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Paul Heyer

Biographic Data

ID291894
NAMEPaul Heyer
GIVEN NAMESPaul
FAMILY NAMEHeyer
SIGNATUREHEYER P
AFFILIATIONSWilfrid Laurier University
VERIFIEDNo
TOTAL WORKS38
TOTAL CITATIONS37
AUTHOR COUNT37
EDITOR COUNT1
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2018
H-INDEX4
  • Communication in History: Stone Age Symbols to Social Media

    Paul Heyer, Peter Urquhart•BOOK•Communication in History•2018

    Table of Contents Forward Preface Part I The Media of Early Civilization The Earliest Precursor of Writing, Denise Schmandt-Besserat Media in Ancient Empires, Harold Innis Civilization Without Writing - The Incas and the Quipu, Marcia Ascher and Robert Ascher The Origin of Writing, Andrew Robinson Part II The Tradition of Western Literacy The Greek Legacy, Eric Havelock Writing and the Alphabet Effect, Robert K. Logan Writing Restructures Conscio…

  • Marconi: The man who networked the world

    Open Access•Paul Heyer•ARTICLE•Journal of Communication•2018

    Despite the importance of Marconi as a precursor to our information age, a contention well argued in this book, it is surprising how little has been written about his legacy over the past half century. This neglect is more than offset by Marc Raboy’s exhaustive and detailed study which effectively combines biographical narrative with communication history. Two fortuitous events in Marconi’s life might have led to a somewhat different account—a na…

  • Media ecology and the performing arts – Virtually

    Paul Heyer•ARTICLE•Explorations in Media Ecology•2017

    This keynote address highlights the author’s application of a media ecological perspective to a new mode of accessibility involving the performing arts: the transmission (often live) into cinemas around the world, of productions from the worlds of opera, theatre, ballet and the musical stage. Referred to as Digital Broadcast Cinema (DBC), the analysis presented shows how elements of theatrical liveness mediated by the conventions of film and tele…

  • Communication in History: Technology, Culture, Society

    David Crowley, Paul Heyer•BOOK•Communication in History•2015

    Updated in a new 6th edition, Communication in History reveals how media has been influential in both maintaining social order and as powerful agents of change. With revised new readings, this anthology continues to be, as one reviewer wrote, "the only book in the sea of History of Mass Communication books that introduces readers to a more expansive, intellectually enlivening study of the relationship between human history and communication histo…

  • In Memoriam: Edmund Snow Carpenter (1922-2011)

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2011

  • Live from the Met: Digital Broadcast Cinema, Medium Theory, and Opera for the Masses

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2008

    Beginning with the 2006-07 season, the New York Metropolitan Opera began broadcasting live performances into select movie theatres around the world. This article explores the phenomenon using an approach known as medium theory. It draws from the work of three analysts in that tradition who have focused on the performing and recording arts: Edmund Carpenter, John Ellis, and James Monaco. The author coins the term “digital broadcast cinema” (DBC) t…

  • A Man for All Media: Orson Welles as Media Ecologist/Medium Theorist

    Paul Heyer•ARTICLE•Explorations in Media Ecology•2005

    This article contends that Orson Welles’ (1915–1985) success in a variety of media results in part from his astute understanding of the audio and visual potential of these media. Parallels are drawn between his intuitive grasp of media as an artistic practitioner and the academic tradition of media ecology and medium theory. Welles’ “media sense” is seen as complemented by his skill at adaptation—the ability to alter source material in ways that …

  • History from the Inside: "Prolegomenon to the "Memoir of Harold Adams Innis Covering the Years 1894-1922

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2004

    This essay provides an introduction to Harold Innis' autobiographical memoir covering the years 1894-1922 ( www.cjc-online.ca ). Consideration is given to sources that may have inspired him in this direction. They include the memoirs and autobiographies he cites in The Bias of Communication (1951), along with the diary-based studies of three individuals that he wrote in conjunction with his staples research in political economy: Peter Pond, Alexa…

  • America Under Attack 1: The War of the Worlds, Orson Welles, and 'Media Sense

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2003

    This article re-examines Orson Welles' 1938 War of the Worlds broadcast. Welles' ingenious use of radio is attributed to his innate "media sense" - an ability to understand the medium he worked with in order to push it to its artistic limits. Responses to the program on the part of print media and academe are examined along with more scholarly media sense of Marshall McLuhan, who comments on the so-called Panic Broadcast in Understanding Media. T…

  • The Sixth Language: Learning a Living in the Internet Age

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2001•Cited by: 7

    Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada

  • The Making of American Audiences: From Stage to Television, 1750-1990

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2000

  • Spoken and Written Discourse

    Paul Heyer•ARTICLE•Canadian Journal of Communication•1999

  • Sociology

    Open Access•Paul Heyer•ARTICLE•The Annals of the American…•1998

  • Science of coercion: Communication research and psychological warfare 1945-1960

