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Maria Dibattista

Biographic Data

ID279297
NAMEMaria Dibattista
GIVEN NAMESMaria
FAMILY NAMEDibattista
SIGNATUREDIBATTISTA M
AFFILIATIONSPrinceton University
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT5
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Together and Apart

    Maria Dibattista•CHAPTER•Katherine Mansfield and Virginia…•2018

  • Paul Virilio’s dromology and the postmodern city in Don DeLillo’s Cosmopolis

    Open Access•Bahareh Bagherzadeh Samani, Hossein Pirnajmuddin et al.•ARTICLE•Cogent Arts and Humanities•2018

    Don DeLillo’s Cosmopolis (2003) portrays, among other things, New York as a postmodern city. DeLillo’s fiction above all probes how contemporary American consciousness is largely shaped by the incursion of technology into daily life. In DeLillo’s novels, technology figures as largely determining the possibilities of action and influencing the very nature of perception. As such, we argue, Cosmopolis could be read rewardingly through Paul Virilio’s…

  • Toilet humour and ecology on the first page of Finnegans Wake: Žižek’s call of nature, answered by Joyce

    Open Access•Damon Bristow, Dan C Bristow et al.•ARTICLE•Cogent Arts and Humanities•2017

    This article draws out ecological aspects convergent on the first page of James Joyce’s Finnegans Wake (1939) and explores them through the philosopher Slavoj Žižek’s theoretical perspectives on humanity today and its relation to the waste and chaos that underpins the state of nature that it is reliant on; that is, in relation to the Lacanian category of the Real. It does so in an attempt to bring together Joyce and Žižek (who has tended to rejec…

  • Inference and narrative processing in fiction and film: (Where) (does) narrative reading part(s) ways with its viewing and vice versa (?)

    Open Access•Bonaventure Muzigirwa Munganga, Maria Dibattista•ARTICLE•Cogent Arts and Humanities•2016

    Narrative analysis in Fiction and Film has attracted narratologists’ research interest since the last part of the twentieth century. It has focused on the renderability of narrative in these two different media and established features of similarity and difference for the rendition of the same narrative. From that perspective, this paper aims to compare the degree of demand for inference in narrative processing between fiction narrative and film …

  • Introduction: A Motto for Moral Diplomacy

    Maria Dibattista, Judith Beyer et al.•ARTICLE•Common Knowledge•2015

    Only connect ...," the epigraph of Forster's Howards End, offers itself as a model of moral diplomacy. The efficacy of genuine human connection-whether it takes the form of creative action or of decent human relations-in containing and civilizing force is an idea that informs the novel's conception of what constitutes and ensures civilized life. Forster regarded propriety and convention as expressions of force and so applauded any assault on conv…

  • The Cambridge Companion to Autobiography

    Open Access•Maria Dibattista, Emily Ondine Wittman•BOOK•Cambridge Companion to…•2014

    The Cambridge Companion to Autobiography offers a historical overview of the genre from the foundational works of Augustine, Montaigne, and Rousseau through the great autobiographies of the Romantic, Victorian, and modern eras. Sixteen essays from distinguished scholars and critics explore the diverse forms, audiences, styles, and motives of life writings traditionally classified under the rubric of autobiography. Chapters are arranged in chronol…

  • Cambridge Companion to Autobiography

    Emily O Wittman, Maria Dibattista•BOOK•Cambridge Companion to…•2014

  • Women’s Autobiographies

    Open Access•Maria Dibattista•CHAPTER•Cambridge Companion to…•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Modernism and Autobiography

    Open Access•Elizabeth Abel, Francis O’Gorman et al.•BOOK•Modernism and Autobiography•2014

    This volume offers sixteen original essays that attest to the extraordinary inventiveness and range of modernist autobiography. It examines the ways modernist writers chose to tell their life stories, with particular attention to forms, venues, modes of address, and degrees of truthfulness. The essays are grouped around a set of rubrics that isolate the distinctive character and shared preoccupations of modernist life-writings: questions of ances…

  • Virginia Woolf's Sense of Adventure

    Open Access•Maria Dibattista•ARTICLE•Literature Compass•2007•Cited by: 1

    This paper forms part of a Literature Compass cluster of articles which examines the current state of Virgina Woolf Studies and aims to provide a snapshot of the field. These papers grew out of the 15 th Annual International Virginia Woolf Conference (College of Lewis and Clark, Portland, OR, June 9–12, 2005). The full cluster is made up of the following articles: “Introduction: Virginia Woolf and The Art of Exploration,” Urmila Seshagiri and Ris…

  • Steven Spielberg, Robert Rodat and Frank Darabont (1998), Saving Private Ryan ; Terence Malick (1998), The Thin Red Line

    Maria Dibattista•ARTICLE•Rethinking History•2000

  • Memorializing Motherhood: Literary Women' and Modernity

    Maria Dibattista•ARTICLE•Signs: Journal of Women in…•1999

  • Virginia Woolf's Sense of Adventure

    Open Access•Maria Dibattista•ARTICLE•Literature Compass•2007•Cited by: 1

    This paper forms part of a Literature Compass cluster of articles which examines the current state of Virgina Woolf Studies and aims to provide a snapshot of the field. These papers grew out of the 15 th Annual International Virginia Woolf Conference (College of Lewis and Clark, Portland, OR, June 9–12, 2005). The full cluster is made up of the following articles: “Introduction: Virginia Woolf and The Art of Exploration,” Urmila Seshagiri and Ris…

