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Stanley Corngold

Biographic Data

ID289949
NAMEStanley Corngold
GIVEN NAMESStanley
FAMILY NAMECorngold
SIGNATURECORNGOLD S
AFFILIATIONSPrinceton University
ORCID0000-0002-3368-2226
VERIFIEDYes
TOTAL WORKS34
TOTAL CITATIONS5
WORKS AS AUTHOR34
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Recovering Kafka's rhetorical unconscious

    Open Access•Stanley Corngold•ARTICLE•The German Quarterly•2024

    Kafka has become answerable to cultural studies, in one form or another, to an extraordinary degree—a fact that speaks for the seemingly inexhaustible ability of his work to accommodate “forms of the real” both contemporaneous with his writing and in the decades following. So, there is Kafka, with his celebrated “Ohr für das Kommende,” held, as in “Beim Bau der Chinesischen Mauer,” Das Schloß, and Der Proceß, to have anticipated today's intractab…

  • The Mind in Exile

    Open Access•Stanley Corngold•BOOK•Mind in Exile•2022

  • Walter Kaufmann

    Stanley Corngold•BOOK•Walter Kaufmann•2018

    The first complete account of the ideas and writings of a major figure in twentieth-century intellectual lifeWalter Kaufmann (1921-1980) was a charismatic philosopher, critic, translator, and poet who fled Nazi Germany at the age of eighteen, emigrating alone to the United States. He was astonishingly prolific until his untimely death at age fifty-nine, writing some dozen major books, all marked by breathtaking erudition and a provocative essayis…

  • A Meditation on Prizes

    Stanley Corngold•ARTICLE•Modern Language Notes•2016

    A Meditation on Prizes Stanley Corngold I will attempt a short phenomenology of the prize, including evocations of personal experience, which might be validated by their historical dimension, since I am of an age when my personal experience derives from the (very) long nineteenth century. That a phenomenological approach might include an appeal to subjective experience should come as no surprise, since what is phenomenology except a refined, mask…

  • Kafka

    Stanley Corngold•ARTICLE•The European Legacy•2016

  • Kafka & sex

    Open Access•Stanley Corngold•ARTICLE•Daedalus•2007•Cited by: 1

  • Dreams of Kafka

    Stanley Corngold•ARTICLE•The European Legacy•2005

    Kafka's Novels: An Interpretation. By Patrick Bridgwater (Amsterdam: Rodopi, 2003), 365 pp. €75.00/$97.00 cloth. Patrick Bridgwater, an eminent scholar and expert translator of German poetry, has p

  • Hegel, Schopenhauer, and Cannibalism

    Stanley Corngold•ARTICLE•Qui Parle•2004

    Research Article| June 01 2004 Hegel, Schopenhauer, and Cannibalism Stanley Corngold Stanley Corngold Search for other works by this author on: This Site Google Qui Parle (2004) 15 (1): 1–10. https://doi.org/10.1215/quiparle.15.1.1 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Stanley Corngold; Hegel, Schopenhauer, and Cannibalism. Qui Parle 1 June 2004; 15 (1): 1–10. doi: https://doi.org/10.1215/quiparle.15.1.1 Downloa…

  • The Distinction of Fiction

    Stanley Corngold, Dorrit Cohn•ARTICLE•The German Quarterly•2002

  • The Aesthetic Will

    Stanley Corngold•ARTICLE•Eighteenth-Century Studies•2002•Cited by: 1

    The scholar David Halliburton is now completing a two-volume work of masterpiece proportions entitled On the Fateful Discourse of Worldly Things, a summa of his thinking on the rhetoric of politics and literature following a major engagement with Heidegger's poetics. The range of thinkers and poets he cites and discusses is wide and various, but Halliburton's allusions to Hölderlin (1770-1843) and the epistolary novel Hyperion (1797-99) are strik…

