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Chelsea Haines

Biographic Data

ID283604
NAMEChelsea Haines
GIVEN NAMESChelsea
FAMILY NAMEHaines
SIGNATUREHAINES C
AFFILIATIONSOldham Council
ORCID0000-0003-1006-334X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Naftali Bezem on the Green Line

    Chelsea Haines, C P Haines•ARTICLE•Critical Inquiry•2025•References: 6

  • Traumatic Realism and Exhibition Design at the Ghetto Fighters’ House, 1953

    Chelsea Haines•ARTICLE•The Journal of Holocaust Research•2023

    In 1953, the Ghetto Fighters’ Kibbutz in Israel opened a new permanent Holocaust exhibition. Housed in the kibbutz’s museum, known as the Ghetto Fighters’ House, the exhibition was intended not just to serve the kibbutz population, most of whom were Holocaust survivors, but also to materialize their testimonies for the Israeli public in the then-absence of a national Holocaust museum in Israel. The exhibition at the Ghetto Fighters’ House found a…

  • New directions in museum ethics

    Janet Marstine, Alexander A Bauer et al.•ARTICLE•Museum Management and Curatorship•2011•Cited by: 1•References: 6

  • A new state of the arts

    Chelsea Haines•ARTICLE•Museum Management and Curatorship•2011•References: 1

    The contemporary art biennial has proliferated internationally to the point of ubiquity in the past few decades. Of primary importance in understanding this phenomenon is the relationship between biennials and the disparate cultural contexts in which they exist. This paper examines the growth of the biennial as a responsive exhibition model that can be successfully adapted to connect and engage art, audiences, and local environments. Focusing spe…

  • New directions in museum ethics

    Janet Marstine, Alexander A Bauer et al.•ARTICLE•Museum Management and Curatorship•2011•Cited by: 1•References: 6

  • New directions in museum ethics

    Janet Marstine, Alexander A Bauer et al.•ARTICLE•Museum Management and Curatorship•2011•Cited by: 1•References: 6

  • A new state of the arts

    Chelsea Haines•ARTICLE•Museum Management and Curatorship•2011•References: 1

    The contemporary art biennial has proliferated internationally to the point of ubiquity in the past few decades. Of primary importance in understanding this phenomenon is the relationship between biennials and the disparate cultural contexts in which they exist. This paper examines the growth of the biennial as a responsive exhibition model that can be successfully adapted to connect and engage art, audiences, and local environments. Focusing spe…

  • Traumatic Realism and Exhibition Design at the Ghetto Fighters’ House, 1953

    Chelsea Haines•ARTICLE•The Journal of Holocaust Research•2023

    In 1953, the Ghetto Fighters’ Kibbutz in Israel opened a new permanent Holocaust exhibition. Housed in the kibbutz’s museum, known as the Ghetto Fighters’ House, the exhibition was intended not just to serve the kibbutz population, most of whom were Holocaust survivors, but also to materialize their testimonies for the Israeli public in the then-absence of a national Holocaust museum in Israel. The exhibition at the Ghetto Fighters’ House found a…

  • Naftali Bezem on the Green Line

    Chelsea Haines, C P Haines•ARTICLE•Critical Inquiry•2025•References: 6

Art (3 works) · Sociology (3 works) · Art history (2 works) · Computer Science (2 works) · Political science (2 works) · Visual arts (2 works) · African history and culture analysis (1 work) · Archaeological Research and Protection (1 work) · Art, Politics, and Modernism (1 work) · Cultural Heritage Management and Preservation (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae