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Eldad Tsabary

Biographic Data

ID2788330
NAMEEldad Tsabary
GIVEN NAMESEldad
FAMILY NAMETsabary
SIGNATURETSABARY E
AFFILIATIONSConcordia University
ORCID0000-0001-8984-328X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX0
  • How assignment deadlines and guidelines shape creativity, motivation, and quality

    Open Access•Eldad Tsabary, Donna Hewitt•ARTICLE•Thinking Skills and Creativity•2026

    Educators in creative disciplines face a persistent challenge: balancing structured guidance (e.g., deadlines, guidelines) with the flexibility necessary for fostering originality. This study investigates how tertiary music and music-technology students perceive the impact of deadlines and structural guidelines on their creativity, motivation, and work quality. Employing a qualitative design with open-ended surveys (n = 35), we analyzed 9,355 wor…

  • Melodies of the forest

    Open Access•Antoine Bellemare‐Pepin, Mar Estarellas et al.•ARTICLE•People and Nature•2026

    In an era marked by increasing disconnection from nature, innovative approaches to reconnect with the environment are crucial for both ecological and psychological well‐being. This paper explores how natural environments (a deciduous forest of Quebec in the present case study) can serve as an improvisational space for shared creative embodiment, nurturing deeper connections between individuals, communities and the natural world. Grounded in the p…

  • The aesthetics of deconstruction

    Philon Nguyen, Eldad Tsabary•ARTICLE•Journal of New Music Research•2023

    Deconstruction, a concept that originated from French philosopher Jacques Derrida's post-structuralist theories, has significantly influenced architecture and graphic design. It has evolved into a rhizomatic network of styles and concepts ranging from new architectural geometry to AI. Despite its limited explicit application in music, this paper explores deconstruction within musical aesthetics, especially in the post-1945 serial school. Computer…

  • Stabilizing and Destabilizing Agents in Laptop Orchestra Improvisation

    Open Access•Eldad Tsabary•ARTICLE•Les Cahiers de la Société…•2016•References: 1

    The purpose of this study is to explore effective strategies for successful collective improvisation in laptop orchestras. Collective music-making requires listening to and interacting with others in order to create a cohesive performance. However, musical expression also involves a sense of agency (Maus 1991; Levinson 2004), which may be perceived most prominently when individuals take temporary creative leadership roles and intentionally destab…

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  • Stabilizing and Destabilizing Agents in Laptop Orchestra Improvisation

    Open Access•Eldad Tsabary•ARTICLE•Les Cahiers de la Société…•2016•References: 1

    The purpose of this study is to explore effective strategies for successful collective improvisation in laptop orchestras. Collective music-making requires listening to and interacting with others in order to create a cohesive performance. However, musical expression also involves a sense of agency (Maus 1991; Levinson 2004), which may be perceived most prominently when individuals take temporary creative leadership roles and intentionally destab…

  • The aesthetics of deconstruction

    Philon Nguyen, Eldad Tsabary•ARTICLE•Journal of New Music Research•2023

    Deconstruction, a concept that originated from French philosopher Jacques Derrida's post-structuralist theories, has significantly influenced architecture and graphic design. It has evolved into a rhizomatic network of styles and concepts ranging from new architectural geometry to AI. Despite its limited explicit application in music, this paper explores deconstruction within musical aesthetics, especially in the post-1945 serial school. Computer…

  • How assignment deadlines and guidelines shape creativity, motivation, and quality

    Open Access•Eldad Tsabary, Donna Hewitt•ARTICLE•Thinking Skills and Creativity•2026

    Educators in creative disciplines face a persistent challenge: balancing structured guidance (e.g., deadlines, guidelines) with the flexibility necessary for fostering originality. This study investigates how tertiary music and music-technology students perceive the impact of deadlines and structural guidelines on their creativity, motivation, and work quality. Employing a qualitative design with open-ended surveys (n = 35), we analyzed 9,355 wor…

  • Melodies of the forest

    Open Access•Antoine Bellemare‐Pepin, Mar Estarellas et al.•ARTICLE•People and Nature•2026

    In an era marked by increasing disconnection from nature, innovative approaches to reconnect with the environment are crucial for both ecological and psychological well‐being. This paper explores how natural environments (a deciduous forest of Quebec in the present case study) can serve as an improvisational space for shared creative embodiment, nurturing deeper connections between individuals, communities and the natural world. Grounded in the p…

Musical (3 works) · Art (2 works) · Computer Science (2 works) · Creativity (2 works) · Improvisation (2 works) · Music Technology and Sound Studies (2 works) · Neuroscience and Music Perception (2 works) · Visual arts (2 works) · Accountability (1 work) · Action Observation and Synchronization (1 work)

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