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Jane Gallop

Biographic Data

ID289940
NAMEJane Gallop
GIVEN NAMESJane
FAMILY NAMEGallop
SIGNATUREGALLOP J
AFFILIATIONSUniversity of Wisconsin
VERIFIEDNo
TOTAL WORKS43
TOTAL CITATIONS36
AUTHOR COUNT42
EDITOR COUNT1
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2020
H-INDEX4
  • Loose Lips

    Open Access•Jane Gallop, Lauren Berlant•CHAPTER•Our Monica, Ourselves•2020

  • Sexuality, Disability, and Aging: Queer Temporalities of the Phallus

    Jane Gallop•BOOK•Sexuality, Disability, and Aging•2020

  • Polemic: Critical or Uncritical

    Jane Gallop•BOOK•Polemic•2012

  • Precocious Jouissance: Roland Barthes, Amatory Maladjustment, and Emotion

    Jane Gallop•ARTICLE•New Literary History•2012•Cited by: 1

    In The Pleasure of the Text Roland Barthes outlines and advocates an anti-normative, anti-institutional erotics that celebrates the reader's perversity. While it is well known that Barthes understands readerly pleasure according to the model of sexual perversion, I discover that Barthes advocates not just perversion but sexual dysfunction, which he calls "amatory maladjustment." I linger on this surprising discovery, which includes Barthes's cham…

  • The Deaths of the Author: Reading and Writing in Time

    Jane Gallop•BOOK•Deaths of the Author•2011•Cited by: 5

  • "Reading Johnson as a "as a: Yes and No

    Jane Gallop•ARTICLE•differences•2006•References: 2

    Research Article| December 01 2006 Reading Johnson as a “as a”: Yes and No Jane Gallop Jane Gallop Search for other works by this author on: This Site Google differences (2006) 17 (3): 151–166. https://doi.org/10.1215/10407391-2006-016 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jane Gallop; Reading Johnson as a “as a”: Yes and No. differences 1 December 2006; 17 (3): 151–166. doi: https://doi…

  • Reading Derrida's Adieu

    Jane Gallop•ARTICLE•differences•2005•References: 1

    jane gallop is Distinguished Professor of English and Comparative Literature at the University of Wisconsin-Milwaukee. Her publications include Living with His Camera (Duke University Press,2003) and Anecdotal Theory (Duke University Press, 2002

  • Anecdotal Theory

    Jane Gallop•BOOK•Anecdotal Theory•2002

  • Roundtable: Restoring Feminist Politics to Poststructuralist Critique

    Susan Lurie, Ann Cvetkovich et al.•ARTICLE•Feminist Studies•2001•Cited by: 1

    Susan Lurie, Ann Cvetkovich, Jane Gallop, Tania Modleski, Hortense Spillers, Carla Kaplan, Roundtable: Restoring Feminist Politics to Poststructuralist Critique, Feminist Studies, Vol. 27, No. 3 (Autumn, 2001), pp. 679-707

  • Além do falo

    Open Access•Jane Gallop•ARTICLE•Cadernos Pagu•2001•Cited by: 3•References: 2

    A partir de uma discussão sobre a impossibilidade de traduzir jouissance do francês para o inglês, que costuma utilizar em seu lugar a expressão sexual pleasure, Gallop apresenta a diferença estabelecida por Roland Barthes entre plaisir e jouissance, mais domesticada a primeira, mais selvagem a segunda. Passa depois a discutir a diferença entre falo e pênis na obra de Jacques Lacan e na da psicanalista lacaniana Eugénie Lemoine-Luccioni, para con…

  • Symposium: American gender studies today

    Camille Paglia, Donna Landry et al.•ARTICLE•Women a Cultural Review•1999

    (1999). Symposium: American gender studies today. Women: A Cultural Review: Vol. 10, No. 2, pp. 213-219

  • Resisting Reasonableness

    Jane Gallop•ARTICLE•Critical Inquiry•1999•Cited by: 3

  • Sade and the Narrative of Transgression

    Open Access•Georges Bataille, Michael Sheringham et al.•BOOK•Sade and the Narrative of…•1995

    This major collection of essays on the Marquis de Sade, first published in 1995, encompasses a wide range of critical approaches to his œuvre, including some of the most celebrated texts in Sade scholarship. It focuses on several distinctly contemporary areas of interest: the explicitly libidinal components of Sade's work and the effects they engender, the textual and narrative apparatus which supports these operations, the ethical and political …

  • "Women" in Spurs and Nineties Feminism

    Jane Gallop•ARTICLE•diacritics•1995

  • Enquete

    Open Access•Melanie Hawthorne, Frank Kermode et al.•ARTICLE•South Central Review•1995

    Melanie Hawthorne, Frank Kermode, Jane Gallop, Thomas Pavel, Toril Moi, Charlotte M. Wright, Faridoun Farrokh, Jenene Allison, Barbara Johnson, Jane Tompkins, Tatyana Tolstaya, Elisabeth Rich, U. C. Knoepflmacher, Alice Friman, Marshall Bruce Gentry, Katherine E. Kelly, William J. Scheick, Hubert Heinen, Carl Fowler, Jean-Pierre Cauvin, David B. Merrell, Lee K. Abbott, Janet P. Sholty, Elaine Marks, Claudia A. Limbert, Clay Reynolds, Denis Hollie…

  • The Lecherous Professor: A Reading

    Jane Gallop•ARTICLE•differences•1995•Cited by: 2

    Research Article| July 01 1995 The Lecherous Professor: A Reading Jane Gallop Jane Gallop jane gallop teaches in the Modern Studies Program at the University of Wisconsin-Milwaukee. She has written five books, the most recent of which is Around 1981: Academic Feminist Literary Theory. An anthology she has edited, Pedagogy: The Question of Impersonation, has just been published by Indiana University Press. She is currently writing a book on sexual…

  • Around 1981: Academic Feminist Literary Theory

    Linda Wagner-Martin, Linda Wagner‐martin et al.•ARTICLE•American Literature•1992

  • An Ideological Reading of Narrative

    Elizabeth Wright, Lennard J Davis et al.•ARTICLE•Poetics Today•1990

  • Thinking Through the Body

    Jane Gallop•BOOK•Thinking Through the Body•1988

    From one of our most outspoken feminist critics, this collection explores various ways in which the body can be rethought of as a site of knowledge rather than as a medium to move beyond or dominate. Moving between a theoretical and confessional stance, Gallop explores Sade's relation to mothers both in his novels and his life; Barthe's The Pleasure of the Text; Freud's work, read not as a psychological text but as a literary endeavor and from a …

  • Reading Lacan

    Verena Andermatt Conley, Jane Gallop•ARTICLE•SubStance•1987

  • Reading the Mother Tongue: Psychoanalytic Feminist Criticism

    Jane Gallop•ARTICLE•Critical Inquiry•1987•Cited by: 4

  • Rehearsing a Reading

    Phil Barrish, Jane Gallop•ARTICLE•diacritics•1986

  • French theory and the seduction of feminism

    Open Access•Jane Gallop•ARTICLE•Paragraph•1986•References: 2

    In the quotation I just read you from Baudrillard, he is caught up in just such contradictory logic. On the one hand he says that “seduction is of the order of appearances,” on the other hand he asks “and what if everything, contrary to appearances, marched to seduction?” In promoting seduction, throughout the book, he frequently valorizes the realm of appearances. Yet here he asserts that there might be a hidden order “contrary to appearances,” …

  • The Pleasure of the Phototext

    Jane Gallop•ARTICLE•Afterimage•1985

    Other| April 01 1985 The Pleasure of the Phototext Jane Gallop Jane Gallop Jane Gallop is Visiting NEH Professor of Humanities at Emory University, and has recently completed Reading Lacan, which will be published this fall. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1985) 12 (9): 16–18. https://doi.org/10.1525/aft.1985.12.9.16 Views Icon Views Article contents Figures & tables Video Audio Supplementary …

  • Annie Leclerc Writing a Letter, with Vermeer

    Jane Gallop•ARTICLE•October•1985•Cited by: 1

    In 1981 Critical Inquiry, one of the elite American journals of literary criticism and theory, published a feminist issue, edited by Elizabeth Abel. That issue whose title is and Sexual Difference betokens a feminist criticism that is interested not only in feminist social, political, and psychological issues, but also in writing, which is to say in literary issues. I first delivered the present paper at a colloquium entitled Poetics of Gender wh…

Next
  • Writing and Sexual Difference: The Difference within

    Jane Gallop•ARTICLE•Critical Inquiry•1982•Cited by: 6

  • The Deaths of the Author: Reading and Writing in Time

    Jane Gallop•BOOK•Deaths of the Author•2011•Cited by: 5

  • The Immoral Teachers

    Jane Gallop•ARTICLE•Yale French Studies•1982•Cited by: 5

  • Reading the Mother Tongue: Psychoanalytic Feminist Criticism

    Jane Gallop•ARTICLE•Critical Inquiry•1987•Cited by: 4

  • Além do falo

    Open Access•Jane Gallop•ARTICLE•Cadernos Pagu•2001•Cited by: 3•References: 2

    A partir de uma discussão sobre a impossibilidade de traduzir jouissance do francês para o inglês, que costuma utilizar em seu lugar a expressão sexual pleasure, Gallop apresenta a diferença estabelecida por Roland Barthes entre plaisir e jouissance, mais domesticada a primeira, mais selvagem a segunda. Passa depois a discutir a diferença entre falo e pênis na obra de Jacques Lacan e na da psicanalista lacaniana Eugénie Lemoine-Luccioni, para con…

  • Resisting Reasonableness

    Jane Gallop•ARTICLE•Critical Inquiry•1999•Cited by: 3

  • Beyond the Jouissance Principle

    Jane Gallop•ARTICLE•Representations•1984•Cited by: 3

  • The Lecherous Professor: A Reading

    Jane Gallop•ARTICLE•differences•1995•Cited by: 2

    Research Article| July 01 1995 The Lecherous Professor: A Reading Jane Gallop Jane Gallop jane gallop teaches in the Modern Studies Program at the University of Wisconsin-Milwaukee. She has written five books, the most recent of which is Around 1981: Academic Feminist Literary Theory. An anthology she has edited, Pedagogy: The Question of Impersonation, has just been published by Indiana University Press. She is currently writing a book on sexual…

  • Lacan and literature: A case for transference

    Open Access•Jane Gallop•ARTICLE•Poetics•1984•Cited by: 2•References: 2

  • Precocious Jouissance: Roland Barthes, Amatory Maladjustment, and Emotion

    Jane Gallop•ARTICLE•New Literary History•2012•Cited by: 1

    In The Pleasure of the Text Roland Barthes outlines and advocates an anti-normative, anti-institutional erotics that celebrates the reader's perversity. While it is well known that Barthes understands readerly pleasure according to the model of sexual perversion, I discover that Barthes advocates not just perversion but sexual dysfunction, which he calls "amatory maladjustment." I linger on this surprising discovery, which includes Barthes's cham…

  • Roundtable: Restoring Feminist Politics to Poststructuralist Critique

    Susan Lurie, Ann Cvetkovich et al.•ARTICLE•Feminist Studies•2001•Cited by: 1

    Susan Lurie, Ann Cvetkovich, Jane Gallop, Tania Modleski, Hortense Spillers, Carla Kaplan, Roundtable: Restoring Feminist Politics to Poststructuralist Critique, Feminist Studies, Vol. 27, No. 3 (Autumn, 2001), pp. 679-707

