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Bill Osgerby

Biographic Data

ID281948
NAMEBill Osgerby
GIVEN NAMESBill
FAMILY NAMEOsgerby
SIGNATUREOSGERBY B
AFFILIATIONSLondon Metropolitan University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS12
WORKS AS AUTHOR8
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Youth Culture and the Media

    Bill Osgerby•BOOK•Youth Culture and the Media•2020

    This expansive, lively introduction charts the connections between international youth cultures and the development of global media and communication. From 1950s drive-ins and jukeboxes to contemporary social media, the book examines modern youth cultures in their social, economic, and political contexts. Exploring the rise of young people as a distinct media market, the book examines the relation of youth to modern consumerism, marketing, and di…

  • Youth Culture and Social Change

    Open Access•Keith Gildart, Anna Gough-Yates et al.•EDITOR•BOOK•Youth Culture and Social Change•2017

    This chapter explores the experience of girls and young women involved in gang life. By drawing upon the testimony of gang-associated young people we ask whether young women are able to exercise enough power to build a credible identity and avoid victimisation in a patriarchal subculture that favours and fosters the agency of young men and positions young women as subordinate. We argue that young women are subjected to restrictions when attemptin…

  • Giving ‘Em Hell

    Bill Osgerby•ARTICLE•Media History•2016•References: 2

    From the 1940s to the mid-1960s, America's ‘true adventure’ pulp magazines offered a cocktail of action, adventure and lurid sleaze. Titles such as Male, Man's Life, Men Today, Stag and True Men brimmed with stories and features dealing with combat, crime, hunting, exploration and sport, alongside an array of pinups and prurient exposés. This article chronicles the history of the ‘true adventure’ genre, and relates its development and characteris…

  • Melissa Bingmann. Prep School Cowboys

    Bill Osgerby•ARTICLE•The American Historical Review•2016

    The western frontier looms large in American national identity. Since the late nineteenth century, writers, filmmakers, and politicians have fostered a myth of the western wilderness as the crucible of a uniquely “American” pioneering spirit characterized by initiative, indomitability, and rugged individualism. In Prep School Cowboys: Ranch Schools in the American West, Melissa Bingmann presents an absorbing history of an institution whose role i…

  • Action TV

    Anna Gough-Yates, Bill Osgerby et al.•EDITOR•BOOK•Action TV•2013

    From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present. Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to …

  • Youth Culture, Popular Music and the End of ‘Consensus’ in Post-War Britain

    Jon Garland, Keith Gildart et al.•ARTICLE•Contemporary British History•2012•Cited by: 5•References: 7

  • Bovver' Books of the 1970s

    Bill Osgerby•ARTICLE•Contemporary British History•2012•Cited by: 4•References: 5

    Britain during the 1970s saw the publication of a spate of cheap, lurid novels based around the sensationalised portrayal of subcultural groups such as skinheads and motorcycle gangs. Publisher New English Library led the field, with books such as 'Skinhead' and 'Suedehead', and this article analyses such books in relation to their social, economic and political context. Focusing on the novels' narratives and representations, it argues that the g…

  • Playboy and the Making of the Good Life in Modern America . By Elizabeth Fraterrigo

    Bill Osgerby•ARTICLE•Cultural and Social History•2011

  • Sleazy Riders

    Bill Osgerby•ARTICLE•Journal of Popular Film and…•2003•Cited by: 2•References: 1

    The author explores the nature, history, and significance of the wave of outlaw biker movies produced in the United States during the late 1960s and early 1970s. He argues that films such as The Wild Angels (1966) gave ambivalent treatment to the outlaw biker mythology. In some respects, the marauding motorcycle gang was presented as chilling evidence of a collapsing social order. In other respects, the biker movies reveled in their antiheroes' f…

  • A Pedigree of the Consuming Male

    Open Access•Bill Osgerby•ARTICLE•The Sociological Review•2003•Cited by: 1•References: 12

  • Youth Culture, Popular Music and the End of ‘Consensus’ in Post-War Britain

    Jon Garland, Keith Gildart et al.•ARTICLE•Contemporary British History•2012•Cited by: 5•References: 7

  • Bovver' Books of the 1970s

    Bill Osgerby•ARTICLE•Contemporary British History•2012•Cited by: 4•References: 5

    Britain during the 1970s saw the publication of a spate of cheap, lurid novels based around the sensationalised portrayal of subcultural groups such as skinheads and motorcycle gangs. Publisher New English Library led the field, with books such as 'Skinhead' and 'Suedehead', and this article analyses such books in relation to their social, economic and political context. Focusing on the novels' narratives and representations, it argues that the g…

