Branden W Joseph
Biographic Data
| ID | 279891 |
|---|---|
| NAME | Branden W Joseph |
| GIVEN NAMES | Branden W |
| FAMILY NAME | Joseph |
| SIGNATURE | JOSEPH B W |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 35 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 3 |
Roundtable on Warhol v. Goldsmith
Something One Recognizes Yet Can't See
October 01 2019 Something One Recognizes Yet Can't See: Andy Warhol in and as Media Branden W. Joseph Branden W. Joseph Branden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University and one of Grey Room's founding editors. He received a 2018–19 Guggenheim Fellowship as well as a 2019 Paul Mellon Visiting Senior Fellowship at the Center for Advanced Studies in the Visual Arts at the National Gallery of Ar…
Across an Invisible Line
January 01 2011 Across an Invisible Line: A Conversation about Music and Torture Suzanne G. Cusick, Suzanne G. Cusick Suzanne G. Cusick is Professor of Music at New York University and, since 2003, editor of Women and Music: A Journal of Gender and Culture. She is author of Francesca Caccini at the Medici Court: Music and the Circulation of Power (Chicago, 2009), which won the 2010 Society for the Study of Early Modern Women book prize, and recip…
Biomusic
October 01 2011 Biomusic Branden W. Joseph Branden W. Joseph Branden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University and a founding editor of Grey Room. He is author of Beyond the Drea m Syndicate: Tony Conrad and the Arts after Cage (Zone Books, 2008), Anthony McCall: The Solid Light Films and Related Works (Northwestern University Press, 2005), and…
No Such Thing as Silence
Book Review| December 01 2010 No Such Thing as Silence: John Cage’s 4′33′′ No Such Thing as Silence: John Cage’s 4′33′′. By Kyle Gann. Icons of America. New Haven: Yale University Press, 2010. ISBN-13: 978-0-300-13699-9. Hardcover. Pp. xii, 255. $24.00. Branden W. Joseph Branden W. Joseph Columbia University Search for other works by this author on: This Site Google American Music (2010) 28 (4): 504–507. https://doi.org/10.5406/americanmusic.28.4…
Orchard Dossier
April 01 2009 Orchard Dossier Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2009 by Grey Room, Inc. and the Massachusetts Institute of Technology.2009 Grey Room (2009) (35): 90–91. https://doi.org/10.1162/grey.2009.1.35.90 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Emai…
Future Anterior
July 01 2008 Future Anterior: History and Speculation in the Work of Angela Bulloch Branden W. Joseph Branden W. Joseph Branden W. Joseph is Associate Professor of modern and contemporary art at Columbia University. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003), Anthony McCall: The Solid Light Films and Related Works (ed. Christopher Eamon, Northwestern University Press, 2005), and Beyond the Drea…
The Tower and the Line
April 01 2007 The Tower and the Line: Toward a Genealogy of Minimalism Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2007 by Grey Room, Inc. and the Massachusetts Institute of Technology.2007 Grey Room (2007) (27): 58–81. https://doi.org/10.1162/grey.2007.1.27.58 Cite Icon Cite Permissions Share …
Plastic Empathy
October 01 2006 Plastic Empathy: The Ghost of Robert Whitman Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (25): 64–91. https://doi.org/10.1162/grey.2006.1.25.64 Cite Icon Cite Permissions Share Icon Share…
The Gap and the Frame
July 01 2006 The Gap and the Frame Branden W. Joseph Branden W. Joseph Branden W. Joseph is Associate Professor of Art History at Columbia University. Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Branden W. Joseph is Associate Professor of Art History at Columbia University. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003) and a c…
The Play of Repetition
Interview with Paolo Virno
October 01 2005 Interview with Paolo Virno Branden W. Joseph, Branden W. Joseph Search for other works by this author on: This Site Google Scholar Alessia Ricciardi Alessia Ricciardi Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Alessia Ricciardi Online Issn: 1536-0105 Print Issn: 1526-3819 © 2005 Grey Room, Inc. and Massachusetts Institute of Technology2005 Grey Room (2005) (2…
Son of the Creature
Toward the End of Gravity II
January 01 2003 Toward the End of Gravity II Andrei Ujica, Andrei Ujica Search for other works by this author on: This Site Google Scholar Paul Virilio, Paul Virilio Search for other works by this author on: This Site Google Scholar Sara Ogger, Sara Ogger Search for other works by this author on: This Site Google Scholar Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Infor…
Figures of Neorealism in Italian Architecture (Part 2)
January 01 2002 Figures of Neorealism in Italian Architecture (Part 2) Bruno Reichlin, Bruno Reichlin Search for other works by this author on: This Site Google Scholar Tony Shugaar Tony Shugaar Search for other works by this author on: This Site Google Scholar Author and Article Information Bruno Reichlin Tony Shugaar Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002…
My Mind Split Open
July 01 2002 "My Mind Split Open": Andy Warhol's Exploding Plastic Inevitable Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online Issn: 1536-0105 Print Issn: 1526-3819 (c) 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002) (8): 80-107. https://doi.org/10.1162/15263810260201616 Cite Icon Cite Permissions Share…
Every Form of Art Has a Political Dimension”
January 01 2001 “Every Form of Art Has a Political Dimension” Chantal Mouffe Chantal Mouffe Search for other works by this author on: This Site Google Scholar Author and Article Information Chantal Mouffe Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2001 Grey Room, Inc. and Massachusetts Institute of Technology2001 Grey Room (2001) (2): 98–125. https://doi.org/10.1162/152638101750173019 Cite Icon Cite Permissions Share Icon Share Facebook Twitt…
Figures of Neorealism in Italian Architecture (Part 1)
In film or in literature, is not a label selected by a group or movement to describe a more-or-less clearly defined formal and ideological program propagated through manifestos and journals. Instead, the term was coined by critics and used to designate a set-at first glance a fairly disparate set-of intentions and works that appeared bound together by shared traits that could be traced, at least in theory, to movements and works that had previous…
White on White
John Cage and the Architecture of Silence
Robert Morris and John Cage
In 1967, Robert Smithson and Allan Kaprow recorded a dialogue on the question, What is a museum?l In addition to documenting the artists' views, the conversation is notable for the manner in which it gives evidence of the divide that separated them as representatives of two distinct strands of the postwar neoavant-garde.2 While both artists are critical of the role of the museum, Kaprow condemns it completely and outright, declaring that life can…
My Mind Split Open
July 01 2002 "My Mind Split Open": Andy Warhol's Exploding Plastic Inevitable Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online Issn: 1536-0105 Print Issn: 1526-3819 (c) 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002) (8): 80-107. https://doi.org/10.1162/15263810260201616 Cite Icon Cite Permissions Share…
Every Form of Art Has a Political Dimension”
January 01 2001 “Every Form of Art Has a Political Dimension” Chantal Mouffe Chantal Mouffe Search for other works by this author on: This Site Google Scholar Author and Article Information Chantal Mouffe Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2001 Grey Room, Inc. and Massachusetts Institute of Technology2001 Grey Room (2001) (2): 98–125. https://doi.org/10.1162/152638101750173019 Cite Icon Cite Permissions Share Icon Share Facebook Twitt…
John Cage and the Architecture of Silence
White on White
Across an Invisible Line
January 01 2011 Across an Invisible Line: A Conversation about Music and Torture Suzanne G. Cusick, Suzanne G. Cusick Suzanne G. Cusick is Professor of Music at New York University and, since 2003, editor of Women and Music: A Journal of Gender and Culture. She is author of Francesca Caccini at the Medici Court: Music and the Circulation of Power (Chicago, 2009), which won the 2010 Society for the Study of Early Modern Women book prize, and recip…
The Tower and the Line
April 01 2007 The Tower and the Line: Toward a Genealogy of Minimalism Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2007 by Grey Room, Inc. and the Massachusetts Institute of Technology.2007 Grey Room (2007) (27): 58–81. https://doi.org/10.1162/grey.2007.1.27.58 Cite Icon Cite Permissions Share …
