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Katie Trumpener

Biographic Data

ID286396
NAMEKatie Trumpener
GIVEN NAMESKatie
FAMILY NAMETrumpener
SIGNATURETRUMPENER K
AFFILIATIONSYale University
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS143
AUTHOR COUNT13
EDITOR COUNT2
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2024
H-INDEX3
  • The Blossom Which We Are: The Novel and the Transience of Cultural Worlds

    Katie Trumpener•ARTICLE•Poetics Today•2024

    This book's wistful title and evocative cover herald a wise, eloquent book about cultural transience. Its three far-flung novelistic case studies—Edith Wharton's Age of Innocence (USA, 1920), Joseph Roth's Radetsky March (Germany/Austria, 1932), and Yaakov Shabtai's Past Continuous (Israel, 1977)—offer a provocative argument about the possibilities of novelistic form.There can't be a realist novel in the nineteenth-century sense, Nir Evron argues…

  • On Belonging and Not Belonging: Translation, Migration, Replacement

    Katie Trumpener•ARTICLE•Critical Inquiry•2023

  • Actors, puppets, Girls: Little Women and the collective Bildungsroman

    Katie Trumpener•ARTICLE•Textual Practice•2020•Cited by: 1

    This essay spans a long and somewhat unconventional arc – from Goethe’s 1795–6 Wilhelm Meister's Apprenticeship Years to Lena Dunham’s recent television series Girls. On the one hand, it focuses on the question of collectivity and coercion in Goethe’s Ur-Bildungsroman, set initially among itinerant actors, joined and then partly led by a bourgeois scion escaping from his upbringing. Yet the novel differs in important ways from the picaresque. The…

  • Critical ResponseI. Paratext and Genre System: A Response to Franco Moretti

    Katie Trumpener•ARTICLE•Critical Inquiry•2009•Cited by: 9

  • The Cambridge Companion to Fiction in the Romantic Period

    Open Access•Richard Maxwell, Katie Trumpener•BOOK•The Cambridge Companion to…•2008

    While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re…

  • The Cambridge Companion to Fiction in the Romantic Period (Cambridge Companions to Literature)

    Richard Maxwell, Katie Trumpener•BOOK•The Cambridge Companion to…•2008

  • Old Movies: Cinema as Palimpsest in GDR Fiction

    Katie Trumpener•ARTICLE•New German Critique•2001

    Through the Veil: Cinema Time-Machine In Klaus Schlesinger's 1975 novel Old Movies [Alte Filme], Kotte spends his evenings with his wife, watching old German movies on television. Sometimes, an elderly neighbor joins them. During one silent film, she reveals that she is (or was) the young actress on screen, dancing to unheard music, lifting a transparent veil, revealing a sparsely clad body and a pure, beautiful face.2 Haunted by this transient b…

  • Bardic Nationalism: The Romantic Novel and the British Empire

    Open Access•Katie Trumpener•BOOK•Bardic Nationalism•1997•Cited by: 101

    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a per…

  • The Abbotsford Guide to India: Romantic Fictions of Empire and the Narratives of Canadian Literature

    Open Access•Katie Trumpener•CHAPTER•Cultural Institutions of the Novel•1996

  • Dossier: Socialist Realism and East German Modernism—Another Historians' Debate

    Open Access•Julia Hell, Loren Kruger et al.•ARTICLE•Rethinking Marxism•1994

    (1994). Dossier: Socialist Realism and East German Modernism—Another Historians' Debate. Rethinking Marxism: Vol. 7, No. 3, pp. 36-44

  • On the Way to Socialist Realism: Teleology, Subject Formation, and Anna Seghers's “On the Way to the American Embassy”

    Open Access•Katie Trumpener•ARTICLE•Rethinking Marxism•1994

  • Johanna d'Arc of Mongolia in the Mirror of Dorian Gray: Ethnographic Recordings and the Aesthetics of the Market in the Recent Films of Ulrike Ottinger

    Katie Trumpener•ARTICLE•New German Critique•1993

    Mr Derrydown had received a laborious education, and had consumed a great quantity of midnight oil, over ponderous tomes of ancient and modem learning. ... His lucubrations in the latter branch of science having conducted him, as he conceived, into the central opacity of utter darkness, he formed a hasty conclusion that all human learning is vanity; and one day in a listless mood, taking down a volume of the Reliques of Ancient Poetry, he found, …

