Barbara Geilhorn
Biographic Data
| ID | 279191 |
|---|---|
| NAME | Barbara Geilhorn |
| GIVEN NAMES | Barbara |
| FAMILY NAME | Geilhorn |
| SIGNATURE | GEILHORN B |
| AFFILIATIONS | The University of Tokyo |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Introduction to the special issue
KEYWORDS: Global countrysideperforming artrural revitalizationregional arts projectregional festivalsvisual arts
Towards a culture of responsibility – relating Fukushima, Chernobyl, and the atomic bombings in Setoyama Misaki’s theatre
Through a close reading of two post-Fukushima plays by Setoyama Misaki, this article examines the potential of theatre to shape cultural memory and raise critical awareness. The playwright-director is known for exploring contentious issues in Japanese society based on in-depth interviews conducted with the people concerned. Among the various art works addressing the Fukushima nuclear disaster, her plays are rare in exposing how intricately the ro…
A Multifaceted Fukushima-Trauma and Memory in Ōnobu Pelican's Kiruannya and U-ko
Focusing on Ōnobu Pelican's play Kiruannya and U-ko-san (2011), this article analyzes documentary theater from the area afflicted by the triple disaster of March 11, 2011. Kiruannya and U-ko provides a rich tapestry of the multiple and often contradictory features of Fukushima Prefecture in the aftermath of the Fukushima calamity, weaving a dense fabric of fictional material, newspaper clippings, and reality. I show that Ōnobu's play opposes nati…
No prominent works on this page.
A Multifaceted Fukushima-Trauma and Memory in Ōnobu Pelican's Kiruannya and U-ko
Focusing on Ōnobu Pelican's play Kiruannya and U-ko-san (2011), this article analyzes documentary theater from the area afflicted by the triple disaster of March 11, 2011. Kiruannya and U-ko provides a rich tapestry of the multiple and often contradictory features of Fukushima Prefecture in the aftermath of the Fukushima calamity, weaving a dense fabric of fictional material, newspaper clippings, and reality. I show that Ōnobu's play opposes nati…
Towards a culture of responsibility – relating Fukushima, Chernobyl, and the atomic bombings in Setoyama Misaki’s theatre
Through a close reading of two post-Fukushima plays by Setoyama Misaki, this article examines the potential of theatre to shape cultural memory and raise critical awareness. The playwright-director is known for exploring contentious issues in Japanese society based on in-depth interviews conducted with the people concerned. Among the various art works addressing the Fukushima nuclear disaster, her plays are rare in exposing how intricately the ro…
Introduction to the special issue
KEYWORDS: Global countrysideperforming artrural revitalizationregional arts projectregional festivalsvisual arts
Political science (2 works) · Sociology (2 works) · Aeronautics (1 work) · Art (1 work) · Biology (1 work) · Comics and Graphic Narratives (1 work) · Cultural Industries and Urban Development (1 work) · Disaster Management and Resilience (1 work) · Dissenting opinion (1 work) · Engineering (1 work)