    Open Access•Paul Heyer•ARTICLE•Journal of the History of the…•1998

  • TV or Not TV: The Sound in the Fury

    Paul Heyer•ARTICLE•Canadian Journal of Communication•1996

  • Empire, history, and communications viewed from the margins: The legacies of Gordon Childe and Harold Innis

    Paul Heyer•ARTICLE•Continuum•1993•Cited by: 1•References: 1

  • Progress in Communication Sciences, Volume VI

    Yasmin Jiwani, Paul Heyer•ARTICLE•Canadian Journal of Communication•1987

    State of the art anthologies, often in the form of annual reviews, are found in most established disciplines. This volume is part of a biennial series that tries to carry this venerable tradition to the relatively new field of communication studies. Despite our reservations about the editor's assumption that communication is a science - straddling the natural sciences, social sciences and humanities, it has the same epistemological flexibility th…

  • The Original Sin: Incest and Its Meaning. W. Arens

    Paul Heyer•ARTICLE•American Journal of Sociology•1987

  • Human Nature and Biocultural Evolution.Joseph Lopreato

    Paul Heyer•ARTICLE•American Journal of Sociology•1987

  • Social Darwinism: A Radical Fringe

    Open Access•Paul Heyer•ARTICLE•Philosophy of the Social Sciences•1986

  • Foucault, Marxism and History: Mode of Production versus Mode of Information

    Paul Heyer, Mark Poster•ARTICLE•Labour / Le Travail•1986•Cited by: 1

  • The Marx-Darwin Connection: Kindred Souls in Disparate Garb

    Pierre L Van Den Berghe, Paul Heyer•ARTICLE•Contemporary Sociology A Journal…•1983

  • The Age of Structuralism: Levi-Strauss to Foucault

    Paul Heyer, Edith Kurzweil•ARTICLE•Leonardo•1983

    Structuralism began in linguistics and was enlarged by Claude Levi-Strauss into a new way of thinking that views our world as consisting of relationships between structures we create rather than of objective realities. The Age of Structuralism examines the work of seven writers who either expanded upon or reacted against Levi-Strauss. In a panoramic overview of the origins of deconstructionism and its critics, Edith Kurzweil offers a lucid and pe…

  • Culture, Communication and Dependency: The Tradition of H.A. Innis

    R T Naylor, William H Melody et al.•ARTICLE•Labour / Le Travail•1983•Cited by: 5

  • Culture, Communication, and Dependency: The Tradition of H. A. Innis

    Open Access•R Brym, William H Melody et al.•ARTICLE•The Canadian Journal of Sociology•1982•Cited by: 10

Next
  • Movements Toward Understanding Humans Through the Anthropological Study of Dance [and Comments and Reply]

    Judith Lynne Hanna, Roger D Abrahams et al.•ARTICLE•Current Anthropology•1979•Cited by: 13•References: 23

    An attempt is made to identify the study of dance as a specialization and peripheral interest within each of the four fields of anthropology, in order to suggest how our understanding of Homo sapiens may be enhanced by dance study. The neglect, gestation, and emergence of the anthropological study of dance, its theoretical and methodological areas of consensus and disagreement, and some specific approaches and their strengths and limitations are …

  • Culture, Communication, and Dependency: The Tradition of H. A. Innis

    Open Access•R Brym, William H Melody et al.•ARTICLE•The Canadian Journal of Sociology•1982•Cited by: 10

  • The Sixth Language: Learning a Living in the Internet Age

    Paul Heyer•ARTICLE•Canadian Journal of Communication•2001•Cited by: 7

    Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada

  • Culture, Communication and Dependency: The Tradition of H.A. Innis

    R T Naylor, William H Melody et al.•ARTICLE•Labour / Le Travail•1983•Cited by: 5

  • Empire, history, and communications viewed from the margins: The legacies of Gordon Childe and Harold Innis

    Paul Heyer•ARTICLE•Continuum•1993•Cited by: 1•References: 1

  • Foucault, Marxism and History: Mode of Production versus Mode of Information

    Paul Heyer, Mark Poster•ARTICLE•Labour / Le Travail•1986•Cited by: 1

  • Conceptual Art: Transformation of Natural and of Cultural Environments

    William Vazan, Paul Heyer•ARTICLE•Leonardo•1974

    The authors explore the possibility that the activity known as ‘conceptual art’, when evidenced in certain ways, may provide a link to the underlying structure of art. Projects of Vazan are analyzed with reference to this thesis. Art is looked at as an activity of signification (sign making) in which particular forms of conceptual art may represent ‘signifiers’ reduced to their most basic expression. The theoretical sustenance for this perspectiv…

  • More Sky

    Paul Heyer, William Vazan et al.•ARTICLE•Leonardo•1975

  • Structuralism: An Introduction

    Paul Heyer, David Robey et al.•ARTICLE•Leonardo•1975

  • Total Art: Environments, Happenings and Performance

    Paul Heyer, William Vazan et al.•ARTICLE•Leonardo•1977

    Since World War II, artists have made increasing use of technological media, and, in their search for new art forms, have collaborated with filmmakers, dancers, actors, musicians, and other artists, to stage controversial, often outrageous and hilarious, seemingly spontaneous public gatherings. Happenings, first seen in New York in the early 1960s, use live performers without the logical structure of drama, in an attempt to break down the customa…

  • The Structuralism of Claude Levi-Strauss and the Visual Arts

    Paul Heyer•ARTICLE•Leonardo•1978

  • Divining the Primary Sense: Unfamiliar Radiation in Nature, Art and Science

    Paul Heyer, Herbert Weaver•ARTICLE•Leonardo•1979

  • Structuralism and Semiotics

    Paul Heyer, Terence Hawkes et al.•ARTICLE•Leonardo•1979

  • Movements Toward Understanding Humans Through the Anthropological Study of Dance [and Comments and Reply]

    Judith Lynne Hanna, Roger D Abrahams et al.•ARTICLE•Current Anthropology•1979•Cited by: 13•References: 23

    An attempt is made to identify the study of dance as a specialization and peripheral interest within each of the four fields of anthropology, in order to suggest how our understanding of Homo sapiens may be enhanced by dance study. The neglect, gestation, and emergence of the anthropological study of dance, its theoretical and methodological areas of consensus and disagreement, and some specific approaches and their strengths and limitations are …

  • The Visual Arts and the Arts of the Unseen

    Donald Brook, Paul Heyer•ARTICLE•Leonardo•1980

  • Aspects of Canadian Cultural Policy

    Paul Heyer, William Vazan et al.•ARTICLE•Leonardo•1980

  • Presentations on Art Education Research: Phenomenological Description: Potential for Research in Art Education

    Paul Heyer, J James Victoria et al.•ARTICLE•Leonardo•1981

  • Culture, Communication, and Dependency: The Tradition of H. A. Innis

    Open Access•R Brym, William H Melody et al.•ARTICLE•The Canadian Journal of Sociology•1982•Cited by: 10

  • Theoretical Analysis of the Intermedia Art Form

    Paul Heyer, Claire Gravel et al.•ARTICLE•Leonardo•1982

  • Claude Levi-Strauss: Social Psychotherapy and the Collective Unconscious

    Paul Heyer, Thomas Shalvey•ARTICLE•Leonardo•1982

  • The Marx-Darwin Connection: Kindred Souls in Disparate Garb

    Pierre L Van Den Berghe, Paul Heyer•ARTICLE•Contemporary Sociology A Journal…•1983

  • The Age of Structuralism: Levi-Strauss to Foucault

    Paul Heyer, Edith Kurzweil•ARTICLE•Leonardo•1983

    Structuralism began in linguistics and was enlarged by Claude Levi-Strauss into a new way of thinking that views our world as consisting of relationships between structures we create rather than of objective realities. The Age of Structuralism examines the work of seven writers who either expanded upon or reacted against Levi-Strauss. In a panoramic overview of the origins of deconstructionism and its critics, Edith Kurzweil offers a lucid and pe…

  • Culture, Communication and Dependency: The Tradition of H.A. Innis

    R T Naylor, William H Melody et al.•ARTICLE•Labour / Le Travail•1983•Cited by: 5

  • Social Darwinism: A Radical Fringe

    Open Access•Paul Heyer•ARTICLE•Philosophy of the Social Sciences•1986

  • Foucault, Marxism and History: Mode of Production versus Mode of Information

    Paul Heyer, Mark Poster•ARTICLE•Labour / Le Travail•1986•Cited by: 1

  • Progress in Communication Sciences, Volume VI

    Yasmin Jiwani, Paul Heyer•ARTICLE•Canadian Journal of Communication•1987

    State of the art anthologies, often in the form of annual reviews, are found in most established disciplines. This volume is part of a biennial series that tries to carry this venerable tradition to the relatively new field of communication studies. Despite our reservations about the editor's assumption that communication is a science - straddling the natural sciences, social sciences and humanities, it has the same epistemological flexibility th…

  • The Original Sin: Incest and Its Meaning. W. Arens

    Paul Heyer•ARTICLE•American Journal of Sociology•1987

  • Human Nature and Biocultural Evolution.Joseph Lopreato

    Paul Heyer•ARTICLE•American Journal of Sociology•1987

  • Empire, history, and communications viewed from the margins: The legacies of Gordon Childe and Harold Innis

    Paul Heyer•ARTICLE•Continuum•1993•Cited by: 1•References: 1

  • TV or Not TV: The Sound in the Fury

    Paul Heyer•ARTICLE•Canadian Journal of Communication•1996

  • Sociology

    Open Access•Paul Heyer•ARTICLE•The Annals of the American…•1998

Sociology (20 works) · Art (17 works) · Computer Science (17 works) · Philosophy (16 works) · Epistemology (11 works) · History (11 works) · Psychology (10 works) · Philosophy (9 works) · Visual arts (9 works) · Political science (8 works)

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