  • The Way of Oblivion

    Stanley Corngold, David Schur•ARTICLE•The German Quarterly•2000

    Schur, David. Way of Oblivion. Cambridge. Harvard UP 1998. 273 pp. $15.00 paperback. David Schur's elegant, incisive study of figure of the way-a figure of philosophical method-leads from Heraclitus and Parmenides over Plato and Heidegger's readings of Heraclitus on past Maurice Blanchot's reading of Kafka to Kafka's parable On Parables and The Judgment. goal is to show a striking regularity in rhetorical elaboration of this figure (hodos) in a o…

  • Complex Pleasure. Forms of Feeling in German Literature

    Ulrike Rainer, Stanley Corngold•ARTICLE•The German Quarterly•2000

  • Complex Pleasure

    Silke-Maria Weineck, Stanley Corngold•ARTICLE•German Studies Review•2000

    Preface Introduction Proem 1. Wit and judgment or, Lessing and Kant 2. What is radical in Kant's 'Critique of Aesthetic Judgment' 3. Holderlin's 'Swift Conceptual Grasp' 4. Nietzsche's moods 5. Telling Sadism in Musil's Young Torless 6. Rapture in exile: Kafka's The Boy Who Sank Out of Sight 7. Hearing Homonymy in Trakl's 'De Profundis' 8. Benjamin's 'Affective Understanding' of Holderlin's odes 'The Poet's Courage' and 'Timidity' Notes Index

  • Heidegger's Silence

    Stanley Corngold, Berel Lang•ARTICLE•The German Quarterly•1998

  • Heidegger's Crisis

    Stanley Corngold, Hans Sluga et al.•ARTICLE•The German Quarterly•1996

  • Heidegger's Estrangements

    Stanley Corngold, Gerald L Bruns•ARTICLE•The German Quarterly•1991

  • Franz Kafka

    Kurt Fickert, Stanley Corngold•ARTICLE•German Studies Review•1991

    In Stanley Corngold?s view, the themes and strategies of Kafka?s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka?s work in light of ?the necessity of form,? which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka?s art and life. The first section of the book shows how Kafka?s rhetoric may be understood as the daring project of …

  • Nietzsche's Moods

    Stanley Corngold•ARTICLE•Studies in Romanticism•1990

  • Franz Kafka. The Necessity of Form

    Steven Taubeneck, Stanley Corngold•ARTICLE•The German Quarterly•1990

  • Stanley Corngold's Response to Michael T. Jones's Review of the Fate of the Self

    Stanley Corngold•ARTICLE•The German Quarterly•1990

  • Franz Kafka

    Valerie D Greenberg, Stanley Corngold•ARTICLE•South Atlantic Review•1990

  • The Transcendance of the Individual

    John H Smith, Stanley Corngold et al.•ARTICLE•diacritics•1989

  • Franz Kafra

    Mihai I Spariosu, Stanley Corngold•ARTICLE•Modern Language Notes•1989

  • Potential violence in Paul De Man

    Stanley Corngold•ARTICLE•Critical Review•1989•References: 1

    PAUL DE MAN: DECONSTRUCTION AND THE CRITIQUE OF AESTHETIC IDEOLOGY by Christopher Norris New York: Routledge, 1988. 218pp. $12.95 (paper

  • Wit and Judgment in the Eighteenth Century

    Stanley Corngold•ARTICLE•Modern Language Notes•1987

    In the eighteenth century, in the work of Lessing and Kant, the fortunes of wit and judgment divide. The opposition between these categories grows marked: in Lessing's Hamburgische Dramaturgie (1767-68)1 judgment scourges wit, emphatically. When the category of judgment reappears in central position in Kant's Kritik der Urteilskraft (1790),2 it is no longer as the scourge of wit but certainly as its supercessor. Wit has no place in aesthetic judg…

Next
  • Error in Paul de Man

    Stanley Corngold•ARTICLE•Critical Inquiry•1982•Cited by: 2

  • Kafka & sex

    Open Access•Stanley Corngold•ARTICLE•Daedalus•2007•Cited by: 1

  • The Aesthetic Will

    Stanley Corngold•ARTICLE•Eighteenth-Century Studies•2002•Cited by: 1

    The scholar David Halliburton is now completing a two-volume work of masterpiece proportions entitled On the Fateful Discourse of Worldly Things, a summa of his thinking on the rhetoric of politics and literature following a major engagement with Heidegger's poetics. The range of thinkers and poets he cites and discusses is wide and various, but Halliburton's allusions to Hölderlin (1770-1843) and the epistolary novel Hyperion (1797-99) are strik…

