Louis Georges Schwartz
Biographic Data
| ID | 2821345 |
|---|---|
| NAME | Louis Georges Schwartz |
| GIVEN NAMES | Louis Georges |
| FAMILY NAME | Schwartz |
| SIGNATURE | SCHWARTZ L G |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Typewriter
The figure of speech variously called "free indirect discourse," "quasi-direct discourse," or "represented speech," dominates Gilles Deleuze's two-volume study Cinema, a work also containing a theory of cinematic "free indirect images." Deleuze develops a concept of free indirect images, which, he argues, articulate the social in "modern cinema," opening political and ethical dimensions of the "time-image." Although Deleuze does not present his c…
Typewriter
The figure of speech variously called "free indirect discourse," "quasi-direct discourse," or "represented speech," dominates Gilles Deleuze's two-volume study Cinema, a work also containing a theory of cinematic "free indirect images." Deleuze develops a concept of free indirect images, which, he argues, articulate the social in "modern cinema," opening political and ethical dimensions of the "time-image." Although Deleuze does not present his c…
Typewriter
The figure of speech variously called "free indirect discourse," "quasi-direct discourse," or "represented speech," dominates Gilles Deleuze's two-volume study Cinema, a work also containing a theory of cinematic "free indirect images." Deleuze develops a concept of free indirect images, which, he argues, articulate the social in "modern cinema," opening political and ethical dimensions of the "time-image." Although Deleuze does not present his c…
Aesthetics (1 work) · Art (1 work) · Cinema and Media Studies (1 work) · Conceptualization (1 work) · Epistemology (1 work) · Film theory (1 work) · Linguistics (1 work) · Literature (1 work) · Movie theater (1 work) · Narrative (1 work)