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Dina Sherzer

Biographic Data

ID279333
NAMEDina Sherzer
GIVEN NAMESDina
FAMILY NAMESherzer
SIGNATURESHERZER D
AFFILIATIONSUniversity of Texas Austin Department of French and Italian
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS4
WORKS AS AUTHOR23
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2021
H-INDEX1
  • From the Tropical Forest to Caribbean Islands to Cities and Beyond

    Dina Sherzer, Joel Sherzer•ARTICLE•Anthropological linguistics•2021

    Travel, migration, and displacement have characterized most of Kuna history, beginning with their arrival in the Darién jungle in Panama and their subsequent move to the Caribbean coast and adjacent islands. Travel to other parts of Panama was formerly largely temporary, for work, education, or visiting other Kuna-speaking communities; recently, however, larger-scale migrations to the major cities of Panama have taken place, with migrants remaini…

  • Visions of War in France

    Open Access•Dina Sherzer, Catherine Savage Brosman•ARTICLE•South Central Review•2001

  • Remembrance of Things Past

    Open Access•Dina Sherzer•ARTICLE•South Central Review•2000•Cited by: 1

    head of the Tunisian Office of the Family and Women, explains that women in Tunisia enjoy many rights, including family planning and education. A succession of progressive presidents and governments have put in place policies which have enabled women to have access to professions traditionally reserved for men, such as judge, policeman, or pilot.' Moufida Tlatli is the product of this society. After she graduated in 1968 from the Institut des hau…

  • Fear of the Dark

    Dina Sherzer•ARTICLE•Signs: Journal of Women in…•1999

  • Cinema, Colonialism, Postcolonialism

    Dina Sherzer•EDITOR•BOOK•Cinema, Colonialism, Postcolonialis…•1996

  • Cinema, colonialism, postcolonialism

    Dina Sherzer•BOOK•Cinema, Colonialism, Postcolonialis…•1996

  • Nations without Nationalism

    Open Access•Dina Sherzer•REVIEW•South Central Review•1994

    What of tomorrow's nation? open letter to Harlem Desir the nation and the world concerning The Samurai

  • Cabaret Performance. Volume I

    Dina Sherzer, Laurence Senelick•ARTICLE•Theatre Journal•1991

  • The New Wave and Its Franco-American Intersections

    Dina Sherzer•ARTICLE•Contemporary French Civilization•1991

  • Beckett Translating/Translating Beckett

    Open Access•Cynthia Running-Johnson, Alan Warren Friedman et al.•ARTICLE•South Central Review•1990

  • Michael Issacharoff, Discourse as performance. Stanford, CA

    Open Access•Dina Sherzer•ARTICLE•Language in Society•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Dictionary of Narratology

    Dina Sherzer, Gerald Prince•ARTICLE•SubStance•1989

  • Humor and Comedy in Puppetry

    Melvyn B Helstien, Dina Sherzer et al.•ARTICLE•Journal of American Folklore•1989

    This volume is about puppetry, an expression of popular and folk culture which is extremely widespread around the world and yet has attracted relatively little scholarly attention. Puppetry, which is intended for audiences of adults as well as children, is a form of communication and entertainment and an esthetic and artistic creation. Of the many aspects of puppetry worthy of scholarly study, this book's focus is on a central and dominant featur…

  • Samuel Beckett, Linguist and Poetician

    Dina Sherzer•ARTICLE•SubStance•1988

    Samuel Beckett demonstrated his sensitivity to language early in his career. In his 1929 essay Dante... Bruno. Vico..Joyce, his'remarks are not about the content of the works he discusses but about the ways in which language is used.2 Several points emerge from this critical essay. Beckett is sensitive to the materiality of language; i.e., he is aware not only of what language says but also of how language says. About Joyce's Work in Progress he …

  • Representation in Contemporary French Fiction

    Susan Petit, Dina Sherzer•ARTICLE•South Atlantic Review•1987

  • Representation in Contemporary French Fiction

    Mária Minich Brewer, Dina Sherzer•ARTICLE•SubStance•1987

  • Representation in Contemporary French Fiction

    Michele Praeger, Dina Sherzer•ARTICLE•Poetics Today•1987

  • Representation in Contemporary French Fiction

    Dina Sherzer•ARTICLE•Poetics Today•1986•Cited by: 2

  • The Subject in Question

    Dina Sherzer, David Carroll et al.•ARTICLE•SubStance•1984

  • Claire Bretécher

    Open Access•Dina Sherzer•ARTICLE•The Journal of Popular Culture•1980

  • Serial Constructs in the Nouveau Roman

    Dina Sherzer•ARTICLE•Poetics Today•1980•Cited by: 1

    1.1 The Nouveau Roman brought about a radical shift in literary consciousness which was concretized in what has been called the practice of writing. foundation is a profound experience of language and of form and the demonstration of that experience in the writing of the novel which, transgressed, is no longer repetition and self-effacement but work and self-presentation as text. Its 'realism' is not the mirroring of some 'reality' but an attenti…

