Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

E S Burt

Biographic Data

ID2897860
NAMEE S Burt
GIVEN NAMESE S
FAMILY NAMEBurt
SIGNATUREBURT E S
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS4
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Hospitality, Volume I

    Jacques Derrida, E S Burt•BOOK•Hospitality, Volume I•2023

  • The Right to a History

    Open Access•E S Burt•ARTICLE•Oxford Literary Review•2014

    (. . . ) respect for the other, that is, for his right to difference, in his relation to others, but also in his relation to himself. What are all these grand words saying here? Not only respect for the right to error, even to an aberration, (. . . ) not only respect for the right to a history, a transformation of oneself and one’s thought that can never be totalised or reduced to something homogeneous (and those who practice this reduction give …

  • The Autobiographical Subject and the Death Penalty

    Open Access•E S Burt•ARTICLE•Oxford Literary Review•2013•Cited by: 1

    Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual sub…

  • "Materiality and Autobiography in Baudelaire's "La Pipe

    E S Burt•ARTICLE•Modern Language Notes•2001

    In recent years, where materiality is under discussion the name of Baudelaire is rarely far off. Owing largely to the influence of readers of de Man and Benjamin it has joined allegory and irony as a term indissociable from the work of a poet who, for all the vaunted accessibility of his work, has left us some difficult poems to mull over through no less difficult concepts. 1 Given Baudelaire's well-known concern with the aesthetic and given also…

  • The Unimaginable Touch of Tropes

    Timothy Bahti, Paul De Man et al.•ARTICLE•diacritics•1995

  • Serenity in Crisis

    Open Access•Allan Stoekl, Ortwin De Graef et al.•ARTICLE•South Central Review•1994

  • Romanticism and Contemporary Criticism

    Michael Shae, Paul De Man et al.•ARTICLE•Modern Language Notes•1993•Cited by: 3

  • Cracking the Code

    E S Burt•ARTICLE•Yale French Studies•1990

  • Hallucinatory History

    E S Burt•ARTICLE•Modern Language Notes•1990

    Readers of poetry and its criticism have long been accustomed to mixed reviews of its alleged autonomy. The lyric is generally the target here, although other poetic forms are also open to the charge of retreat from the public arena of history and politics. The loss of reference to empirical experience, deplored by some, has been felt by others to be a sacrifice made for gain: what poetry loses in concrete historical veracity, in attachment to a …

  • Writing the Truth

    E S Burt, Thomas M Kavanaugh•ARTICLE•Eighteenth-Century Studies•1989

  • Mapping City Walks

    E S Burt•ARTICLE•Yale French Studies•1988

    E. S. Burt, Mapping City Walks: The Topography of Memory in Rousseau's Second and Seventh Promenades, Yale French Studies, No. 74, Phantom Proxies: Symbolism and the Rhetoric of History (1988), pp. 231-247

  • Developments in Character

    E S Burt•ARTICLE•Yale French Studies•1985

  • The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984

    J Hillis Miller, Peter Brooks et al.•ARTICLE•Yale French Studies•1985

    J. Hillis Miller, Peter Brooks, A. Bartlett Giamatti, Geoffrey H. Hartman, Shoshana Felman, Barbara Johnson, E. S. Burt, Andrzej Warminski, Jacques Derrida, Yves Bonnefoy, The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984., Yale French Studies, No. 69, The Lesson of Paul de Man (1985), pp. 3-21