  • The Question of the Self in Nietzsche during the Axial Period (1882-1888)

    Stanley Corngold•ARTICLE•boundary 2•1981•Cited by: 1

    Stanley Corngold, The Question of the Self in Nietzsche during the Axial Period (1882-1888), boundary 2, Vol. 9/10, Vol. 9, no. 3 - Vol. 10, no. 1, Why Nietzsche Now? A Boundary 2 Symposium (Spring - Autumn, 1981), pp. 55-98

  • Where Babylon Ends

    Stanley Corngold•ARTICLE•boundary 2•1975

    A severe will to form runs through the first three volumes of Nathaniel Tarn's poetry: Old Savage/Young City (1964), Selection: Penguin Modern Poets No. 7 (1965), and Where Babylon Ends (1968). Here a poetic consciousness has determined to constitute itself in forms exactiy adequate to itself, to open the algebraic eyes of paradise. The poetry recounts the conditions of its making, noting the absence of a source, the difficulty of beginning and t…

  • Sein und Zeit

    Stanley Corngold•ARTICLE•boundary 2•1976

    The effect upon poetics of Sein und Zeit during the fifty years of its history now has a history of its own. Explicit references to in Sein und Zeit are in fact very few. For this reason Beda Allemann speaks of an absence of connection between Sein und Zeit and the phenomenon of as such (and not merely as pre-ontological evidence).l But he goes on to note that apparently nothing stands in the way of interpreting the results of the existential ana…

  • Aspekte der Goethezeit

    Heinz Moenkemeyer, Stanley Corngold et al.•ARTICLE•The German Quarterly•1978

  • Freud as a Literary Text

    Stanley Corngold•ARTICLE•diacritics•1979

    Last fall the abduction Schleyer, the hijacking the Lufthansa jet, and the suicide Baader and Raspe struck France as a lightning flash for one instant illuminating Germany as a sort blasted mass-perhaps a desert or a lunar landscape, but more sinister: enshadowed, indefiniite, yet lurking too. It was possible, it seemed, to say anything precise about Germany except as what the flash light, the flash truth, lit up: only as what the lightning flash…

  • Aspekte der Goethezeit

    Walter K Stewart, Stanley Corngold et al.•ARTICLE•German Studies Review•1979

  • Mann as a Reader of Nietzsche

    Stanley Corngold•ARTICLE•boundary 2•1980

    Toward the end of his life, in 1952, Thomas Mann wrote to Hermann Weigand this triumphant sentence: Even in these times it is possible for a man to construct out of his life and work a culture, a small cosmos, in which everything is interrelated, which, despite all diversity, forms a complete personal whole, and which stands more or less on an equal footing with the life-syntheses of earlier ages.1 According to Harold Bloom in The Anxiety of Infl…

  • The Question of the Self in Nietzsche during the Axial Period (1882-1888)

    Stanley Corngold•ARTICLE•boundary 2•1981•Cited by: 1

    Stanley Corngold, The Question of the Self in Nietzsche during the Axial Period (1882-1888), boundary 2, Vol. 9/10, Vol. 9, no. 3 - Vol. 10, no. 1, Why Nietzsche Now? A Boundary 2 Symposium (Spring - Autumn, 1981), pp. 55-98

  • Error in Paul de Man

    Stanley Corngold•ARTICLE•Critical Inquiry•1982•Cited by: 2

  • Franz Kafka, an Anthology of Marxist Criticism

    Stanley Corngold, Kenneth Hughes•ARTICLE•The German Quarterly•1983

  • Wit and Judgment in the Eighteenth Century

    Stanley Corngold•ARTICLE•Modern Language Notes•1987

    In the eighteenth century, in the work of Lessing and Kant, the fortunes of wit and judgment divide. The opposition between these categories grows marked: in Lessing's Hamburgische Dramaturgie (1767-68)1 judgment scourges wit, emphatically. When the category of judgment reappears in central position in Kant's Kritik der Urteilskraft (1790),2 it is no longer as the scourge of wit but certainly as its supercessor. Wit has no place in aesthetic judg…

  • The Transcendance of the Individual

    John H Smith, Stanley Corngold et al.•ARTICLE•diacritics•1989

  • Franz Kafra

    Mihai I Spariosu, Stanley Corngold•ARTICLE•Modern Language Notes•1989

  • Potential violence in Paul De Man

    Stanley Corngold•ARTICLE•Critical Review•1989•References: 1

    PAUL DE MAN: DECONSTRUCTION AND THE CRITIQUE OF AESTHETIC IDEOLOGY by Christopher Norris New York: Routledge, 1988. 218pp. $12.95 (paper

  • Nietzsche's Moods

    Stanley Corngold•ARTICLE•Studies in Romanticism•1990

  • Franz Kafka. The Necessity of Form

    Steven Taubeneck, Stanley Corngold•ARTICLE•The German Quarterly•1990

  • Stanley Corngold's Response to Michael T. Jones's Review of the Fate of the Self

    Stanley Corngold•ARTICLE•The German Quarterly•1990

  • Franz Kafka

    Valerie D Greenberg, Stanley Corngold•ARTICLE•South Atlantic Review•1990

  • Heidegger's Estrangements

    Stanley Corngold, Gerald L Bruns•ARTICLE•The German Quarterly•1991

  • Franz Kafka

    Kurt Fickert, Stanley Corngold•ARTICLE•German Studies Review•1991

    In Stanley Corngold?s view, the themes and strategies of Kafka?s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka?s work in light of ?the necessity of form,? which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka?s art and life. The first section of the book shows how Kafka?s rhetoric may be understood as the daring project of …

  • Heidegger's Crisis

    Stanley Corngold, Hans Sluga et al.•ARTICLE•The German Quarterly•1996

  • Heidegger's Silence

    Stanley Corngold, Berel Lang•ARTICLE•The German Quarterly•1998

  • The Way of Oblivion

    Stanley Corngold, David Schur•ARTICLE•The German Quarterly•2000

    Schur, David. Way of Oblivion. Cambridge. Harvard UP 1998. 273 pp. $15.00 paperback. David Schur's elegant, incisive study of figure of the way-a figure of philosophical method-leads from Heraclitus and Parmenides over Plato and Heidegger's readings of Heraclitus on past Maurice Blanchot's reading of Kafka to Kafka's parable On Parables and The Judgment. goal is to show a striking regularity in rhetorical elaboration of this figure (hodos) in a o…

  • Complex Pleasure. Forms of Feeling in German Literature

    Ulrike Rainer, Stanley Corngold•ARTICLE•The German Quarterly•2000

  • Complex Pleasure

    Silke-Maria Weineck, Stanley Corngold•ARTICLE•German Studies Review•2000

    Preface Introduction Proem 1. Wit and judgment or, Lessing and Kant 2. What is radical in Kant's 'Critique of Aesthetic Judgment' 3. Holderlin's 'Swift Conceptual Grasp' 4. Nietzsche's moods 5. Telling Sadism in Musil's Young Torless 6. Rapture in exile: Kafka's The Boy Who Sank Out of Sight 7. Hearing Homonymy in Trakl's 'De Profundis' 8. Benjamin's 'Affective Understanding' of Holderlin's odes 'The Poet's Courage' and 'Timidity' Notes Index

  • The Distinction of Fiction

    Stanley Corngold, Dorrit Cohn•ARTICLE•The German Quarterly•2002

Philosophy (28 works) · Art (26 works) · Literature (18 works) · German Literature and Culture Studies (11 works) · Franz Kafka Literary Studies (10 works) · Psychology (10 works) · History (9 works) · Political science (9 works) · Philosophy (8 works) · Psychoanalysis (8 works)

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