Figures of Neorealism in Italian Architecture (Part 2)
January 01 2002 Figures of Neorealism in Italian Architecture (Part 2) Bruno Reichlin, Bruno Reichlin Search for other works by this author on: This Site Google Scholar Tony Shugaar Tony Shugaar Search for other works by this author on: This Site Google Scholar Author and Article Information Bruno Reichlin Tony Shugaar Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002…
Plastic Empathy
October 01 2006 Plastic Empathy: The Ghost of Robert Whitman Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (25): 64–91. https://doi.org/10.1162/grey.2006.1.25.64 Cite Icon Cite Permissions Share Icon Share…
The Play of Repetition
Interview with Paolo Virno
October 01 2005 Interview with Paolo Virno Branden W. Joseph, Branden W. Joseph Search for other works by this author on: This Site Google Scholar Alessia Ricciardi Alessia Ricciardi Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Alessia Ricciardi Online Issn: 1536-0105 Print Issn: 1526-3819 © 2005 Grey Room, Inc. and Massachusetts Institute of Technology2005 Grey Room (2005) (2…
Figures of Neorealism in Italian Architecture (Part 1)
In film or in literature, is not a label selected by a group or movement to describe a more-or-less clearly defined formal and ideological program propagated through manifestos and journals. Instead, the term was coined by critics and used to designate a set-at first glance a fairly disparate set-of intentions and works that appeared bound together by shared traits that could be traced, at least in theory, to movements and works that had previous…
John Cage and the Architecture of Silence
Robert Morris and John Cage
In 1967, Robert Smithson and Allan Kaprow recorded a dialogue on the question, What is a museum?l In addition to documenting the artists' views, the conversation is notable for the manner in which it gives evidence of the divide that separated them as representatives of two distinct strands of the postwar neoavant-garde.2 While both artists are critical of the role of the museum, Kaprow condemns it completely and outright, declaring that life can…
White on White
Every Form of Art Has a Political Dimension”
January 01 2001 “Every Form of Art Has a Political Dimension” Chantal Mouffe Chantal Mouffe Search for other works by this author on: This Site Google Scholar Author and Article Information Chantal Mouffe Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2001 Grey Room, Inc. and Massachusetts Institute of Technology2001 Grey Room (2001) (2): 98–125. https://doi.org/10.1162/152638101750173019 Cite Icon Cite Permissions Share Icon Share Facebook Twitt…
Figures of Neorealism in Italian Architecture (Part 1)
In film or in literature, is not a label selected by a group or movement to describe a more-or-less clearly defined formal and ideological program propagated through manifestos and journals. Instead, the term was coined by critics and used to designate a set-at first glance a fairly disparate set-of intentions and works that appeared bound together by shared traits that could be traced, at least in theory, to movements and works that had previous…
Figures of Neorealism in Italian Architecture (Part 2)
January 01 2002 Figures of Neorealism in Italian Architecture (Part 2) Bruno Reichlin, Bruno Reichlin Search for other works by this author on: This Site Google Scholar Tony Shugaar Tony Shugaar Search for other works by this author on: This Site Google Scholar Author and Article Information Bruno Reichlin Tony Shugaar Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002…
My Mind Split Open
July 01 2002 "My Mind Split Open": Andy Warhol's Exploding Plastic Inevitable Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online Issn: 1536-0105 Print Issn: 1526-3819 (c) 2002 Grey Room, Inc. and Massachusetts Institute of Technology2002 Grey Room (2002) (8): 80-107. https://doi.org/10.1162/15263810260201616 Cite Icon Cite Permissions Share…
Son of the Creature
Toward the End of Gravity II
January 01 2003 Toward the End of Gravity II Andrei Ujica, Andrei Ujica Search for other works by this author on: This Site Google Scholar Paul Virilio, Paul Virilio Search for other works by this author on: This Site Google Scholar Sara Ogger, Sara Ogger Search for other works by this author on: This Site Google Scholar Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Infor…
