Victor Lazzarini
Biographic Data
| ID | 2787912 |
|---|---|
| NAME | Victor Lazzarini |
| GIVEN NAMES | Victor |
| FAMILY NAME | Lazzarini |
| SIGNATURE | LAZZARINI V |
| AFFILIATIONS | Maynooth University, Maynooth, Ireland |
| ORCID | 0000-0003-2249-1325 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Theory and practice of higher-order frequency modulation synthesis
Frequency modulation (FM) and phase modulation (PM) are well-known synthesis methods, which have been deployed widely in musical instruments.In this paper, we analyse the design of stacked FM synthesis and using a direct comparison with PM, put forward a method we call higher-order frequency modulation (hoFM).We begin by reviewing the theory of first-order FM, contrasting it to PM.We then discuss the problems of extending first-order FM by simply…
Parallel computation of time-varying convolution
This paper introduces a method for computing the time-varying convolution in parallel. It discusses the motivations for this approach, detailing the limitations with the current serial implementation. A detailed review of the signal processing involved is presented, describing the time-varying filter as a modification of the time-invariant case. This is followed by description of the parallel method, which is then implemented in the Open Computin…
Ubiquitous Music Ecologies
Ubiquitous music
This special volume features a selection of proposals that prompted positive and extensive discussions within the context of the Ubiquitous Music Workshop held at the Federal University of São João del Rei, MG, Brazil. In its eighth edition and featuring contributions from a host of international participants, this event provided a demonstration of the various approaches that characterise the research and practice of the ubimus field. In addition…
The Development of Computer Music Programming Systems
This article traces the history and evolution of Music Programming, from the early off-line synthesis programs of the MUSIC N family to modern realtime interactive systems. It explores the main design characteristics of these systems and their impact on Computer Music. In chronological fashion, the article will examine, with code examples, the development of the early systems into the most common modern languages currently in use. In particular, …
No prominent works on this page.
The Development of Computer Music Programming Systems
This article traces the history and evolution of Music Programming, from the early off-line synthesis programs of the MUSIC N family to modern realtime interactive systems. It explores the main design characteristics of these systems and their impact on Computer Music. In chronological fashion, the article will examine, with code examples, the development of the early systems into the most common modern languages currently in use. In particular, …
Ubiquitous music
This special volume features a selection of proposals that prompted positive and extensive discussions within the context of the Ubiquitous Music Workshop held at the Federal University of São João del Rei, MG, Brazil. In its eighth edition and featuring contributions from a host of international participants, this event provided a demonstration of the various approaches that characterise the research and practice of the ubimus field. In addition…
Parallel computation of time-varying convolution
This paper introduces a method for computing the time-varying convolution in parallel. It discusses the motivations for this approach, detailing the limitations with the current serial implementation. A detailed review of the signal processing involved is presented, describing the time-varying filter as a modification of the time-invariant case. This is followed by description of the parallel method, which is then implemented in the Open Computin…
Ubiquitous Music Ecologies
Theory and practice of higher-order frequency modulation synthesis
Frequency modulation (FM) and phase modulation (PM) are well-known synthesis methods, which have been deployed widely in musical instruments.In this paper, we analyse the design of stacked FM synthesis and using a direct comparison with PM, put forward a method we call higher-order frequency modulation (hoFM).We begin by reviewing the theory of first-order FM, contrasting it to PM.We then discuss the problems of extending first-order FM by simply…
Computer Science (4 works) · Music Technology and Sound Studies (4 works) · Digital signal processing (2 works) · Engineering (2 works) · Multimedia (2 works) · Visual arts (2 works) · Acoustics (1 work) · Advanced Adaptive Filtering Techniques (1 work) · Advancements in PLL and VCO Technologies (1 work) · Algorithm (1 work)