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Miriam Silverberg

Biographic Data

ID284512
NAMEMiriam Silverberg
GIVEN NAMESMiriam
FAMILY NAMESilverberg
SIGNATURESILVERBERG M
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS25
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2019
H-INDEX3
  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    Miriam Silverberg, Miriam Rom Silverberg•BOOK•Changing Song•2019

    Nakano Sigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very history of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the history of the politics and culture of the Japanese left.Her book relates Nakano to the Western Marxist tradition, recognizes t…

  • War Responsibility Revisited: Auschwitz in Japan

    Open Access•Miriam Silverberg, Ann Sherif•ARTICLE•Japan focus•2013

    For more than five decades after the end of the World War II, Japan articulated an official identity as a pacifist, anti-nuclear nation both domestically and in the international arena (its formidable Self Defense Force notwithstanding). Since the end of the Cold War and the first Gulf War in the early 1990s, however, the debate over revising Japan's "Peace Constitution" intensified. In particular, Article 9 of the Constitution, by which Japan re…

  • Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times

    Miriam Silverberg•BOOK•Erotic Grotesque Nonsense•2007

    This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and langua…

  • Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times

    Miriam Silverberg, Miriam Rom Silverberg•BOOK•Erotic grotesque nonsense•2007

    This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. This book uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a …

  • War Responsibility Revisited: Auschwitz in Japan

    Open Access•Miriam Silverberg•ARTICLE•Japan focus•2007

    Japan Focus introduction: For more than five decades after the end of the World War II, Japan articulated an official identity as a pacifist, anti-nuclear nation both domestically and in the international arena (its formidable Self Defense Force notwithstanding). Since the end of the Cold War and the first Gulf War in the early 1990s, however, the debate over revising Japan's "Peace Constitution" intensified. In particular, Article 9 of the Const…

  • Remembering Pearl Harbor, Forgetting Charlie Chaplin, and the Case of the Disappearing Western Woman: A Picture Story

    Open Access•Miriam Silverberg•CHAPTER•Formations of Colonial Modernity…•1997

  • Constructing a New Cultural History of Prewar Japan

    Open Access•Miriam Silverberg•CHAPTER•Japan in the World•1993

    In January 1925, the Osaka Asahi newspaper organized a spectacle. This gathering of close to one hundred children, whose names contained the Chinese ideogram Sho of the imperial, Taisho reign, is preserved in a photograph in the pictorial magazine Asahi Gurafu. The newspaper publisher was commemorating the new newspaper comic strip serial The Adventures of Shochan, and children wore knitted Shochan hats topped with pom-poms to that end. But more …

  • Remembering Pearl Harbor, Forgetting Charlie Chaplin, and the Case of the Disappearing Western Woman: A Picture Story

    Miriam Silverberg•ARTICLE•positions asia critique•1993•Cited by: 5

  • Tenko: Ideology and Societal Integration in Prewar Japan

    Miriam Silverberg, P G Steinhoff•ARTICLE•Monumenta Nipponica•1992•Cited by: 1

  • Constructing the Japanese Ethnography of Modernity

    Open Access•Miriam Silverberg•ARTICLE•The Journal of Asian Studies•1992•Cited by: 7•References: 9

    One afternoon in tokyo in the summer of 1921, ten Waseda University students visited the home of Gonda Yasunosuke, the critic of Japanese popular culture. Each was writing a dissertation on popular entertainment (minsbū goraku). Tell us, they asked Gonda, what were the authoritative texts they could find at Maruzen, the emporium specializing in foreign books? They wanted the real thing-Western language theoretical sources. "Forget it," replied Go…

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    Germaine A Hoston, Miriam Silverberg•ARTICLE•Pacific Affairs•1992

  • Constructing a New Cultural History of Prewar Japan

    Miriam Silverberg•ARTICLE•boundary 2•1991•Cited by: 3

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    Andrew E Barshay, Miriam Silverberg•ARTICLE•Journal of Japanese Studies•1991

    Nakano Shigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the of the politics and culture of the Japanese left. Her book relates Nakano to the Western Marxist tradition, recognizes the existence o…

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    W Miles Fletcher, Wm Miles Fletcher III et al.•ARTICLE•Monumenta Nipponica•1990•Cited by: 1

  • Images of Japanese Society: A Study in the Structure of Social Reality

    Miriam Silverberg, Ross Mouer et al.•ARTICLE•Monumenta Nipponica•1987•Cited by: 8

  • The Culture of the Meiji Period

    Miriam Silverberg, Miriam Rom Silverberg et al.•ARTICLE•Journal of the American Oriental…•1987

  • Images of Japanese Society: A Study in the Structure of Social Reality

    Miriam Silverberg, Ross Mouer et al.•ARTICLE•Monumenta Nipponica•1987•Cited by: 8

  • Constructing the Japanese Ethnography of Modernity

    Open Access•Miriam Silverberg•ARTICLE•The Journal of Asian Studies•1992•Cited by: 7•References: 9

    One afternoon in tokyo in the summer of 1921, ten Waseda University students visited the home of Gonda Yasunosuke, the critic of Japanese popular culture. Each was writing a dissertation on popular entertainment (minsbū goraku). Tell us, they asked Gonda, what were the authoritative texts they could find at Maruzen, the emporium specializing in foreign books? They wanted the real thing-Western language theoretical sources. "Forget it," replied Go…