  • Didi, Gogo, Pozzo, Lucky

    Open Access•Dina Sherzer•ARTICLE•Études littéraires•1980

    dina sherzer1. En attendant Godot est souvent considérée comme une pièce statique parce qu'elle ne contient pas d'intrigue, parce qu'elle n'a pas de suspense et parce qu'elle ne présente pas un grand intérêt dramatique.Vladimir et Estragon, deux individus perdus au milieu de quelque no man's land, répètent sans cesse qu'ils attendent un homme nommé Godot et ils attendent ce Godot pendant les deux actes de la pièce.Au cours de chacun des actes deu…

  • Dialogic Incongruities in the Theater of the Absurd

    Open Access•Dina Sherzer•ARTICLE•Semiotica•1978

  • Circus

    Dina Sherzer•ARTICLE•SubStance•1977

    In the opening pages of La dissemination Derrida notices that: la forme du livre est d6sormais soumise ' une turbulence g6nerale.1 This remark is most fitting for Circus by Maurice Roche.2 At first glance, Circus might appear to be a display of various types of writing (alphabetical, ideographic, and scientific) or perhaps a collection of concrete poems.3 A closer look, however, reveals that the book is an impressive juxtaposition, mixing, and me…

  • Representation in Contemporary French Fiction

    Dina Sherzer•ARTICLE•Poetics Today•1986•Cited by: 2

  • Remembrance of Things Past

    Open Access•Dina Sherzer•ARTICLE•South Central Review•2000•Cited by: 1

    head of the Tunisian Office of the Family and Women, explains that women in Tunisia enjoy many rights, including family planning and education. A succession of progressive presidents and governments have put in place policies which have enabled women to have access to professions traditionally reserved for men, such as judge, policeman, or pilot.' Moufida Tlatli is the product of this society. After she graduated in 1968 from the Institut des hau…

  • Serial Constructs in the Nouveau Roman

    Dina Sherzer•ARTICLE•Poetics Today•1980•Cited by: 1

    1.1 The Nouveau Roman brought about a radical shift in literary consciousness which was concretized in what has been called the practice of writing. foundation is a profound experience of language and of form and the demonstration of that experience in the writing of the novel which, transgressed, is no longer repetition and self-effacement but work and self-presentation as text. Its 'realism' is not the mirroring of some 'reality' but an attenti…

  • Circus

    Dina Sherzer•ARTICLE•SubStance•1977

    In the opening pages of La dissemination Derrida notices that: la forme du livre est d6sormais soumise ' une turbulence g6nerale.1 This remark is most fitting for Circus by Maurice Roche.2 At first glance, Circus might appear to be a display of various types of writing (alphabetical, ideographic, and scientific) or perhaps a collection of concrete poems.3 A closer look, however, reveals that the book is an impressive juxtaposition, mixing, and me…

  • Dialogic Incongruities in the Theater of the Absurd

    Open Access•Dina Sherzer•ARTICLE•Semiotica•1978

  • Claire Bretécher

    Open Access•Dina Sherzer•ARTICLE•The Journal of Popular Culture•1980

  • Serial Constructs in the Nouveau Roman

    Dina Sherzer•ARTICLE•Poetics Today•1980•Cited by: 1

    1.1 The Nouveau Roman brought about a radical shift in literary consciousness which was concretized in what has been called the practice of writing. foundation is a profound experience of language and of form and the demonstration of that experience in the writing of the novel which, transgressed, is no longer repetition and self-effacement but work and self-presentation as text. Its 'realism' is not the mirroring of some 'reality' but an attenti…

  • Didi, Gogo, Pozzo, Lucky

    Open Access•Dina Sherzer•ARTICLE•Études littéraires•1980

    dina sherzer1. En attendant Godot est souvent considérée comme une pièce statique parce qu'elle ne contient pas d'intrigue, parce qu'elle n'a pas de suspense et parce qu'elle ne présente pas un grand intérêt dramatique.Vladimir et Estragon, deux individus perdus au milieu de quelque no man's land, répètent sans cesse qu'ils attendent un homme nommé Godot et ils attendent ce Godot pendant les deux actes de la pièce.Au cours de chacun des actes deu…

