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Fred D’aguiar

Biographic Data

ID2897411
NAMEFred D’aguiar
GIVEN NAMESFred
FAMILY NAMED’aguiar
SIGNATURED’AGUIAR F
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Calypso

    Fred D’aguiar•ARTICLE•Wasafiri•2019

  • Make It New (Again)

    Fred D’aguiar•ARTICLE•Callaloo•2016

  • Letter to Beryl Gilroy

    Fred D’aguiar•ARTICLE•Callaloo•2016

    Letter to Beryl Gilroy Fred D’Aguiar (bio) Dear Beryl Gilroy: In the late 1980s I argued that the separation of black from British, that hyphen on special status within the nation, was a ghetto for blacks based on what I had seen born here and growing up from my teens to adult life here: first that books written by black authors were grouped together and lumped in a corner whereas authors who were white and working in similar genres were given pr…

  • Six Views of Britain

    Fred D’aguiar•ARTICLE•Callaloo•2015

    Six Views of Britain Fred D’Aguiar (bio) 1 One abiding image of South London from 1979 was of a line of Nation Front marchers protectively sandwiched by police striding through Lewisham High Street to the jeers of locals with astonished or outraged expressions on their black and white faces. The police asserted the democratic right of the marchers to freely express any viewpoint, however inflammatory or provocative it might be to the community. A…

  • Callaloo's Oxford Stew

    Fred D’aguiar•ARTICLE•Callaloo•2014

    Callaloo’s Oxford Stew Fred D’Aguiar (bio) Click for larger view View full resolution Fred D’Aguiar Michael K. Taylor © 2013 [End Page 563] “The novel has nothing to do with language,” Nurrudin Farah intoned in the hotel bar around midnight, in a conference crowd which included Ngugi wa Thiong’o, his son Mukoma (also a writer), and Booker Prize winner Ben Okri. We had left a successful reading earlier that evening as part of the line-up for the C…

  • The Temperature of These Times

    Fred D’aguiar•ARTICLE•Callaloo•2014

    The Temperature of These Times Fred D’Aguiar (bio) Callaloo has a stellar tradition of taking the temperature of American fiction from time to time to see how the body of the nation is doing as story, as myth, and as a reinvented entity in perpetual mutation, or morphing constantly, or by necessity turning over a new leaf each generation. The nine stories gathered here range from settings in London, England, to the Caribbean and all poles of the …

  • Millennial currents

    David Dabydeen, Fred D’aguiar et al.•CHAPTER•Postcolonial London•2010

  • Prosimetrum for the 9th Ward

    Fred D’aguiar•ARTICLE•Callaloo•2009

    Prosimetrum for the 9th Ward Fred D’Aguiar (bio) New Orleans. Callaloo’s 2008 conference and retreat. The 9th Ward tour. What is government for? How should artists respond to a failure by government to govern? Not like in Brueghel’s The Fall of Icarus where toil, both as art and craft, continues unperturbed as disaster ensues. I’m on a bus filled with academics and other writers, surely a motley crew if ever there was one, prone to speculation, i…

  • From Elegy

    Fred D’aguiar•ARTICLE•Callaloo•2008

    from Elegy* Fred D'Aguiar (bio) Part Three 1. Police speckle campus lawns, their cars parked Ostentatiously, illegally, public exhibits In an open-air museum of broken hearts. Their gun-metal charm sets me on edge. The ones in plain clothes stand out even more, Their inconspicuous intent is itself conspicuous. Bless them for their crude cover of us in our raw state. We believe in nothing but slowness when in the open, For the sun as it slips clou…

No prominent works on this page.

  • From Elegy

    Fred D’aguiar•ARTICLE•Callaloo•2008

    from Elegy* Fred D'Aguiar (bio) Part Three 1. Police speckle campus lawns, their cars parked Ostentatiously, illegally, public exhibits In an open-air museum of broken hearts. Their gun-metal charm sets me on edge. The ones in plain clothes stand out even more, Their inconspicuous intent is itself conspicuous. Bless them for their crude cover of us in our raw state. We believe in nothing but slowness when in the open, For the sun as it slips clou…

  • Prosimetrum for the 9th Ward

    Fred D’aguiar•ARTICLE•Callaloo•2009

    Prosimetrum for the 9th Ward Fred D’Aguiar (bio) New Orleans. Callaloo’s 2008 conference and retreat. The 9th Ward tour. What is government for? How should artists respond to a failure by government to govern? Not like in Brueghel’s The Fall of Icarus where toil, both as art and craft, continues unperturbed as disaster ensues. I’m on a bus filled with academics and other writers, surely a motley crew if ever there was one, prone to speculation, i…

  • Millennial currents

    David Dabydeen, Fred D’aguiar et al.•CHAPTER•Postcolonial London•2010

  • Callaloo's Oxford Stew

    Fred D’aguiar•ARTICLE•Callaloo•2014

    Callaloo’s Oxford Stew Fred D’Aguiar (bio) Click for larger view View full resolution Fred D’Aguiar Michael K. Taylor © 2013 [End Page 563] “The novel has nothing to do with language,” Nurrudin Farah intoned in the hotel bar around midnight, in a conference crowd which included Ngugi wa Thiong’o, his son Mukoma (also a writer), and Booker Prize winner Ben Okri. We had left a successful reading earlier that evening as part of the line-up for the C…

  • The Temperature of These Times

    Fred D’aguiar•ARTICLE•Callaloo•2014

    The Temperature of These Times Fred D’Aguiar (bio) Callaloo has a stellar tradition of taking the temperature of American fiction from time to time to see how the body of the nation is doing as story, as myth, and as a reinvented entity in perpetual mutation, or morphing constantly, or by necessity turning over a new leaf each generation. The nine stories gathered here range from settings in London, England, to the Caribbean and all poles of the …

  • Six Views of Britain

    Fred D’aguiar•ARTICLE•Callaloo•2015

    Six Views of Britain Fred D’Aguiar (bio) 1 One abiding image of South London from 1979 was of a line of Nation Front marchers protectively sandwiched by police striding through Lewisham High Street to the jeers of locals with astonished or outraged expressions on their black and white faces. The police asserted the democratic right of the marchers to freely express any viewpoint, however inflammatory or provocative it might be to the community. A…

  • Make It New (Again)

    Fred D’aguiar•ARTICLE•Callaloo•2016

  • Letter to Beryl Gilroy

    Fred D’aguiar•ARTICLE•Callaloo•2016

    Letter to Beryl Gilroy Fred D’Aguiar (bio) Dear Beryl Gilroy: In the late 1980s I argued that the separation of black from British, that hyphen on special status within the nation, was a ghetto for blacks based on what I had seen born here and growing up from my teens to adult life here: first that books written by black authors were grouped together and lumped in a corner whereas authors who were white and working in similar genres were given pr…

  • Calypso

    Fred D’aguiar•ARTICLE•Wasafiri•2019

Art (6 works) · History (5 works) · Philosophy (4 works) · Art history (3 works) · Law (3 works) · Literature (3 works) · Business (2 works) · Caribbean history, culture, and politics (2 works) · Political science (2 works) · Politics (2 works)

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