Andrei Pop
Biographic Data
| ID | 279000 |
|---|---|
| NAME | Andrei Pop |
| GIVEN NAMES | Andrei |
| FAMILY NAME | Pop |
| SIGNATURE | POP A |
| AFFILIATIONS | Dimitrie Cantemir Christian University |
| ORCID | 0000-0001-7866-6361 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 14 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Art in a State of Siege
Feminisation, governance and Roma on the urban margins
The article delves into the governance of urban marginality, focusing on the interplay of the Wacquantian distinction between the left and right hands of the state in governing urban marginality and the gender dimension of this governance. Studies of state involvement in managing urban marginality have concentrated on the content of policies and services, neglecting their modes and forms. Our research sheds light on the concrete forms of implemen…
Hotbeds of climate vulnerability
Penumbras of the planetary mine
This article builds on the recognition that the extraction of minerals assumed over the last few decades a transcendence of geological space-time and a corresponding expansion at planetary scale. Little attention was devoted to the long-term but currently abandoned mines awaiting their potential reopening and can be said to find themselves at a juncture. On the one hand, they confront a complex heritage of past mining operations (including pollut…
Enlightenment as Thought Made Public
Christopher S. Wood A History of Art History . Princeton, N.J
From environmental to climate justice
This paper builds on a recent strand of critical social theory – Sassen’s [Expulsions: Brutality and complexity in the global economy. Harvard University Press; At the systemic edge. Cultural Dynamics, 27(1), 173–181] expulsions and systemic edge perspective – to argue that a sociological theory of climate change needs to start from the critical sites where change takes place. To this end, we propose the concept of climate edge as the intersectio…
On the path of evictions and invisibilization
The Representation of Immigration. A Retrospective Newspaper Analysis
The article reports a comparative study of the representation of migration in media from three countries (Greece, Italy, and Turkey), over 2001–2018 period. Analysis showed the salience of two main frames – the view of migration as a matter of security and human beings as well. Themes framing the media discourses on migration are grounded on a semantic structure that is quite similar across the three countries compared, despite their considerable…
The World as I found it
The first person represented as a subject's field of vision, as opposed to first-person language, has only been around for a century and a half. Yet the claims advanced by its philosophical inventor, Ernst Mach, are momentous: nothing less than the dissolution of the self into a world of sensations. A closer look at his images reveals less an elimination of the self than a reflection of the connection between subject, world, and others
Mood for Modernists
Art and Form
Formalism, more than a century after the term was introduced, can still spark acrimonious debate within many disciplines, from the philosophy of arithmetic to literary and art criticism, to say nothing of the various arts. The word has quite a different syntax in science, where ‘formalism’ is a symbolic device with well-understood properties. But wherever a basic subject matter is in doubt—for example, is set theory about mind-independent entitie…
Goya and the Paradox of Tolerance
Why Alois Riegl Still Haunts Art History
When it comes to the historical consciousness of art history, we have hardly caught up with Nietzsche and his typology of historical styles. The antiquarian is familiar enough, poring over childhood photographs of Aby Warburg for signs of the nervous breakdown to come, say, preferring the intellectual twilight of a gentleman genius over the cold light of methodological uncertainty in the present. To devote oneself thus to origins is tacitly to ad…
Aesthetics of Ugliness
In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty without being reducible to evil, materiality, or other negative terms used it's conventional condemnation. This insistence on the specificity of ugliness, and on its dynamic status as a process afflicting aesthetic canons, reflects Rosenkranz's interest in the metropolis - like Walter Benjamin, he wrote on Paris and Berlin - and his …
Henry Fuseli
The wash drawings and oil paintings of subjects from Greek tragedy by Anglo-Swiss painter Henry Fuseli (1741–1825), routinely categorized as romantic classicism, might be better explained in terms of the contemporary revival of Greek tragedy, made possible by the philosophical anthropology of Johann Gottfried von Herder and David Garrick's theater of character. From this climate of experimentation with foreign cultures arose a morally detached sp…
Sympathetic Spectators
The Representation of Immigration. A Retrospective Newspaper Analysis
The article reports a comparative study of the representation of migration in media from three countries (Greece, Italy, and Turkey), over 2001–2018 period. Analysis showed the salience of two main frames – the view of migration as a matter of security and human beings as well. Themes framing the media discourses on migration are grounded on a semantic structure that is quite similar across the three countries compared, despite their considerable…
On the path of evictions and invisibilization
Penumbras of the planetary mine
This article builds on the recognition that the extraction of minerals assumed over the last few decades a transcendence of geological space-time and a corresponding expansion at planetary scale. Little attention was devoted to the long-term but currently abandoned mines awaiting their potential reopening and can be said to find themselves at a juncture. On the one hand, they confront a complex heritage of past mining operations (including pollut…
Art and Form
Formalism, more than a century after the term was introduced, can still spark acrimonious debate within many disciplines, from the philosophy of arithmetic to literary and art criticism, to say nothing of the various arts. The word has quite a different syntax in science, where ‘formalism’ is a symbolic device with well-understood properties. But wherever a basic subject matter is in doubt—for example, is set theory about mind-independent entitie…
From environmental to climate justice
This paper builds on a recent strand of critical social theory – Sassen’s [Expulsions: Brutality and complexity in the global economy. Harvard University Press; At the systemic edge. Cultural Dynamics, 27(1), 173–181] expulsions and systemic edge perspective – to argue that a sociological theory of climate change needs to start from the critical sites where change takes place. To this end, we propose the concept of climate edge as the intersectio…
Sympathetic Spectators
Sympathetic Spectators
Henry Fuseli
The wash drawings and oil paintings of subjects from Greek tragedy by Anglo-Swiss painter Henry Fuseli (1741–1825), routinely categorized as romantic classicism, might be better explained in terms of the contemporary revival of Greek tragedy, made possible by the philosophical anthropology of Johann Gottfried von Herder and David Garrick's theater of character. From this climate of experimentation with foreign cultures arose a morally detached sp…
Why Alois Riegl Still Haunts Art History
When it comes to the historical consciousness of art history, we have hardly caught up with Nietzsche and his typology of historical styles. The antiquarian is familiar enough, poring over childhood photographs of Aby Warburg for signs of the nervous breakdown to come, say, preferring the intellectual twilight of a gentleman genius over the cold light of methodological uncertainty in the present. To devote oneself thus to origins is tacitly to ad…
Aesthetics of Ugliness
In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty without being reducible to evil, materiality, or other negative terms used it's conventional condemnation. This insistence on the specificity of ugliness, and on its dynamic status as a process afflicting aesthetic canons, reflects Rosenkranz's interest in the metropolis - like Walter Benjamin, he wrote on Paris and Berlin - and his …
Goya and the Paradox of Tolerance
Mood for Modernists
Art and Form
Formalism, more than a century after the term was introduced, can still spark acrimonious debate within many disciplines, from the philosophy of arithmetic to literary and art criticism, to say nothing of the various arts. The word has quite a different syntax in science, where ‘formalism’ is a symbolic device with well-understood properties. But wherever a basic subject matter is in doubt—for example, is set theory about mind-independent entitie…
Enlightenment as Thought Made Public
Christopher S. Wood A History of Art History . Princeton, N.J
From environmental to climate justice
This paper builds on a recent strand of critical social theory – Sassen’s [Expulsions: Brutality and complexity in the global economy. Harvard University Press; At the systemic edge. Cultural Dynamics, 27(1), 173–181] expulsions and systemic edge perspective – to argue that a sociological theory of climate change needs to start from the critical sites where change takes place. To this end, we propose the concept of climate edge as the intersectio…
On the path of evictions and invisibilization
The Representation of Immigration. A Retrospective Newspaper Analysis
The article reports a comparative study of the representation of migration in media from three countries (Greece, Italy, and Turkey), over 2001–2018 period. Analysis showed the salience of two main frames – the view of migration as a matter of security and human beings as well. Themes framing the media discourses on migration are grounded on a semantic structure that is quite similar across the three countries compared, despite their considerable…
The World as I found it
The first person represented as a subject's field of vision, as opposed to first-person language, has only been around for a century and a half. Yet the claims advanced by its philosophical inventor, Ernst Mach, are momentous: nothing less than the dissolution of the self into a world of sensations. A closer look at his images reveals less an elimination of the self than a reflection of the connection between subject, world, and others
Penumbras of the planetary mine
This article builds on the recognition that the extraction of minerals assumed over the last few decades a transcendence of geological space-time and a corresponding expansion at planetary scale. Little attention was devoted to the long-term but currently abandoned mines awaiting their potential reopening and can be said to find themselves at a juncture. On the one hand, they confront a complex heritage of past mining operations (including pollut…
Hotbeds of climate vulnerability
Feminisation, governance and Roma on the urban margins
The article delves into the governance of urban marginality, focusing on the interplay of the Wacquantian distinction between the left and right hands of the state in governing urban marginality and the gender dimension of this governance. Studies of state involvement in managing urban marginality have concentrated on the content of policies and services, neglecting their modes and forms. Our research sheds light on the concrete forms of implemen…
Art in a State of Siege
Art (8 works) · Art history (6 works) · Political science (6 works) · Computer Science (5 works) · Philosophy (5 works) · Epistemology (4 works) · Geography (4 works) · History (4 works) · Law (4 works) · Psychology (4 works)