Mark Sandy
Biographic Data
| ID | 2790864 |
|---|---|
| NAME | Mark Sandy |
| GIVEN NAMES | Mark |
| FAMILY NAME | Sandy |
| SIGNATURE | SANDY M |
| AFFILIATIONS | Durham University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Transatlantic Transformations of Romanticism
Poetics of Self and Form in Keats and Shelley
Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent i…
Decadent Romanticism
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses…
Romanticism, Memory, and Mourning
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the …
"Cut by Rainbow"
Journal Article “Cut by Rainbow”: Tales, Tellers, and Reimagining Wordsworth’s Pastoral Poetics in Toni Morrison’s Beloved and A Mercy Get access Mark Sandy Mark Sandy University of Durham, UK Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 36, Issue 2, June 2011, Pages 35–51, https://doi.org/10.1353/mel.2011.0028 Published: 01 June 2011
Twentieth‐ and Twenty‐first‐century Keats Criticism
This essay offers a survey of major twentieth‐ and twenty‐first‐century interpretations of Keats's life and work. Mapping lines of influence between distinctive formal, theoretical and historical approaches to Keats's oeuvre, I highlight significant critical trends and areas of recurrent formal and thematic interest in Keats studies. When appropriate, current confluences between these theoretical and historical methodologies are noted. Given the …
Romanticism, Memory, and Mourning
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the …
Twentieth‐ and Twenty‐first‐century Keats Criticism
This essay offers a survey of major twentieth‐ and twenty‐first‐century interpretations of Keats's life and work. Mapping lines of influence between distinctive formal, theoretical and historical approaches to Keats's oeuvre, I highlight significant critical trends and areas of recurrent formal and thematic interest in Keats studies. When appropriate, current confluences between these theoretical and historical methodologies are noted. Given the …
"Cut by Rainbow"
Journal Article “Cut by Rainbow”: Tales, Tellers, and Reimagining Wordsworth’s Pastoral Poetics in Toni Morrison’s Beloved and A Mercy Get access Mark Sandy Mark Sandy University of Durham, UK Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 36, Issue 2, June 2011, Pages 35–51, https://doi.org/10.1353/mel.2011.0028 Published: 01 June 2011
Decadent Romanticism
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses…
Romanticism, Memory, and Mourning
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the …
Poetics of Self and Form in Keats and Shelley
Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent i…
Transatlantic Transformations of Romanticism
Art (6 works) · Literature (6 works) · English literature (3 works) · History and criticism (3 works) · History and criticism (3 works) · Literature: history, themes, analysis (3 works) · Poetry (3 works) · Romanticism (3 works) · Romanticism (3 works) · 19th century (2 works)