  • The Subject in Question

    Dina Sherzer, David Carroll et al.•ARTICLE•SubStance•1984

  • Representation in Contemporary French Fiction

    Dina Sherzer•ARTICLE•Poetics Today•1986•Cited by: 2

  • Representation in Contemporary French Fiction

    Susan Petit, Dina Sherzer•ARTICLE•South Atlantic Review•1987

  • Representation in Contemporary French Fiction

    Mária Minich Brewer, Dina Sherzer•ARTICLE•SubStance•1987

  • Representation in Contemporary French Fiction

    Michele Praeger, Dina Sherzer•ARTICLE•Poetics Today•1987

  • Samuel Beckett, Linguist and Poetician

    Dina Sherzer•ARTICLE•SubStance•1988

    Samuel Beckett demonstrated his sensitivity to language early in his career. In his 1929 essay Dante... Bruno. Vico..Joyce, his'remarks are not about the content of the works he discusses but about the ways in which language is used.2 Several points emerge from this critical essay. Beckett is sensitive to the materiality of language; i.e., he is aware not only of what language says but also of how language says. About Joyce's Work in Progress he …

  • A Dictionary of Narratology

    Dina Sherzer, Gerald Prince•ARTICLE•SubStance•1989

  • Humor and Comedy in Puppetry

    Melvyn B Helstien, Dina Sherzer et al.•ARTICLE•Journal of American Folklore•1989

    This volume is about puppetry, an expression of popular and folk culture which is extremely widespread around the world and yet has attracted relatively little scholarly attention. Puppetry, which is intended for audiences of adults as well as children, is a form of communication and entertainment and an esthetic and artistic creation. Of the many aspects of puppetry worthy of scholarly study, this book's focus is on a central and dominant featur…

  • Beckett Translating/Translating Beckett

    Open Access•Cynthia Running-Johnson, Alan Warren Friedman et al.•ARTICLE•South Central Review•1990

  • Michael Issacharoff, Discourse as performance. Stanford, CA

    Open Access•Dina Sherzer•ARTICLE•Language in Society•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Cabaret Performance. Volume I

    Dina Sherzer, Laurence Senelick•ARTICLE•Theatre Journal•1991

  • The New Wave and Its Franco-American Intersections

    Dina Sherzer•ARTICLE•Contemporary French Civilization•1991

  • Nations without Nationalism

    Open Access•Dina Sherzer•REVIEW•South Central Review•1994

    What of tomorrow's nation? open letter to Harlem Desir the nation and the world concerning The Samurai

  • Cinema, Colonialism, Postcolonialism

    Dina Sherzer•EDITOR•BOOK•Cinema, Colonialism, Postcolonialis…•1996

  • Cinema, colonialism, postcolonialism

    Dina Sherzer•BOOK•Cinema, Colonialism, Postcolonialis…•1996

  • Fear of the Dark

    Dina Sherzer•ARTICLE•Signs: Journal of Women in…•1999

  • Remembrance of Things Past

    Open Access•Dina Sherzer•ARTICLE•South Central Review•2000•Cited by: 1

    head of the Tunisian Office of the Family and Women, explains that women in Tunisia enjoy many rights, including family planning and education. A succession of progressive presidents and governments have put in place policies which have enabled women to have access to professions traditionally reserved for men, such as judge, policeman, or pilot.' Moufida Tlatli is the product of this society. After she graduated in 1968 from the Institut des hau…

  • Visions of War in France

    Open Access•Dina Sherzer, Catherine Savage Brosman•ARTICLE•South Central Review•2001

  • From the Tropical Forest to Caribbean Islands to Cities and Beyond

    Dina Sherzer, Joel Sherzer•ARTICLE•Anthropological linguistics•2021

    Travel, migration, and displacement have characterized most of Kuna history, beginning with their arrival in the Darién jungle in Panama and their subsequent move to the Caribbean coast and adjacent islands. Travel to other parts of Panama was formerly largely temporary, for work, education, or visiting other Kuna-speaking communities; recently, however, larger-scale migrations to the major cities of Panama have taken place, with migrants remaini…

Art (16 works) · History (12 works) · Literature (9 works) · Philosophy (8 works) · Political science (8 works) · Sociology (8 works) · Law (7 works) · Politics (7 works) · Aesthetics (5 works) · French Literature and Critical Theory (5 works)

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