Carlo Celli
Biographic Data
| ID | 279895 |
|---|---|
| NAME | Carlo Celli |
| GIVEN NAMES | Carlo |
| FAMILY NAME | Celli |
| SIGNATURE | CELLI C |
| AFFILIATIONS | Bowling Green State University |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Economic Fascism: Mussolini's Corporate
A New Guide to Italian Cinema
This book is a complete reworking and update of Marga Cottino-Jones' popular A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and direct
A Master Narrative in Italian Cinema
Masters of Two Arts: Re-Creation of European Literatures in Italian Cinema
Aldo Vergano's IL Sole Sorge Ancora/OUTCRY (1946) as Influence on Gillo Pontecorvo
Vittorio De Sica: Contemporary Perspectives
The Divine Comic: The Cinema of Roberto Benigni
New Landscapes in Contemporary Cinema. Annali d'italianistica
Cinema italiano anni novanta
The Representation of Evil in Roberto Benigni's Life Is Beautiful
When the subject of Life Is Beautiful (La vita è bella) public knowledge, there was apprehension because of Roberto Benigni's reputation as a comedian that he might not approach the subject of the Shoah with appropriate sobriety and respect. The film adopted a visual and thematic strategy contrary to the norm in contemporary commercial cinema because of the lack of scenes of horror or violence. Criticism focused on the film's historical veracity …
Interview with Marcello Pezzetti
Roberto Benigni and the Cioni Mario di Gaspare fu Giulia Monologue
The Folklore of Consensus. Theatricality in the Italian Cinema, 1930-1943
Alessandro Blasetti and Representations of Fascism in the 1930's
Alessandro Blasetti and Representations of Fascism in the 1930's
Dialogue on the Government of Florence
Francesco Guicciardini, Dialogue on the Government of Florence, ed. and trans. Alison Brown. (Cambridge Texts in the History of Political Thought) New York: Cambridge University Press, 1994. xxxvi + 218 pp. 18.95 paper. - Volume 49 Issue 4
The Representation of Evil in Roberto Benigni's Life Is Beautiful
When the subject of Life Is Beautiful (La vita è bella) public knowledge, there was apprehension because of Roberto Benigni's reputation as a comedian that he might not approach the subject of the Shoah with appropriate sobriety and respect. The film adopted a visual and thematic strategy contrary to the norm in contemporary commercial cinema because of the lack of scenes of horror or violence. Criticism focused on the film's historical veracity …
Dialogue on the Government of Florence
Francesco Guicciardini, Dialogue on the Government of Florence, ed. and trans. Alison Brown. (Cambridge Texts in the History of Political Thought) New York: Cambridge University Press, 1994. xxxvi + 218 pp. 18.95 paper. - Volume 49 Issue 4
Alessandro Blasetti and Representations of Fascism in the 1930's
Alessandro Blasetti and Representations of Fascism in the 1930's
The Folklore of Consensus. Theatricality in the Italian Cinema, 1930-1943
The Representation of Evil in Roberto Benigni's Life Is Beautiful
When the subject of Life Is Beautiful (La vita è bella) public knowledge, there was apprehension because of Roberto Benigni's reputation as a comedian that he might not approach the subject of the Shoah with appropriate sobriety and respect. The film adopted a visual and thematic strategy contrary to the norm in contemporary commercial cinema because of the lack of scenes of horror or violence. Criticism focused on the film's historical veracity …
Interview with Marcello Pezzetti
Roberto Benigni and the Cioni Mario di Gaspare fu Giulia Monologue
New Landscapes in Contemporary Cinema. Annali d'italianistica
Cinema italiano anni novanta
Vittorio De Sica: Contemporary Perspectives
The Divine Comic: The Cinema of Roberto Benigni
A Master Narrative in Italian Cinema
Masters of Two Arts: Re-Creation of European Literatures in Italian Cinema
Aldo Vergano's IL Sole Sorge Ancora/OUTCRY (1946) as Influence on Gillo Pontecorvo
A New Guide to Italian Cinema
This book is a complete reworking and update of Marga Cottino-Jones' popular A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and direct
Economic Fascism: Mussolini's Corporate
Italian Fascism and Post-war Society (14 works) · Art (11 works) · Italian Literature and Culture (8 works) · Movie theater (8 works) · Art history (5 works) · Philosophy (5 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Visual arts (4 works)