  • Remembering Pearl Harbor, Forgetting Charlie Chaplin, and the Case of the Disappearing Western Woman: A Picture Story

    Miriam Silverberg•ARTICLE•positions asia critique•1993•Cited by: 5

  • Constructing a New Cultural History of Prewar Japan

    Miriam Silverberg•ARTICLE•boundary 2•1991•Cited by: 3

  • Tenko: Ideology and Societal Integration in Prewar Japan

    Miriam Silverberg, P G Steinhoff•ARTICLE•Monumenta Nipponica•1992•Cited by: 1

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    W Miles Fletcher, Wm Miles Fletcher III et al.•ARTICLE•Monumenta Nipponica•1990•Cited by: 1

  • Images of Japanese Society: A Study in the Structure of Social Reality

    Miriam Silverberg, Ross Mouer et al.•ARTICLE•Monumenta Nipponica•1987•Cited by: 8

  • The Culture of the Meiji Period

    Miriam Silverberg, Miriam Rom Silverberg et al.•ARTICLE•Journal of the American Oriental…•1987

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    W Miles Fletcher, Wm Miles Fletcher III et al.•ARTICLE•Monumenta Nipponica•1990•Cited by: 1

  • Constructing a New Cultural History of Prewar Japan

    Miriam Silverberg•ARTICLE•boundary 2•1991•Cited by: 3

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    Andrew E Barshay, Miriam Silverberg•ARTICLE•Journal of Japanese Studies•1991

    Nakano Shigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the of the politics and culture of the Japanese left. Her book relates Nakano to the Western Marxist tradition, recognizes the existence o…

  • Tenko: Ideology and Societal Integration in Prewar Japan

    Miriam Silverberg, P G Steinhoff•ARTICLE•Monumenta Nipponica•1992•Cited by: 1

  • Constructing the Japanese Ethnography of Modernity

    Open Access•Miriam Silverberg•ARTICLE•The Journal of Asian Studies•1992•Cited by: 7•References: 9

    One afternoon in tokyo in the summer of 1921, ten Waseda University students visited the home of Gonda Yasunosuke, the critic of Japanese popular culture. Each was writing a dissertation on popular entertainment (minsbū goraku). Tell us, they asked Gonda, what were the authoritative texts they could find at Maruzen, the emporium specializing in foreign books? They wanted the real thing-Western language theoretical sources. "Forget it," replied Go…

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    Germaine A Hoston, Miriam Silverberg•ARTICLE•Pacific Affairs•1992

  • Constructing a New Cultural History of Prewar Japan

    Open Access•Miriam Silverberg•CHAPTER•Japan in the World•1993

    In January 1925, the Osaka Asahi newspaper organized a spectacle. This gathering of close to one hundred children, whose names contained the Chinese ideogram Sho of the imperial, Taisho reign, is preserved in a photograph in the pictorial magazine Asahi Gurafu. The newspaper publisher was commemorating the new newspaper comic strip serial The Adventures of Shochan, and children wore knitted Shochan hats topped with pom-poms to that end. But more …

  • Remembering Pearl Harbor, Forgetting Charlie Chaplin, and the Case of the Disappearing Western Woman: A Picture Story

    Miriam Silverberg•ARTICLE•positions asia critique•1993•Cited by: 5

  • Remembering Pearl Harbor, Forgetting Charlie Chaplin, and the Case of the Disappearing Western Woman: A Picture Story

    Open Access•Miriam Silverberg•CHAPTER•Formations of Colonial Modernity…•1997

  • Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times

    Miriam Silverberg•BOOK•Erotic Grotesque Nonsense•2007

    This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and langua…

  • Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times

    Miriam Silverberg, Miriam Rom Silverberg•BOOK•Erotic grotesque nonsense•2007

    This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. This book uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a …

  • War Responsibility Revisited: Auschwitz in Japan

    Open Access•Miriam Silverberg•ARTICLE•Japan focus•2007

    Japan Focus introduction: For more than five decades after the end of the World War II, Japan articulated an official identity as a pacifist, anti-nuclear nation both domestically and in the international arena (its formidable Self Defense Force notwithstanding). Since the end of the Cold War and the first Gulf War in the early 1990s, however, the debate over revising Japan's "Peace Constitution" intensified. In particular, Article 9 of the Const…

  • War Responsibility Revisited: Auschwitz in Japan

    Open Access•Miriam Silverberg, Ann Sherif•ARTICLE•Japan focus•2013

    For more than five decades after the end of the World War II, Japan articulated an official identity as a pacifist, anti-nuclear nation both domestically and in the international arena (its formidable Self Defense Force notwithstanding). Since the end of the Cold War and the first Gulf War in the early 1990s, however, the debate over revising Japan's "Peace Constitution" intensified. In particular, Article 9 of the Constitution, by which Japan re…

  • Changing Song: The Marxist Manifestos of Nakano Shigeharu

    Miriam Silverberg, Miriam Rom Silverberg•BOOK•Changing Song•2019

    Nakano Sigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very history of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the history of the politics and culture of the Japanese left.Her book relates Nakano to the Western Marxist tradition, recognizes t…

History (11 works) · Japanese History and Culture (10 works) · Political science (9 works) · Art (7 works) · Law (7 works) · Politics (6 works) · Sociology (6 works) · Philosophy (4 works) · Art history (3 works) · Gender Studies (3 works)

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