Chelsea Haines
Biographic Data
| ID | 283604 |
|---|---|
| NAME | Chelsea Haines |
| GIVEN NAMES | Chelsea |
| FAMILY NAME | Haines |
| SIGNATURE | HAINES C |
| AFFILIATIONS | Oldham Council |
| ORCID | 0000-0003-1006-334X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Naftali Bezem on the Green Line
Traumatic Realism and Exhibition Design at the Ghetto Fighters’ House, 1953
In 1953, the Ghetto Fighters’ Kibbutz in Israel opened a new permanent Holocaust exhibition. Housed in the kibbutz’s museum, known as the Ghetto Fighters’ House, the exhibition was intended not just to serve the kibbutz population, most of whom were Holocaust survivors, but also to materialize their testimonies for the Israeli public in the then-absence of a national Holocaust museum in Israel. The exhibition at the Ghetto Fighters’ House found a…
New directions in museum ethics
A new state of the arts
The contemporary art biennial has proliferated internationally to the point of ubiquity in the past few decades. Of primary importance in understanding this phenomenon is the relationship between biennials and the disparate cultural contexts in which they exist. This paper examines the growth of the biennial as a responsive exhibition model that can be successfully adapted to connect and engage art, audiences, and local environments. Focusing spe…
New directions in museum ethics
A new state of the arts
The contemporary art biennial has proliferated internationally to the point of ubiquity in the past few decades. Of primary importance in understanding this phenomenon is the relationship between biennials and the disparate cultural contexts in which they exist. This paper examines the growth of the biennial as a responsive exhibition model that can be successfully adapted to connect and engage art, audiences, and local environments. Focusing spe…
Traumatic Realism and Exhibition Design at the Ghetto Fighters’ House, 1953
In 1953, the Ghetto Fighters’ Kibbutz in Israel opened a new permanent Holocaust exhibition. Housed in the kibbutz’s museum, known as the Ghetto Fighters’ House, the exhibition was intended not just to serve the kibbutz population, most of whom were Holocaust survivors, but also to materialize their testimonies for the Israeli public in the then-absence of a national Holocaust museum in Israel. The exhibition at the Ghetto Fighters’ House found a…
Naftali Bezem on the Green Line
Art (3 works) · Sociology (3 works) · Art history (2 works) · Computer Science (2 works) · Political science (2 works) · Visual arts (2 works) · African history and culture analysis (1 work) · Archaeological Research and Protection (1 work) · Art, Politics, and Modernism (1 work) · Cultural Heritage Management and Preservation (1 work)