  • Sleazy Riders

    Bill Osgerby•ARTICLE•Journal of Popular Film and…•2003•Cited by: 2•References: 1

    The author explores the nature, history, and significance of the wave of outlaw biker movies produced in the United States during the late 1960s and early 1970s. He argues that films such as The Wild Angels (1966) gave ambivalent treatment to the outlaw biker mythology. In some respects, the marauding motorcycle gang was presented as chilling evidence of a collapsing social order. In other respects, the biker movies reveled in their antiheroes' f…

  • A Pedigree of the Consuming Male

    Open Access•Bill Osgerby•ARTICLE•The Sociological Review•2003•Cited by: 1•References: 12

  • Sleazy Riders

    Bill Osgerby•ARTICLE•Journal of Popular Film and…•2003•Cited by: 2•References: 1

    The author explores the nature, history, and significance of the wave of outlaw biker movies produced in the United States during the late 1960s and early 1970s. He argues that films such as The Wild Angels (1966) gave ambivalent treatment to the outlaw biker mythology. In some respects, the marauding motorcycle gang was presented as chilling evidence of a collapsing social order. In other respects, the biker movies reveled in their antiheroes' f…

  • A Pedigree of the Consuming Male

    Open Access•Bill Osgerby•ARTICLE•The Sociological Review•2003•Cited by: 1•References: 12

  • Playboy and the Making of the Good Life in Modern America . By Elizabeth Fraterrigo

    Bill Osgerby•ARTICLE•Cultural and Social History•2011

  • Youth Culture, Popular Music and the End of ‘Consensus’ in Post-War Britain

    Jon Garland, Keith Gildart et al.•ARTICLE•Contemporary British History•2012•Cited by: 5•References: 7

  • Bovver' Books of the 1970s

    Bill Osgerby•ARTICLE•Contemporary British History•2012•Cited by: 4•References: 5

    Britain during the 1970s saw the publication of a spate of cheap, lurid novels based around the sensationalised portrayal of subcultural groups such as skinheads and motorcycle gangs. Publisher New English Library led the field, with books such as 'Skinhead' and 'Suedehead', and this article analyses such books in relation to their social, economic and political context. Focusing on the novels' narratives and representations, it argues that the g…

  • Action TV

    Anna Gough-Yates, Bill Osgerby et al.•EDITOR•BOOK•Action TV•2013

    From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present. Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to …

  • Giving ‘Em Hell

    Bill Osgerby•ARTICLE•Media History•2016•References: 2

    From the 1940s to the mid-1960s, America's ‘true adventure’ pulp magazines offered a cocktail of action, adventure and lurid sleaze. Titles such as Male, Man's Life, Men Today, Stag and True Men brimmed with stories and features dealing with combat, crime, hunting, exploration and sport, alongside an array of pinups and prurient exposés. This article chronicles the history of the ‘true adventure’ genre, and relates its development and characteris…

  • Melissa Bingmann. Prep School Cowboys

    Bill Osgerby•ARTICLE•The American Historical Review•2016

    The western frontier looms large in American national identity. Since the late nineteenth century, writers, filmmakers, and politicians have fostered a myth of the western wilderness as the crucible of a uniquely “American” pioneering spirit characterized by initiative, indomitability, and rugged individualism. In Prep School Cowboys: Ranch Schools in the American West, Melissa Bingmann presents an absorbing history of an institution whose role i…

  • Youth Culture and Social Change

    Open Access•Keith Gildart, Anna Gough-Yates et al.•EDITOR•BOOK•Youth Culture and Social Change•2017

    This chapter explores the experience of girls and young women involved in gang life. By drawing upon the testimony of gang-associated young people we ask whether young women are able to exercise enough power to build a credible identity and avoid victimisation in a patriarchal subculture that favours and fosters the agency of young men and positions young women as subordinate. We argue that young women are subjected to restrictions when attemptin…

  • Youth Culture and the Media

    Bill Osgerby•BOOK•Youth Culture and the Media•2020

    This expansive, lively introduction charts the connections between international youth cultures and the development of global media and communication. From 1950s drive-ins and jukeboxes to contemporary social media, the book examines modern youth cultures in their social, economic, and political contexts. Exploring the rise of young people as a distinct media market, the book examines the relation of youth to modern consumerism, marketing, and di…

Sociology (9 works) · Gender Studies (6 works) · Political science (6 works) · Art (4 works) · Art history (4 works) · Cinema and Media Studies (4 works) · Law (4 works) · Media studies (4 works) · Aesthetics (3 works) · Gender Studies (3 works)

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