  • The Time of the Gypsies: A 'People without History' in the Narratives of the West

    Katie Trumpener•ARTICLE•Critical Inquiry•1992•Cited by: 31

  • On the Road: Labor, Ethnicity and the New "New German Cinema" in the Age of the Multinational

    Katie Trumpener•ARTICLE•Public Culture•1989•Cited by: 1

    Research Article| January 01 1989 On the Road: Labor, Ethnicity and the New “New German Cinema” in the Age of the Multinational Katie Trumpener Katie Trumpener Search for other works by this author on: This Site Google Public Culture (1989) 2 (1): 20–30. https://doi.org/10.1215/08992363-2-1-20 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon T…

  • "Goethe in Chains. West Berlin "at 150: The Politics of Commemoration

    Katie Trumpener•ARTICLE•Telos•1987

    Several years ago, a West Berlin city official made a rather surprising discovery. Although Shakespeare's plays have occupied a prominent place in German culture since the 18th century and are still the most frequently performed in West German theater there was no street in the whole city bearing his name. Here was a state of affairs clearly in need of remedy: a city with dozens of streets named after generals and military victories might well wi…

  • Bardic Nationalism: The Romantic Novel and the British Empire

    Open Access•Katie Trumpener•BOOK•Bardic Nationalism•1997•Cited by: 101

    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a per…

  • The Time of the Gypsies: A 'People without History' in the Narratives of the West

    Katie Trumpener•ARTICLE•Critical Inquiry•1992•Cited by: 31

  • Critical ResponseI. Paratext and Genre System: A Response to Franco Moretti

    Katie Trumpener•ARTICLE•Critical Inquiry•2009•Cited by: 9

  • Actors, puppets, Girls: Little Women and the collective Bildungsroman

    Katie Trumpener•ARTICLE•Textual Practice•2020•Cited by: 1

    This essay spans a long and somewhat unconventional arc – from Goethe’s 1795–6 Wilhelm Meister's Apprenticeship Years to Lena Dunham’s recent television series Girls. On the one hand, it focuses on the question of collectivity and coercion in Goethe’s Ur-Bildungsroman, set initially among itinerant actors, joined and then partly led by a bourgeois scion escaping from his upbringing. Yet the novel differs in important ways from the picaresque. The…

  • On the Road: Labor, Ethnicity and the New "New German Cinema" in the Age of the Multinational

    Katie Trumpener•ARTICLE•Public Culture•1989•Cited by: 1

    Research Article| January 01 1989 On the Road: Labor, Ethnicity and the New “New German Cinema” in the Age of the Multinational Katie Trumpener Katie Trumpener Search for other works by this author on: This Site Google Public Culture (1989) 2 (1): 20–30. https://doi.org/10.1215/08992363-2-1-20 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon T…

  • "Goethe in Chains. West Berlin "at 150: The Politics of Commemoration

    Katie Trumpener•ARTICLE•Telos•1987

    Several years ago, a West Berlin city official made a rather surprising discovery. Although Shakespeare's plays have occupied a prominent place in German culture since the 18th century and are still the most frequently performed in West German theater there was no street in the whole city bearing his name. Here was a state of affairs clearly in need of remedy: a city with dozens of streets named after generals and military victories might well wi…

  • On the Road: Labor, Ethnicity and the New "New German Cinema" in the Age of the Multinational

    Katie Trumpener•ARTICLE•Public Culture•1989•Cited by: 1

    Research Article| January 01 1989 On the Road: Labor, Ethnicity and the New “New German Cinema” in the Age of the Multinational Katie Trumpener Katie Trumpener Search for other works by this author on: This Site Google Public Culture (1989) 2 (1): 20–30. https://doi.org/10.1215/08992363-2-1-20 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon T…

  • The Time of the Gypsies: A 'People without History' in the Narratives of the West

    Katie Trumpener•ARTICLE•Critical Inquiry•1992•Cited by: 31

  • Johanna d'Arc of Mongolia in the Mirror of Dorian Gray: Ethnographic Recordings and the Aesthetics of the Market in the Recent Films of Ulrike Ottinger

