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E B Ceadel

Biographic Data

ID289659
NAMEE B Ceadel
GIVEN NAMESE B
FAMILY NAMECeadel
SIGNATURECEADEL E B
AFFILIATIONSChrist University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS14
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1940
LATEST PUBLICATION YEAR1966
H-INDEX2
  • Twelve Doors to Japan

    E B Ceadel, John W Hall et al.•ARTICLE•Man•1966

  • Indian and Far Eastern Studies at the University of Cambridge

    Open Access•E B Ceadel•ARTICLE•The Journal of Asian Studies•1958

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Tadamine's Preface to the ōi River Poems

    Open Access•E B Ceadel•ARTICLE•Bulletin of the School of…•1956

    In an article ‘The Ōi river poems and preface’, Asia Major , N.S., III, 1, 1952, 65–106, 1 examined the Japanese preface written by Ki no Tsurayuki, and quoted (p. 74) a passage by Fujiwara no Kiyosuke which stated that the Ōi river poems had a Japanese preface written by Mibu no Tadamine

  • Resolved Feet in the Trimeters of Euripides and the Chronology of the Plays

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1941•Cited by: 6•References: 6

    The regular increase in the proportion of resolved feet in the iambic trimeters of Euripides' later plays was first commented upon in 1807 by J. Gottfried Hermann, who therefrom deduced the principle that the date of any play of Euripides could be directly determined from the frequency of its resolutions. This criterion he restated in several of his works in the following years, and when Elmsley objected that it was of uncertain value on account …

  • The Division of Parts Among the Actors in Sophocles' Oedipus Coloneus

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1941•Cited by: 7

    The distribution of the parts among the actors in the O.C. is a problem that has long defied solution. In all the other extant plays of Aeschylus, Sophocles, and Euripides the dramatis personae can without difficulty be divided between three actors: but the construction of the O.C. is so complex that it does not admit any such simple allocation. When the part of Oedipus (1–1555) has been assigned to the first actor, and that of Antigone (1–847, 1…

  • The ‘Askew Collations’ of Aeschylus

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1940•Cited by: 1

    N early every edition of Aeschylus published between 1782 (Schütz, first ed.) and 1852 (Hermann, posthumous ed.) contained readings from what were called ‘Askew's collations’ or the ‘Askew MSS.’—usually referred to as Ask. A, Ask. B, Ask. C, Ask. D, Ask. a, Colb. 1, and Colb. 2. These MSS., which were very briefly described, were stated in these editions to be Paris MSS. (with the exception of Ask. a, said to be in Askew's own library) which had …

  • The Division of Parts Among the Actors in Sophocles' Oedipus Coloneus

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1941•Cited by: 7

    The distribution of the parts among the actors in the O.C. is a problem that has long defied solution. In all the other extant plays of Aeschylus, Sophocles, and Euripides the dramatis personae can without difficulty be divided between three actors: but the construction of the O.C. is so complex that it does not admit any such simple allocation. When the part of Oedipus (1–1555) has been assigned to the first actor, and that of Antigone (1–847, 1…

  • Resolved Feet in the Trimeters of Euripides and the Chronology of the Plays

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1941•Cited by: 6•References: 6

    The regular increase in the proportion of resolved feet in the iambic trimeters of Euripides' later plays was first commented upon in 1807 by J. Gottfried Hermann, who therefrom deduced the principle that the date of any play of Euripides could be directly determined from the frequency of its resolutions. This criterion he restated in several of his works in the following years, and when Elmsley objected that it was of uncertain value on account …

  • The ‘Askew Collations’ of Aeschylus

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1940•Cited by: 1

    N early every edition of Aeschylus published between 1782 (Schütz, first ed.) and 1852 (Hermann, posthumous ed.) contained readings from what were called ‘Askew's collations’ or the ‘Askew MSS.’—usually referred to as Ask. A, Ask. B, Ask. C, Ask. D, Ask. a, Colb. 1, and Colb. 2. These MSS., which were very briefly described, were stated in these editions to be Paris MSS. (with the exception of Ask. a, said to be in Askew's own library) which had …

  • The ‘Askew Collations’ of Aeschylus

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1940•Cited by: 1

    N early every edition of Aeschylus published between 1782 (Schütz, first ed.) and 1852 (Hermann, posthumous ed.) contained readings from what were called ‘Askew's collations’ or the ‘Askew MSS.’—usually referred to as Ask. A, Ask. B, Ask. C, Ask. D, Ask. a, Colb. 1, and Colb. 2. These MSS., which were very briefly described, were stated in these editions to be Paris MSS. (with the exception of Ask. a, said to be in Askew's own library) which had …

  • Resolved Feet in the Trimeters of Euripides and the Chronology of the Plays

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1941•Cited by: 6•References: 6

    The regular increase in the proportion of resolved feet in the iambic trimeters of Euripides' later plays was first commented upon in 1807 by J. Gottfried Hermann, who therefrom deduced the principle that the date of any play of Euripides could be directly determined from the frequency of its resolutions. This criterion he restated in several of his works in the following years, and when Elmsley objected that it was of uncertain value on account …

  • The Division of Parts Among the Actors in Sophocles' Oedipus Coloneus

    Open Access•E B Ceadel•ARTICLE•The Classical Quarterly•1941•Cited by: 7

    The distribution of the parts among the actors in the O.C. is a problem that has long defied solution. In all the other extant plays of Aeschylus, Sophocles, and Euripides the dramatis personae can without difficulty be divided between three actors: but the construction of the O.C. is so complex that it does not admit any such simple allocation. When the part of Oedipus (1–1555) has been assigned to the first actor, and that of Antigone (1–847, 1…

  • Tadamine's Preface to the ōi River Poems

    Open Access•E B Ceadel•ARTICLE•Bulletin of the School of…•1956

    In an article ‘The Ōi river poems and preface’, Asia Major , N.S., III, 1, 1952, 65–106, 1 examined the Japanese preface written by Ki no Tsurayuki, and quoted (p. 74) a passage by Fujiwara no Kiyosuke which stated that the Ōi river poems had a Japanese preface written by Mibu no Tadamine

  • Indian and Far Eastern Studies at the University of Cambridge

    Open Access•E B Ceadel•ARTICLE•The Journal of Asian Studies•1958

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Twelve Doors to Japan

    E B Ceadel, John W Hall et al.•ARTICLE•Man•1966

Philosophy (4 works) · Philosophy (4 works) · Art (3 works) · History (3 works) · Literature (3 works) · Mathematics (3 works) · Classical Antiquity Studies (2 works) · Computer Science (2 works) · History (2 works) · Japanese History and Culture (2 works)

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