E S Burt
Biographic Data
| ID | 2897860 |
|---|---|
| NAME | E S Burt |
| GIVEN NAMES | E S |
| FAMILY NAME | Burt |
| SIGNATURE | BURT E S |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 16 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Hospitality, Volume I
The Right to a History
(. . . ) respect for the other, that is, for his right to difference, in his relation to others, but also in his relation to himself. What are all these grand words saying here? Not only respect for the right to error, even to an aberration, (. . . ) not only respect for the right to a history, a transformation of oneself and one’s thought that can never be totalised or reduced to something homogeneous (and those who practice this reduction give …
The Autobiographical Subject and the Death Penalty
Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual sub…
"Materiality and Autobiography in Baudelaire's "La Pipe
In recent years, where materiality is under discussion the name of Baudelaire is rarely far off. Owing largely to the influence of readers of de Man and Benjamin it has joined allegory and irony as a term indissociable from the work of a poet who, for all the vaunted accessibility of his work, has left us some difficult poems to mull over through no less difficult concepts. 1 Given Baudelaire's well-known concern with the aesthetic and given also…
The Unimaginable Touch of Tropes
Serenity in Crisis
Romanticism and Contemporary Criticism
Cracking the Code
Hallucinatory History
Readers of poetry and its criticism have long been accustomed to mixed reviews of its alleged autonomy. The lyric is generally the target here, although other poetic forms are also open to the charge of retreat from the public arena of history and politics. The loss of reference to empirical experience, deplored by some, has been felt by others to be a sacrifice made for gain: what poetry loses in concrete historical veracity, in attachment to a …
Writing the Truth
Mapping City Walks
E. S. Burt, Mapping City Walks: The Topography of Memory in Rousseau's Second and Seventh Promenades, Yale French Studies, No. 74, Phantom Proxies: Symbolism and the Rhetoric of History (1988), pp. 231-247
Developments in Character
The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984
J. Hillis Miller, Peter Brooks, A. Bartlett Giamatti, Geoffrey H. Hartman, Shoshana Felman, Barbara Johnson, E. S. Burt, Andrzej Warminski, Jacques Derrida, Yves Bonnefoy, The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984., Yale French Studies, No. 69, The Lesson of Paul de Man (1985), pp. 3-21
Poetic Conceit
On Literary Genesis
"Mallarme's "Sonnet en yx
Romanticism and Contemporary Criticism
The Autobiographical Subject and the Death Penalty
Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual sub…
"Mallarme's "Sonnet en yx
On Literary Genesis
Poetic Conceit
Developments in Character
The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984
J. Hillis Miller, Peter Brooks, A. Bartlett Giamatti, Geoffrey H. Hartman, Shoshana Felman, Barbara Johnson, E. S. Burt, Andrzej Warminski, Jacques Derrida, Yves Bonnefoy, The Following Tributes Were Offered at the Memorial Service for Paul de Man Held at the Yale University Art Gallery on January 18, 1984., Yale French Studies, No. 69, The Lesson of Paul de Man (1985), pp. 3-21
Mapping City Walks
E. S. Burt, Mapping City Walks: The Topography of Memory in Rousseau's Second and Seventh Promenades, Yale French Studies, No. 74, Phantom Proxies: Symbolism and the Rhetoric of History (1988), pp. 231-247
Writing the Truth
Cracking the Code
Hallucinatory History
Readers of poetry and its criticism have long been accustomed to mixed reviews of its alleged autonomy. The lyric is generally the target here, although other poetic forms are also open to the charge of retreat from the public arena of history and politics. The loss of reference to empirical experience, deplored by some, has been felt by others to be a sacrifice made for gain: what poetry loses in concrete historical veracity, in attachment to a …
Romanticism and Contemporary Criticism
Serenity in Crisis
The Unimaginable Touch of Tropes
"Materiality and Autobiography in Baudelaire's "La Pipe
In recent years, where materiality is under discussion the name of Baudelaire is rarely far off. Owing largely to the influence of readers of de Man and Benjamin it has joined allegory and irony as a term indissociable from the work of a poet who, for all the vaunted accessibility of his work, has left us some difficult poems to mull over through no less difficult concepts. 1 Given Baudelaire's well-known concern with the aesthetic and given also…
The Autobiographical Subject and the Death Penalty
Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual sub…
The Right to a History
(. . . ) respect for the other, that is, for his right to difference, in his relation to others, but also in his relation to himself. What are all these grand words saying here? Not only respect for the right to error, even to an aberration, (. . . ) not only respect for the right to a history, a transformation of oneself and one’s thought that can never be totalised or reduced to something homogeneous (and those who practice this reduction give …
Hospitality, Volume I
Art (11 works) · Philosophy (8 works) · Art history (7 works) · Literature (7 works) · Philosophy (6 works) · Aesthetics (4 works) · French Literature and Poetry (4 works) · Computer Science (3 works) · French Literature and Critical Theory (3 works) · History (3 works)