The Play of Repetition
Interview with Paolo Virno
October 01 2005 Interview with Paolo Virno Branden W. Joseph, Branden W. Joseph Search for other works by this author on: This Site Google Scholar Alessia Ricciardi Alessia Ricciardi Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Alessia Ricciardi Online Issn: 1536-0105 Print Issn: 1526-3819 © 2005 Grey Room, Inc. and Massachusetts Institute of Technology2005 Grey Room (2005) (2…
Plastic Empathy
October 01 2006 Plastic Empathy: The Ghost of Robert Whitman Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (25): 64–91. https://doi.org/10.1162/grey.2006.1.25.64 Cite Icon Cite Permissions Share Icon Share…
The Gap and the Frame
July 01 2006 The Gap and the Frame Branden W. Joseph Branden W. Joseph Branden W. Joseph is Associate Professor of Art History at Columbia University. Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Branden W. Joseph is Associate Professor of Art History at Columbia University. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003) and a c…
The Tower and the Line
April 01 2007 The Tower and the Line: Toward a Genealogy of Minimalism Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2007 by Grey Room, Inc. and the Massachusetts Institute of Technology.2007 Grey Room (2007) (27): 58–81. https://doi.org/10.1162/grey.2007.1.27.58 Cite Icon Cite Permissions Share …
Future Anterior
July 01 2008 Future Anterior: History and Speculation in the Work of Angela Bulloch Branden W. Joseph Branden W. Joseph Branden W. Joseph is Associate Professor of modern and contemporary art at Columbia University. He is the author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003), Anthony McCall: The Solid Light Films and Related Works (ed. Christopher Eamon, Northwestern University Press, 2005), and Beyond the Drea…
Orchard Dossier
April 01 2009 Orchard Dossier Branden W. Joseph Branden W. Joseph Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Online ISSN: 1536-0105 Print ISSN: 1526-3819 © 2009 by Grey Room, Inc. and the Massachusetts Institute of Technology.2009 Grey Room (2009) (35): 90–91. https://doi.org/10.1162/grey.2009.1.35.90 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Emai…
No Such Thing as Silence
Book Review| December 01 2010 No Such Thing as Silence: John Cage’s 4′33′′ No Such Thing as Silence: John Cage’s 4′33′′. By Kyle Gann. Icons of America. New Haven: Yale University Press, 2010. ISBN-13: 978-0-300-13699-9. Hardcover. Pp. xii, 255. $24.00. Branden W. Joseph Branden W. Joseph Columbia University Search for other works by this author on: This Site Google American Music (2010) 28 (4): 504–507. https://doi.org/10.5406/americanmusic.28.4…
Across an Invisible Line
January 01 2011 Across an Invisible Line: A Conversation about Music and Torture Suzanne G. Cusick, Suzanne G. Cusick Suzanne G. Cusick is Professor of Music at New York University and, since 2003, editor of Women and Music: A Journal of Gender and Culture. She is author of Francesca Caccini at the Medici Court: Music and the Circulation of Power (Chicago, 2009), which won the 2010 Society for the Study of Early Modern Women book prize, and recip…
Biomusic
October 01 2011 Biomusic Branden W. Joseph Branden W. Joseph Branden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University and a founding editor of Grey Room. He is author of Beyond the Drea m Syndicate: Tony Conrad and the Arts after Cage (Zone Books, 2008), Anthony McCall: The Solid Light Films and Related Works (Northwestern University Press, 2005), and…
Something One Recognizes Yet Can't See
October 01 2019 Something One Recognizes Yet Can't See: Andy Warhol in and as Media Branden W. Joseph Branden W. Joseph Branden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University and one of Grey Room's founding editors. He received a 2018–19 Guggenheim Fellowship as well as a 2019 Paul Mellon Visiting Senior Fellowship at the Center for Advanced Studies in the Visual Arts at the National Gallery of Ar…
Roundtable on Warhol v. Goldsmith
Art (17 works) · Art history (13 works) · Art, Politics, and Modernism (9 works) · Computer Science (8 works) · Icon (8 works) · Citation (7 works) · History (6 works) · Political science (6 works) · Visual arts (6 works) · History (5 works)