  • Poetic Conceit

    E S Burt, Michel Beaujour•ARTICLE•diacritics•1982

  • On Literary Genesis

    Tzvetan Todorov, E S Burt et al.•ARTICLE•Yale French Studies•1979

  • "Mallarme's "Sonnet en yx

    E S Burt, Ellen Burt•ARTICLE•Yale French Studies•1977

  • Romanticism and Contemporary Criticism

    Michael Shae, Paul De Man et al.•ARTICLE•Modern Language Notes•1993•Cited by: 3

  • The Autobiographical Subject and the Death Penalty

    Open Access•E S Burt•ARTICLE•Oxford Literary Review•2013•Cited by: 1

    Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual sub…

  • "Mallarme's "Sonnet en yx

    E S Burt, Ellen Burt•ARTICLE•Yale French Studies•1977

  • On Literary Genesis

    Tzvetan Todorov, E S Burt et al.•ARTICLE•Yale French Studies•1979

  • Poetic Conceit

    E S Burt, Michel Beaujour•ARTICLE•diacritics•1982

  • Developments in Character

    E S Burt•ARTICLE•Yale French Studies•1985

  • The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984

    J Hillis Miller, Peter Brooks et al.•ARTICLE•Yale French Studies•1985

    J. Hillis Miller, Peter Brooks, A. Bartlett Giamatti, Geoffrey H. Hartman, Shoshana Felman, Barbara Johnson, E. S. Burt, Andrzej Warminski, Jacques Derrida, Yves Bonnefoy, The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984., Yale French Studies, No. 69, The Lesson of Paul de Man (1985), pp. 3-21

  • Mapping City Walks

    E S Burt•ARTICLE•Yale French Studies•1988

    E. S. Burt, Mapping City Walks: The Topography of Memory in Rousseau's Second and Seventh Promenades, Yale French Studies, No. 74, Phantom Proxies: Symbolism and the Rhetoric of History (1988), pp. 231-247

  • Writing the Truth

    E S Burt, Thomas M Kavanaugh•ARTICLE•Eighteenth-Century Studies•1989

  • Cracking the Code

    E S Burt•ARTICLE•Yale French Studies•1990

  • Hallucinatory History

    E S Burt•ARTICLE•Modern Language Notes•1990

    Readers of poetry and its criticism have long been accustomed to mixed reviews of its alleged autonomy. The lyric is generally the target here, although other poetic forms are also open to the charge of retreat from the public arena of history and politics. The loss of reference to empirical experience, deplored by some, has been felt by others to be a sacrifice made for gain: what poetry loses in concrete historical veracity, in attachment to a …

  • Romanticism and Contemporary Criticism

    Michael Shae, Paul De Man et al.•ARTICLE•Modern Language Notes•1993•Cited by: 3

  • Serenity in Crisis

    Open Access•Allan Stoekl, Ortwin De Graef et al.•ARTICLE•South Central Review•1994

  • The Unimaginable Touch of Tropes

    Timothy Bahti, Paul De Man et al.•ARTICLE•diacritics•1995

  • "Materiality and Autobiography in Baudelaire's "La Pipe

    E S Burt•ARTICLE•Modern Language Notes•2001

    In recent years, where materiality is under discussion the name of Baudelaire is rarely far off. Owing largely to the influence of readers of de Man and Benjamin it has joined allegory and irony as a term indissociable from the work of a poet who, for all the vaunted accessibility of his work, has left us some difficult poems to mull over through no less difficult concepts. 1 Given Baudelaire's well-known concern with the aesthetic and given also…

  • The Autobiographical Subject and the Death Penalty

    Open Access•E S Burt•ARTICLE•Oxford Literary Review•2013•Cited by: 1

    Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual sub…

  • The Right to a History

    Open Access•E S Burt•ARTICLE•Oxford Literary Review•2014

    (. . . ) respect for the other, that is, for his right to difference, in his relation to others, but also in his relation to himself. What are all these grand words saying here? Not only respect for the right to error, even to an aberration, (. . . ) not only respect for the right to a history, a transformation of oneself and one’s thought that can never be totalised or reduced to something homogeneous (and those who practice this reduction give …

  • Hospitality, Volume I

    Jacques Derrida, E S Burt•BOOK•Hospitality, Volume I•2023

Art (11 works) · Philosophy (8 works) · Art history (7 works) · Literature (7 works) · Philosophy (6 works) · Aesthetics (4 works) · French Literature and Poetry (4 works) · Computer Science (3 works) · French Literature and Critical Theory (3 works) · History (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae