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Y Long

Biographic Data

ID29090
NAMEY Long
GIVEN NAMESY
FAMILY NAMELong
SIGNATURELONG Y
AFFILIATIONSJiangnan University
ORCID0000-0001-7994-6410
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS13
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR2024
H-INDEX2
  • The Longwangshan cemetery and the change in funerary practices in middle Yangzi during the late Neolithic Age, China

    Open Access•Tao Shi, Y Long et al.•ARTICLE•Archaeological Research in Asia•2024•References: 8

  • Belief in Drama

    Open Access•Y Long, Cheng Fan et al.•ARTICLE•Religions•2023•References: 8

    Puppets, a kind of wooden figure whose movements are manipulated by artists, were frequently used in ancient Chinese singing and dancing activities and dramas. The uniqueness of substituting human beings for puppets has drawn tremendous attention from scholars. However, despite previous research on the long development process of puppet dramas, a considerable number of details remain neglected, and behind these details lies an abundance of compli…

  • The Secularization of Religious Figures

    Open Access•Cheng Fan, Chen Fan et al.•ARTICLE•Religions•2022•Cited by: 2

    Mahoraga dolls, a type of figurine showing a child holding a lotus leaf, are sacrifice utensils that were commonly used in the Qixi Festival to pray for reproduction throughout the Song Dynasty in China. Scholars pay great attention to the Buddhistic origins of Mahoraga, relating it to different figures within Buddhism and discussing its religious artistic values. This paper focuses on the transformation of this cultural appropriation in Chinese …

  • Cire Perdue Copper Casting in Pre-Columbian Mexico

    Open Access•Y Long, Stanley Long et al.•ARTICLE•American Antiquity•1964•Cited by: 11•References: 6

    Sahagún's General History of the Things of New Spain, a Nahuatl text completed in 1555, contains an ethnographic description of cire perdue gold casting. Aboriginal copper casting was not described. However, it is believed that his gold-casting description also constitutes a basically valid description of copper casting. To test this, experiments were undertaken to cast copper bells following Sahagún's description of gold casting and using native…

  • Cire Perdue Copper Casting in Pre-Columbian Mexico

    Open Access•Y Long, Stanley Long et al.•ARTICLE•American Antiquity•1964•Cited by: 11•References: 6

    Sahagún's General History of the Things of New Spain, a Nahuatl text completed in 1555, contains an ethnographic description of cire perdue gold casting. Aboriginal copper casting was not described. However, it is believed that his gold-casting description also constitutes a basically valid description of copper casting. To test this, experiments were undertaken to cast copper bells following Sahagún's description of gold casting and using native…

  • The Secularization of Religious Figures

    Open Access•Cheng Fan, Chen Fan et al.•ARTICLE•Religions•2022•Cited by: 2

    Mahoraga dolls, a type of figurine showing a child holding a lotus leaf, are sacrifice utensils that were commonly used in the Qixi Festival to pray for reproduction throughout the Song Dynasty in China. Scholars pay great attention to the Buddhistic origins of Mahoraga, relating it to different figures within Buddhism and discussing its religious artistic values. This paper focuses on the transformation of this cultural appropriation in Chinese …

  • Cire Perdue Copper Casting in Pre-Columbian Mexico

    Open Access•Y Long, Stanley Long et al.•ARTICLE•American Antiquity•1964•Cited by: 11•References: 6

    Sahagún's General History of the Things of New Spain, a Nahuatl text completed in 1555, contains an ethnographic description of cire perdue gold casting. Aboriginal copper casting was not described. However, it is believed that his gold-casting description also constitutes a basically valid description of copper casting. To test this, experiments were undertaken to cast copper bells following Sahagún's description of gold casting and using native…

  • The Secularization of Religious Figures

    Open Access•Cheng Fan, Chen Fan et al.•ARTICLE•Religions•2022•Cited by: 2

    Mahoraga dolls, a type of figurine showing a child holding a lotus leaf, are sacrifice utensils that were commonly used in the Qixi Festival to pray for reproduction throughout the Song Dynasty in China. Scholars pay great attention to the Buddhistic origins of Mahoraga, relating it to different figures within Buddhism and discussing its religious artistic values. This paper focuses on the transformation of this cultural appropriation in Chinese …

  • Belief in Drama

    Open Access•Y Long, Cheng Fan et al.•ARTICLE•Religions•2023•References: 8

    Puppets, a kind of wooden figure whose movements are manipulated by artists, were frequently used in ancient Chinese singing and dancing activities and dramas. The uniqueness of substituting human beings for puppets has drawn tremendous attention from scholars. However, despite previous research on the long development process of puppet dramas, a considerable number of details remain neglected, and behind these details lies an abundance of compli…

  • The Longwangshan cemetery and the change in funerary practices in middle Yangzi during the late Neolithic Age, China

    Open Access•Tao Shi, Y Long et al.•ARTICLE•Archaeological Research in Asia•2024•References: 8

History (4 works) · Aesthetics (2 works) · Ancient history (2 works) · Archaeology (2 works) · Art (2 works) · Buddhism (2 works) · China (2 works) · Chinese history and philosophy (2 works) · History (2 works) · Literature (2 works)

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