  • Annie Leclerc Writing a Letter, with Vermeer

    Jane Gallop•ARTICLE•October•1985•Cited by: 1

    In 1981 Critical Inquiry, one of the elite American journals of literary criticism and theory, published a feminist issue, edited by Elizabeth Abel. That issue whose title is and Sexual Difference betokens a feminist criticism that is interested not only in feminist social, political, and psychological issues, but also in writing, which is to say in literary issues. I first delivered the present paper at a colloquium entitled Poetics of Gender wh…

  • The Ghost of Lacan, the Trace of Language

    Jane Gallop, Juliet Mitchell•ARTICLE•diacritics•1975

  • The Ladies' Man

    Jane Gallop, Jacques Lacan•ARTICLE•diacritics•1976

  • The Seduction of an Analogy

    Jane Gallop•ARTICLE•diacritics•1979

    Jacques Lacan (who has cried long and loud for a return to the letter of Freud's text, and has been listened to by some of the best), in his paper Jeunesse de Gide [Ecrits, (Paris: Seuil, 1966)], criticized the notion of applied psychoanalysis (which those of us who do psychoanalytic literary criticism are guilty of) on the grounds that psychoanalysis is a specific practice between analyst and analysand which can only go on as such within that st…

  • Reading Friends' Corpses

    Jane Gallop•ARTICLE•Modern Language Notes•1980

    In 1971 Maurice Blanchot published L'Amitie', book whose last chapter, L'amitie, is about (the impropriety of writing about) Blanchot's dead friend Georges Bataille, even about the impropriety of friendship for the dead. The book opens with quotation from an article by Bataille, published in 1940, text itself called L'Amitie: complicitous friendship: that is all my temperament brings to other Bataille offers his fellow men complicitous friendship…

  • Impertinent Questions: Irigaray, Sade, Lacan

    Jane Gallop•ARTICLE•SubStance•1980

    Luce Irigaray's Speculum (Minuit, 1974) reproduces various texts representative of Western thought and, by simply curving the reproductive mirror, exposes the phallocentric assumptions underlying the entire tradition. The first third of the book is a detailed reflection on Freud-loving, but with a tender resentment that the Father of Psychoanalysis never adequately exposed his desire for his hysterics/daughters. Irigaray resents Freudian theory's…

  • Vies et legendes de Jacques Lacan

    Jane Gallop, Catherine Clément•ARTICLE•SubStance•1981

  • The daughter's seduction: Feminism and Psychoanalysis

    Jane Gallop•BOOK•The daughter's seduction•1982

  • Feminism and Psychoanalysis

    Open Access•Jane Gallop•BOOK•Feminism and Psychoanalysis•1982

  • The Father’s Seduction

    Jane Gallop•CHAPTER•Feminism and Psychoanalysis•1982

    The first third of Luce Irigaray's Speculum de l'autre femme is called 'The Blind Spot of an Old Dream of Symmetry'. It is a close reading of 'Femininity', one of Freud's New Introductory Lectures on Psycho-Analysis (1933). This encounter between Irigaray's feminist critique and Freud's final text on woman is an important training ground for a new kind of battle, a feminine seduction/disarming/unsettling of the positions of phallocratic ideology.…

  • Feminism and Psychoanalysis: The Daughter's Seduction

    Jane Gallop•BOOK•Feminism and Psychoanalysis•1982

  • The Phallic Mother: Fraudian Analysis

    Jane Gallop•CHAPTER•Feminism and Psychoanalysis•1982

    The last essay in Irigaray's Ce Sexe qui n'en est pas un is a lyrical affirmation of a new, free love between women. That essay, 'Quand nos lèvres se parlent' (When our lips speak to each other), begins: 'If we continue to speak the same language to each other, we are going to reproduce the same history.' That text attempts not to repeat the same, rather to change, to make progress. But a parenthesis interrupts the lyrical flow, brusquely remindi…

