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Noémie Ndiaye

Biographic Data

ID286393
NAMENoémie Ndiaye
GIVEN NAMESNoémie
FAMILY NAMENdiaye
SIGNATURENDIAYE N
AFFILIATIONSUniversity of Chicago
ORCID0000-0003-2570-7363
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Queer Velocities

    Noémie Ndiaye•ARTICLE•Critical Inquiry•2023

  • Scripts of Blackness

    Open Access•Noémie Ndiaye, Geraldine Heng et al.•BOOK•Scripts of Blackness•2022

  • Black Roma

    Open Access•Noémie Ndiaye•ARTICLE•Renaissance Quarterly•2022•Cited by: 2•References: 4

    This essay brings to light a hitherto unnoticed network of Afro-Romani connections in later seventeenth-century French and English drama, and it construes that network as conceptual and ethical genealogy for the bonds that exist today between Black studies and the fledgling field of critical Romani studies. By close reading Molière's “Les fourberies de Scapin” (1671) and its 1677 adaptation by Edward Ravenscroft, among other objects, through the …

  • Shakespeare, Race, and Globalization

    Open Access•Noémie Ndiaye•CHAPTER•Cambridge Companion to…•2021

    This essay unpacks the strategic role of race in Titus Andronicus and brings to light the play’s earnest representation of racism’s entanglement in the demands of the global capitalist project born in Shakespeare’s time. Titus Andronicus dreams of London as a cosmopolitan capital with imperial aspirations in a proto-colonial world-economy. In the possible futures that the play dreams up for England, prescribing the most profitable forms of interc…

  • Rewriting the Grand Siècle

    Open Access•Noémie Ndiaye•ARTICLE•Literature Compass•2021•Cited by: 1•References: 3

    This essay critiques the French cultural aversion to racial thinking which has resulted in the absence of race as a theme and analytic in French historiographic practices, especially in relation to the ancien régime . This essay argues that focusing on 17th century theater and performance culture, especially on baroque ballets and their oblique representations of Blackness and slavery through blackface, reveals a long national history of racism a…

  • Black Roma

    Open Access•Noémie Ndiaye•ARTICLE•Renaissance Quarterly•2022•Cited by: 2•References: 4

    This essay brings to light a hitherto unnoticed network of Afro-Romani connections in later seventeenth-century French and English drama, and it construes that network as conceptual and ethical genealogy for the bonds that exist today between Black studies and the fledgling field of critical Romani studies. By close reading Molière's “Les fourberies de Scapin” (1671) and its 1677 adaptation by Edward Ravenscroft, among other objects, through the …

  • Rewriting the Grand Siècle

    Open Access•Noémie Ndiaye•ARTICLE•Literature Compass•2021•Cited by: 1•References: 3

    This essay critiques the French cultural aversion to racial thinking which has resulted in the absence of race as a theme and analytic in French historiographic practices, especially in relation to the ancien régime . This essay argues that focusing on 17th century theater and performance culture, especially on baroque ballets and their oblique representations of Blackness and slavery through blackface, reveals a long national history of racism a…

  • Shakespeare, Race, and Globalization

    Open Access•Noémie Ndiaye•CHAPTER•Cambridge Companion to…•2021

    This essay unpacks the strategic role of race in Titus Andronicus and brings to light the play’s earnest representation of racism’s entanglement in the demands of the global capitalist project born in Shakespeare’s time. Titus Andronicus dreams of London as a cosmopolitan capital with imperial aspirations in a proto-colonial world-economy. In the possible futures that the play dreams up for England, prescribing the most profitable forms of interc…

  • Rewriting the Grand Siècle

    Open Access•Noémie Ndiaye•ARTICLE•Literature Compass•2021•Cited by: 1•References: 3

    This essay critiques the French cultural aversion to racial thinking which has resulted in the absence of race as a theme and analytic in French historiographic practices, especially in relation to the ancien régime . This essay argues that focusing on 17th century theater and performance culture, especially on baroque ballets and their oblique representations of Blackness and slavery through blackface, reveals a long national history of racism a…

  • Scripts of Blackness

    Open Access•Noémie Ndiaye, Geraldine Heng et al.•BOOK•Scripts of Blackness•2022

  • Black Roma

    Open Access•Noémie Ndiaye•ARTICLE•Renaissance Quarterly•2022•Cited by: 2•References: 4

    This essay brings to light a hitherto unnoticed network of Afro-Romani connections in later seventeenth-century French and English drama, and it construes that network as conceptual and ethical genealogy for the bonds that exist today between Black studies and the fledgling field of critical Romani studies. By close reading Molière's “Les fourberies de Scapin” (1671) and its 1677 adaptation by Edward Ravenscroft, among other objects, through the …

  • Queer Velocities

    Noémie Ndiaye•ARTICLE•Critical Inquiry•2023

Art (4 works) · Gender Studies (4 works) · History (4 works) · Sociology (4 works) · Gender Studies (3 works) · History (3 works) · Aesthetics (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works)

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