncopation and Groove in Polyphonic Music

    George Sioros, Guy Madison et al.•ARTICLE•Music Perception An Interdisciplina…•2022

    Music often evokes a regular beat and a pleasurable sensation of wanting to move to that beat called groove. Recent studies show that a rhythmic pattern’s ability to evoke groove increases at moderate levels of syncopation, essentially, when some notes occur earlier than expected. We present two studies that investigate that effect of syncopation in more realistic polyphonic music examples. First, listeners rated their urge to move to music excer…

Music and Audio Processing (6 works) · Computer Science (5 works) · Music Technology and Sound Studies (5 works) · Neuroscience and Music Perception (4 works) · Acoustics (3 works) · Art (3 works) · Musical (3 works) · Rhythm (3 works) · Artificial Intelligence (2 works) · Mathematics (2 works)

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