Sille Kapper
Biographic Data
| ID | 284688 |
|---|---|
| NAME | Sille Kapper |
| GIVEN NAMES | Sille |
| FAMILY NAME | Kapper |
| SIGNATURE | KAPPER S |
| AFFILIATIONS | Tallinn University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Missugust omakultuuri hoiame tantsupidudel
Estonian Song and Dance Celebrations take place every five years, involve thousands of participants and great audiences in venues or via the media. In Estonia the tradition of dance celebrations as well as (stage) folk dance in hobby groups dates back to the beginning of the twentieth century. In the learning processes and programmes of dance celebrations traditional folk dance is used in the format of some single elements or features only. In a …
Post-colonial folk dancing: Reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia
The focus of this article is on traditional folk dance in Soviet and post-Soviet Estonia. Dance variation is analyzed through the prism of postcolonial theories to reveal the sequential effects of the colonial situation developed during the Soviet period. Specific causes and characteristic traits of the Soviet influence are explored. Colonialist echoes of the Soviet regime within contemporary Estonian culture are reflected in two trends in the va…
Loomulikkuse küsimus
Teesid
Estonian Folk Dance: Terms and Concepts in Theory and Practice
The article provides an overview of the changes that have occurred in the concept of 'folk dance' in Estonia from the end of the 19th century until today. The diachronic analysis of both theoretical and practical discourses is based on Estonian-language paper and web publications where the word rahvatants (folk dance) has been used as a term or where the concept is defined; an inquiry among the members of a folk dance group, and my personal ethno…
Imagining Communities: Tradition and Improvisation in Traditional Dancing Today
Pärimus ja jäljendus. Postkolonialistlik katse mõista rahvatantsu olukorda Eesti NSV-s ja pärast seda. Tradition and Mimicry
Estonian dance history and traditions can in some respects be viewed as colonised culture. Folk dance research can help clarify which period or periods in our history could be discussed within the framework of colonialism. In this article, I analyse a style of staged folk dance, posing the question if a colonial situation came into being in Soviet-occupied Estonia in 1940 – 1991, and whether or not any colonial traits can be observed in Soviet Es…
Kuidas uurida eesti rahvatantsu tänapäeval? Teooriatest, meetoditest ja nende rakendamisest Eestis
Teesid: Eesti rahvatantsu
Post-colonial folk dancing: Reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia
The focus of this article is on traditional folk dance in Soviet and post-Soviet Estonia. Dance variation is analyzed through the prism of postcolonial theories to reveal the sequential effects of the colonial situation developed during the Soviet period. Specific causes and characteristic traits of the Soviet influence are explored. Colonialist echoes of the Soviet regime within contemporary Estonian culture are reflected in two trends in the va…
Missugust omakultuuri hoiame tantsupidudel
Estonian Song and Dance Celebrations take place every five years, involve thousands of participants and great audiences in venues or via the media. In Estonia the tradition of dance celebrations as well as (stage) folk dance in hobby groups dates back to the beginning of the twentieth century. In the learning processes and programmes of dance celebrations traditional folk dance is used in the format of some single elements or features only. In a …
Imagining Communities: Tradition and Improvisation in Traditional Dancing Today
Kuidas uurida eesti rahvatantsu tänapäeval? Teooriatest, meetoditest ja nende rakendamisest Eestis
Teesid: Eesti rahvatantsu
Imagining Communities: Tradition and Improvisation in Traditional Dancing Today
Pärimus ja jäljendus. Postkolonialistlik katse mõista rahvatantsu olukorda Eesti NSV-s ja pärast seda. Tradition and Mimicry
Estonian dance history and traditions can in some respects be viewed as colonised culture. Folk dance research can help clarify which period or periods in our history could be discussed within the framework of colonialism. In this article, I analyse a style of staged folk dance, posing the question if a colonial situation came into being in Soviet-occupied Estonia in 1940 – 1991, and whether or not any colonial traits can be observed in Soviet Es…
Estonian Folk Dance: Terms and Concepts in Theory and Practice
The article provides an overview of the changes that have occurred in the concept of 'folk dance' in Estonia from the end of the 19th century until today. The diachronic analysis of both theoretical and practical discourses is based on Estonian-language paper and web publications where the word rahvatants (folk dance) has been used as a term or where the concept is defined; an inquiry among the members of a folk dance group, and my personal ethno…
Loomulikkuse küsimus
Teesid
Missugust omakultuuri hoiame tantsupidudel
Estonian Song and Dance Celebrations take place every five years, involve thousands of participants and great audiences in venues or via the media. In Estonia the tradition of dance celebrations as well as (stage) folk dance in hobby groups dates back to the beginning of the twentieth century. In the learning processes and programmes of dance celebrations traditional folk dance is used in the format of some single elements or features only. In a …
Post-colonial folk dancing: Reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia
The focus of this article is on traditional folk dance in Soviet and post-Soviet Estonia. Dance variation is analyzed through the prism of postcolonial theories to reveal the sequential effects of the colonial situation developed during the Soviet period. Specific causes and characteristic traits of the Soviet influence are explored. Colonialist echoes of the Soviet regime within contemporary Estonian culture are reflected in two trends in the va…
Art (4 works) · Diversity and Impact of Dance (4 works) · History (4 works) · History (4 works) · Literature (4 works) · Dance (3 works) · Folk dance (3 works) · Philosophy (3 works) · Philosophy (3 works) · Colonialism (2 works)