Rok Benčin
Biographic Data
| ID | 281402 |
|---|---|
| NAME | Rok Benčin |
| GIVEN NAMES | Rok |
| FAMILY NAME | Benčin |
| SIGNATURE | BENČIN R |
| AFFILIATIONS | Karst Research Institute |
| ORCID | 0000-0002-6457-3815 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Distant Immediacy
This article on the French May ’68 addresses the gap between the immediacy of the event and the series of consequences that are supposed to have followed from it. In the eyes of the critics of May ’68 from all sides of the political spectrum, the events in France have been considered as having no consequence at all, as having no political but merely cultural consequences, or as producing political consequences that were opposite to the intentions…
Rethinking Representation in Ontology and Aesthetics via Badiou and Rancière
The essay discusses a significant shift in conceptualizing the notion of representation found in Alain Badiou's ontology and Jacques Rancière's aesthetics. From Heidegger to Deleuze, the artwork was able to express an ontological truth about the world on the condition that it does not represent it. Badiou's 'subtractive' approach to ontology and Rancière's redefinition of the modern aesthetic break with representation, however, suggest that there…
Proustian Developments
Proustian Developments:The World and Object of Photography Rok Benčin (bio) A peculiar trait unites Roland Barthes and Susan Sontag’s famous accounts of photography: both emphasize the anti-Proustian character of the medium. Two versions of the same assertion are presented in Camera Lucida and On Photography, namely that the nature of photography prevents it from being able to provide the experience needed to regain what was lost in time. Curious…
Distant Immediacy
This article on the French May ’68 addresses the gap between the immediacy of the event and the series of consequences that are supposed to have followed from it. In the eyes of the critics of May ’68 from all sides of the political spectrum, the events in France have been considered as having no consequence at all, as having no political but merely cultural consequences, or as producing political consequences that were opposite to the intentions…
Proustian Developments
Proustian Developments:The World and Object of Photography Rok Benčin (bio) A peculiar trait unites Roland Barthes and Susan Sontag’s famous accounts of photography: both emphasize the anti-Proustian character of the medium. Two versions of the same assertion are presented in Camera Lucida and On Photography, namely that the nature of photography prevents it from being able to provide the experience needed to regain what was lost in time. Curious…
Rethinking Representation in Ontology and Aesthetics via Badiou and Rancière
The essay discusses a significant shift in conceptualizing the notion of representation found in Alain Badiou's ontology and Jacques Rancière's aesthetics. From Heidegger to Deleuze, the artwork was able to express an ontological truth about the world on the condition that it does not represent it. Badiou's 'subtractive' approach to ontology and Rancière's redefinition of the modern aesthetic break with representation, however, suggest that there…
Distant Immediacy
This article on the French May ’68 addresses the gap between the immediacy of the event and the series of consequences that are supposed to have followed from it. In the eyes of the critics of May ’68 from all sides of the political spectrum, the events in France have been considered as having no consequence at all, as having no political but merely cultural consequences, or as producing political consequences that were opposite to the intentions…
Epistemology (2 works) · Law (2 works) · Law (2 works) · Linguistics (2 works) · Philosophy (2 works) · Philosophy (2 works) · Politics (2 works) · Representation (politics (2 works) · Aesthetics (1 work) · Art (1 work)