  • Memorializing Motherhood: Literary Women' and Modernity

    Maria Dibattista•ARTICLE•Signs: Journal of Women in…•1999

  • Steven Spielberg, Robert Rodat and Frank Darabont (1998), Saving Private Ryan ; Terence Malick (1998), The Thin Red Line

    Maria Dibattista•ARTICLE•Rethinking History•2000

  • Virginia Woolf's Sense of Adventure

    Open Access•Maria Dibattista•ARTICLE•Literature Compass•2007•Cited by: 1

    This paper forms part of a Literature Compass cluster of articles which examines the current state of Virgina Woolf Studies and aims to provide a snapshot of the field. These papers grew out of the 15 th Annual International Virginia Woolf Conference (College of Lewis and Clark, Portland, OR, June 9–12, 2005). The full cluster is made up of the following articles: “Introduction: Virginia Woolf and The Art of Exploration,” Urmila Seshagiri and Ris…

  • The Cambridge Companion to Autobiography

    Open Access•Maria Dibattista, Emily Ondine Wittman•BOOK•Cambridge Companion to…•2014

    The Cambridge Companion to Autobiography offers a historical overview of the genre from the foundational works of Augustine, Montaigne, and Rousseau through the great autobiographies of the Romantic, Victorian, and modern eras. Sixteen essays from distinguished scholars and critics explore the diverse forms, audiences, styles, and motives of life writings traditionally classified under the rubric of autobiography. Chapters are arranged in chronol…

  • Cambridge Companion to Autobiography

    Emily O Wittman, Maria Dibattista•BOOK•Cambridge Companion to…•2014

  • Women’s Autobiographies

    Open Access•Maria Dibattista•CHAPTER•Cambridge Companion to…•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Modernism and Autobiography

    Open Access•Elizabeth Abel, Francis O’Gorman et al.•BOOK•Modernism and Autobiography•2014

    This volume offers sixteen original essays that attest to the extraordinary inventiveness and range of modernist autobiography. It examines the ways modernist writers chose to tell their life stories, with particular attention to forms, venues, modes of address, and degrees of truthfulness. The essays are grouped around a set of rubrics that isolate the distinctive character and shared preoccupations of modernist life-writings: questions of ances…

  • Introduction: A Motto for Moral Diplomacy

    Maria Dibattista, Judith Beyer et al.•ARTICLE•Common Knowledge•2015

    Only connect ...," the epigraph of Forster's Howards End, offers itself as a model of moral diplomacy. The efficacy of genuine human connection-whether it takes the form of creative action or of decent human relations-in containing and civilizing force is an idea that informs the novel's conception of what constitutes and ensures civilized life. Forster regarded propriety and convention as expressions of force and so applauded any assault on conv…

  • Inference and narrative processing in fiction and film: (Where) (does) narrative reading part(s) ways with its viewing and vice versa (?)

    Open Access•Bonaventure Muzigirwa Munganga, Maria Dibattista•ARTICLE•Cogent Arts and Humanities•2016

    Narrative analysis in Fiction and Film has attracted narratologists’ research interest since the last part of the twentieth century. It has focused on the renderability of narrative in these two different media and established features of similarity and difference for the rendition of the same narrative. From that perspective, this paper aims to compare the degree of demand for inference in narrative processing between fiction narrative and film …

  • Toilet humour and ecology on the first page of Finnegans Wake: Žižek’s call of nature, answered by Joyce

    Open Access•Damon Bristow, Dan C Bristow et al.•ARTICLE•Cogent Arts and Humanities•2017

    This article draws out ecological aspects convergent on the first page of James Joyce’s Finnegans Wake (1939) and explores them through the philosopher Slavoj Žižek’s theoretical perspectives on humanity today and its relation to the waste and chaos that underpins the state of nature that it is reliant on; that is, in relation to the Lacanian category of the Real. It does so in an attempt to bring together Joyce and Žižek (who has tended to rejec…

  • Together and Apart

    Maria Dibattista•CHAPTER•Katherine Mansfield and Virginia…•2018

  • Paul Virilio’s dromology and the postmodern city in Don DeLillo’s Cosmopolis

    Open Access•Bahareh Bagherzadeh Samani, Hossein Pirnajmuddin et al.•ARTICLE•Cogent Arts and Humanities•2018

    Don DeLillo’s Cosmopolis (2003) portrays, among other things, New York as a postmodern city. DeLillo’s fiction above all probes how contemporary American consciousness is largely shaped by the incursion of technology into daily life. In DeLillo’s novels, technology figures as largely determining the possibilities of action and influencing the very nature of perception. As such, we argue, Cosmopolis could be read rewardingly through Paul Virilio’s…

Art (8 works) · Sociology (7 works) · Literature (6 works) · Art history (5 works) · Law (4 works) · Philosophy (4 works) · Political science (4 works) · Aesthetics (3 works) · History (3 works) · Appeal (2 works)

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