  • The Immoral Teachers

    Jane Gallop•ARTICLE•Yale French Studies•1982•Cited by: 5

  • Intersections: A Reading of Sade with Bataille, Blanchot, and Klossowski

    Ann Smock, Jane Gallop•ARTICLE•SubStance•1982

    Four writers--the first, eighteenth-century Frenchman whose works still re-tain their power to shock, scandalize, and instruct; the others, three twentieth-century Frenchmen, heirs and explicators of their earlier compatriot--form the central cast of characters of this literary-philosophical dialogue which seeks to transcend the barriers of time, space, and sexual identity imposed by traditional ap-proaches to literature. Professor Gallop, acknow…

  • Writing and Sexual Difference: The Difference within

    Jane Gallop•ARTICLE•Critical Inquiry•1982•Cited by: 6

  • "Lacan's "Mirror Stage: Where to Begin

    Jane Gallop•ARTICLE•SubStance•1983

    Jane Gallop, Lacan's "Mirror Stage": Where to Begin, SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 118-128

  • The Daughter's Seduction: Feminism and Psychoanalysis

    Marja Warehime, Jane Gallop•ARTICLE•SubStance•1983

  • Beyond the Jouissance Principle

    Jane Gallop•ARTICLE•Representations•1984•Cited by: 3

  • Lacan and literature: A case for transference

    Open Access•Jane Gallop•ARTICLE•Poetics•1984•Cited by: 2•References: 2

  • The Pleasure of the Phototext

    Jane Gallop•ARTICLE•Afterimage•1985

    Other| April 01 1985 The Pleasure of the Phototext Jane Gallop Jane Gallop Jane Gallop is Visiting NEH Professor of Humanities at Emory University, and has recently completed Reading Lacan, which will be published this fall. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1985) 12 (9): 16–18. https://doi.org/10.1525/aft.1985.12.9.16 Views Icon Views Article contents Figures & tables Video Audio Supplementary …

  • Annie Leclerc Writing a Letter, with Vermeer

    Jane Gallop•ARTICLE•October•1985•Cited by: 1

    In 1981 Critical Inquiry, one of the elite American journals of literary criticism and theory, published a feminist issue, edited by Elizabeth Abel. That issue whose title is and Sexual Difference betokens a feminist criticism that is interested not only in feminist social, political, and psychological issues, but also in writing, which is to say in literary issues. I first delivered the present paper at a colloquium entitled Poetics of Gender wh…

  • Rehearsing a Reading

    Phil Barrish, Jane Gallop•ARTICLE•diacritics•1986

  • French theory and the seduction of feminism

    Open Access•Jane Gallop•ARTICLE•Paragraph•1986•References: 2

    In the quotation I just read you from Baudrillard, he is caught up in just such contradictory logic. On the one hand he says that “seduction is of the order of appearances,” on the other hand he asks “and what if everything, contrary to appearances, marched to seduction?” In promoting seduction, throughout the book, he frequently valorizes the realm of appearances. Yet here he asserts that there might be a hidden order “contrary to appearances,” …

  • Reading Lacan

    Verena Andermatt Conley, Jane Gallop•ARTICLE•SubStance•1987

  • Reading the Mother Tongue: Psychoanalytic Feminist Criticism

    Jane Gallop•ARTICLE•Critical Inquiry•1987•Cited by: 4

  • Thinking Through the Body

    Jane Gallop•BOOK•Thinking Through the Body•1988

    From one of our most outspoken feminist critics, this collection explores various ways in which the body can be rethought of as a site of knowledge rather than as a medium to move beyond or dominate. Moving between a theoretical and confessional stance, Gallop explores Sade's relation to mothers both in his novels and his life; Barthe's The Pleasure of the Text; Freud's work, read not as a psychological text but as a literary endeavor and from a …

Philosophy (23 works) · Art (20 works) · Psychology (20 works) · Sociology (18 works) · Linguistics (14 works) · Psychoanalysis (14 works) · Literature (11 works) · Gender Studies (10 works) · History (9 works) · Political science (9 works)

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