    Katie Trumpener•ARTICLE•New German Critique•1993

    Mr Derrydown had received a laborious education, and had consumed a great quantity of midnight oil, over ponderous tomes of ancient and modem learning. ... His lucubrations in the latter branch of science having conducted him, as he conceived, into the central opacity of utter darkness, he formed a hasty conclusion that all human learning is vanity; and one day in a listless mood, taking down a volume of the Reliques of Ancient Poetry, he found, …

  • Dossier: Socialist Realism and East German Modernism—Another Historians' Debate

    Open Access•Julia Hell, Loren Kruger et al.•ARTICLE•Rethinking Marxism•1994

    (1994). Dossier: Socialist Realism and East German Modernism—Another Historians' Debate. Rethinking Marxism: Vol. 7, No. 3, pp. 36-44

  • On the Way to Socialist Realism: Teleology, Subject Formation, and Anna Seghers's “On the Way to the American Embassy”

    Open Access•Katie Trumpener•ARTICLE•Rethinking Marxism•1994

  • The Abbotsford Guide to India: Romantic Fictions of Empire and the Narratives of Canadian Literature

    Open Access•Katie Trumpener•CHAPTER•Cultural Institutions of the Novel•1996

  • Bardic Nationalism: The Romantic Novel and the British Empire

    Open Access•Katie Trumpener•BOOK•Bardic Nationalism•1997•Cited by: 101

    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a per…

  • Old Movies: Cinema as Palimpsest in GDR Fiction

    Katie Trumpener•ARTICLE•New German Critique•2001

    Through the Veil: Cinema Time-Machine In Klaus Schlesinger's 1975 novel Old Movies [Alte Filme], Kotte spends his evenings with his wife, watching old German movies on television. Sometimes, an elderly neighbor joins them. During one silent film, she reveals that she is (or was) the young actress on screen, dancing to unheard music, lifting a transparent veil, revealing a sparsely clad body and a pure, beautiful face.2 Haunted by this transient b…

  • The Cambridge Companion to Fiction in the Romantic Period

    Open Access•Richard Maxwell, Katie Trumpener•BOOK•The Cambridge Companion to…•2008

    While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re…

  • The Cambridge Companion to Fiction in the Romantic Period (Cambridge Companions to Literature)

    Richard Maxwell, Katie Trumpener•BOOK•The Cambridge Companion to…•2008

  • Critical ResponseI. Paratext and Genre System: A Response to Franco Moretti

    Katie Trumpener•ARTICLE•Critical Inquiry•2009•Cited by: 9

  • Actors, puppets, Girls: Little Women and the collective Bildungsroman

    Katie Trumpener•ARTICLE•Textual Practice•2020•Cited by: 1

    This essay spans a long and somewhat unconventional arc – from Goethe’s 1795–6 Wilhelm Meister's Apprenticeship Years to Lena Dunham’s recent television series Girls. On the one hand, it focuses on the question of collectivity and coercion in Goethe’s Ur-Bildungsroman, set initially among itinerant actors, joined and then partly led by a bourgeois scion escaping from his upbringing. Yet the novel differs in important ways from the picaresque. The…

  • On Belonging and Not Belonging: Translation, Migration, Replacement

    Katie Trumpener•ARTICLE•Critical Inquiry•2023

  • The Blossom Which We Are: The Novel and the Transience of Cultural Worlds

    Katie Trumpener•ARTICLE•Poetics Today•2024

    This book's wistful title and evocative cover herald a wise, eloquent book about cultural transience. Its three far-flung novelistic case studies—Edith Wharton's Age of Innocence (USA, 1920), Joseph Roth's Radetsky March (Germany/Austria, 1932), and Yaakov Shabtai's Past Continuous (Israel, 1977)—offer a provocative argument about the possibilities of novelistic form.There can't be a realist novel in the nineteenth-century sense, Nir Evron argues…

History (10 works) · Art (9 works) · Art history (6 works) · History (6 works) · Law (6 works) · Literature (6 works) · Political science (6 works) · Archaeology (5 works) · Computer Science (5 works) · Sociology (5 works)

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