Koray Tahiroğlu
Biographic Data
| ID | 2787828 |
|---|---|
| NAME | Koray Tahiroğlu |
| GIVEN NAMES | Koray |
| FAMILY NAME | Tahiroğlu |
| SIGNATURE | TAHIROĞLU K |
| AFFILIATIONS | Department of Media, Aalto University School of ARTS, Aalto, Finland |
| ORCID | 0000-0002-8958-7092 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Musical intra-actions with digital musical instruments
This article explores the evolving dynamics between musicians and technological artifacts. Building on Karen Barad’s concept of intra-action, I intend to show how musicians and digital musical instruments (DMIs) mutually shape, influence, and transform one another. This perspective shifts the view of technologies from purely functional tools to an integral part of a larger system. I aim to explore the concept of musical intra-action with DMIs, su…
Introduction to the special issue of technoscientific practices of music
This special issue, emerging from a symposium organised in Helsinki in November 2022, brings together contributions from a group of scholars, exploring the technoscientific practices of music and the critical implications of new technologies. The authors investigate the complex and evolving relationship between human creativity and advanced computational technologies, addressing the impact of artificial intelligence (AI) technologies on creative …
Ever-shifting roles in building, composing and performing with digital musical instruments
It is widely accepted that computational technologies shape the relationship of musicians, instrument builders and composers with music, affecting various socio-cultural realisms in music. In this article, I discuss in what ways music-making still emerges as a social construct, even as a result of the mutual cooperation with human musicians and AI-powered autonomous instruments. I argue that building, making, and performing with a digital musical…
Introduction to the special issue on socio-cultural role of technology in digital musical instruments
This special issue, arising from a symposium in Helsinki in 2019, presents contributions from a diverse group of practitioners, representing a broad range of approaches in the making, thinking and writing about digital musical instruments. The authors consider the socio-cultural role of technology in current and emerging digital music practices with changing social roles, historical and critical reflections. This introduction explains the context…
Demo hour
The four projects shown here are from CHI 2013 Interactivity in Paris, France, selected to reflect the diversity of approaches to embodied interaction. HCI research commonly features contributions more keenly experienced through embodied engagement rather than via a presentation or video. CHI Interactivity provides the venue for such work, allowing attendees to touch, squeeze, hear, or even taste interactive visions for the future, be they resear…
Exploring Notions of Control/Interaction in Improvisation Practices
No prominent works on this page.
Exploring Notions of Control/Interaction in Improvisation Practices
Demo hour
The four projects shown here are from CHI 2013 Interactivity in Paris, France, selected to reflect the diversity of approaches to embodied interaction. HCI research commonly features contributions more keenly experienced through embodied engagement rather than via a presentation or video. CHI Interactivity provides the venue for such work, allowing attendees to touch, squeeze, hear, or even taste interactive visions for the future, be they resear…
Ever-shifting roles in building, composing and performing with digital musical instruments
It is widely accepted that computational technologies shape the relationship of musicians, instrument builders and composers with music, affecting various socio-cultural realisms in music. In this article, I discuss in what ways music-making still emerges as a social construct, even as a result of the mutual cooperation with human musicians and AI-powered autonomous instruments. I argue that building, making, and performing with a digital musical…
Introduction to the special issue on socio-cultural role of technology in digital musical instruments
This special issue, arising from a symposium in Helsinki in 2019, presents contributions from a diverse group of practitioners, representing a broad range of approaches in the making, thinking and writing about digital musical instruments. The authors consider the socio-cultural role of technology in current and emerging digital music practices with changing social roles, historical and critical reflections. This introduction explains the context…
Musical intra-actions with digital musical instruments
This article explores the evolving dynamics between musicians and technological artifacts. Building on Karen Barad’s concept of intra-action, I intend to show how musicians and digital musical instruments (DMIs) mutually shape, influence, and transform one another. This perspective shifts the view of technologies from purely functional tools to an integral part of a larger system. I aim to explore the concept of musical intra-action with DMIs, su…
Introduction to the special issue of technoscientific practices of music
This special issue, emerging from a symposium organised in Helsinki in November 2022, brings together contributions from a group of scholars, exploring the technoscientific practices of music and the critical implications of new technologies. The authors investigate the complex and evolving relationship between human creativity and advanced computational technologies, addressing the impact of artificial intelligence (AI) technologies on creative …
Art (5 works) · Computer Science (5 works) · Music Technology and Sound Studies (5 works) · Visual arts (5 works) · Human–computer interaction (3 works) · Musical (3 works) · Neuroscience and Music Perception (3 works) · Sociology (3 works) · Acoustics (2 works) · Artificial Intelligence (2 works)